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Thumb Prints
The “Thumb Prints” is a historical fiction novel, and as such, it is based on two important events in history: the Trans-Atlantic Slave Trade and the Fante-Asante wars (Fante and Asante are tribes that form part of modern-day Ghana, West Africa). These two events are prominent in the history of Ghana, with the Trans-Atlantic Slave Trade being prominent in world history.
The purpose of this book is to provide a good read for readers, and not to incite any resentment towards any group of people or race.
₵65.00Thumb Prints
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Groovy Dee
Age Range: 5 – 10 years
This captivating book is destined to spark delightful discussions between children and their parents. Its vibrant pages are adorned with enchanting illustrations that bring to life a remarkable cast of characters. Within these pages lie invaluable lessons waiting to be discovered.
₵65.00Groovy Dee
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The Akans of Ghana: Their Customs, History and Institutions
Supremacist historians have tended to give slanting presentations to African history as mere accounts of conflicts and wars between tribes.
The author, deploring the situation – and agreeing with the African proverb that “until lions have their own historians, tales of hunting will always glorify the hunter” – embarked on the work of the role of the African Historian.
In this book he provides basic background information about Ghana in the first chapters and utilizes the remaining to:
1. Identify the Akans among Ghanaians
2. Discuss Akan Kingdoms, past and present and
3. Treat the Akan cultures (their way of life) from procreation, through marriage to death as well as their religion.
The book is targeted at:
i. Akans who wish to be reminded about their heritage so that they do not lose their 1dentity in the fast moving world.
ii. Non-Akans (including foreigners) who seek to learn about the Akans.
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At Nineteen: Bracing the Odds of Teenage Pregnancy
COMPELLING, REVEALING and HEART-WARMING, this is a memoir that will resonate with you forever.
When a young teenage mother sets out on a lonely path to care for herself and her unborn child in an unfavourable environment, she manages to continue her education after the birth of her child, despite the loss of her father, who was her most important support system.
She manages to give her child the best of everything with the support of family and a few close friends. But as fate would have it, the worst was yet to come.
Hers is a tale of suffering and survival.
A book that inspires strength and character through adversity and challenges in life.
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SeedTime: Selected Poems I
In memory of all the Ancestral Voices who prepared the field for our SeedTime…
SeedTime I brings together Selected Poems from Kofi Anyidoho’s first five collections, beginning in reverse order with poems from AncestralLogic & CaribbeanBlues (1993), A Harvest of Our Dreams (1984), EarthChild (1985), Elegy for the Revolution (1978), and BrainSurgery (1985). BrainSurgery, the earliest of these collections, was never published as a collection until it came out together with EarthChild (Woeli Publishing Services, 1985), even though several of the poems had appeared in various journals, magazines and anthologies.
SeedTime: Selected Poems I is a backward glance to those magical years of birth waters flowing across a landscape filled at once with danger and hope, with dying and rebirth in the mystery and miracle of new beginnings so soon after countless brushfires. But the doubt returns again so close behind the hope as we offer trembling prayers in new poems from an old loom: See What They’ve Done To Our SunRise. Yet, somehow, we must open our minds and souls to the Forever Promise of New SeedTimes. This world cannot, must not crumble under our watch.
“Quintessential Anyidoho…a harvest of the master craftman’s gems across time and space. SeedTime brings a refreshing newness to old songs, and, for new ones, a touch of creative genius we have come to associate with the poet’s pedigree; a timeless legacy of a poet-laureate, whose voice waxes even stronger in his twilight years.” − Mawuli Adjei, author, poet and literary scholar
“A collection of haunting poems in which we SEE the turbulent variety of our history, and HEAR the English language teased to express the many rhythms of the African’s eternal homesickness.” − Prof. A. N. Mensah, Department of English, University of Ghana
₵100.00SeedTime: Selected Poems I
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From Dar es Salaam to Bongoland: Urban Mutations in Tanzania
The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is ‘haven of peace’ resulting from a mix-up of the Arabic words “dar” (house) and “bandar” (harbour). Named in 1867 by the Sultan of Zanzibar, the town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort to the socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, for the Tanzanian, the town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means ‘brain’ in Kiswahili). Far from being an anecdote, this slide into toponomy records the mutations that affect the links that Tanzanians maintain with their principal city and the manner in which it represents them.
This book takes into account the changes by departing from the hypothesis that they reveal a process of territorialisation. What are the processes – envisaged as spatial investments – which, by producing exclusivity, demarcations and exclusions, fragment the urban space and its social fabric? Do the practices and discussions of the urban dwellers construct limited spaces, appropriated, identified and managed by communities (in other words, territories)? Dar es Salaam is often described as a diversified, relatively homogenous and integrating place. However, is it not more appropriate to describe it as fragmented?
As territorialisation can only occur through frequenting, management and localised investment, it is therefore through certain places – first shelter and residential area, then the school, daladala station, the fire hydrant and the quays – that the town is observed. This led to broach the question in the geographical sense of urban policy carried out since German colonisation to date. At the same time, the analysis of these developments allows for an evaluation of the role of the urban crisis and the responses it brings.
In sum, the aim of this approach is to measure the impact of the uniqueness of the place on the current changes. On one hand, this is linked to its long-term insertion in the Swahili civilisation, and on the other, to its colonisation by Germany and later Britain and finally, to the singularity of the post-colonial path. This latter is marked by an alternation of Ujamaa with Structural Adjustment Plans applied since 1987. How does this remarkable political culture take part in the emerging city today?
This book is a translation of De Dar es Salaam à Bongoland: Mutations urbaines en Tanzanie, published by Karthala, Paris in 2006.
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When the Person Who is Called COVID Came
For two years and beyond, the 21st century world experienced a near-apocalypse through the COVID-19 Pandemic.
Millions of innocent people have died at the hands of an invisible, merciless plague of a killer.
How have those of us, who have been left behind, coped? How do we even have the space to grieve? How did we adjust to the clichéd ‘New Normal’? How did our lives change? – Our love lives, our family lives, our work lives, our social lives, our faith, our health, our philosophies… How have we changed? How have Ghanaians changed?
By experiencing this encapsulating Poetry Chapbook, you too can relate to the phenomena of COVID and the [Ghanaian] Woman, The COVID News of Emotions that we Haven’t Reported and The Universal Human COVID Experience, all through Apiorkor’s razor-sharp Verse Journalism and poetic spirit, in over twenty pieces of poignant poetry.
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Oxford Street, Accra: City Life and the Itineraries of Transnationalism
In Oxford Street, Accra, Ato Quayson analyzes the dynamics of Ghana’s capital city through a focus on Oxford Street, part of Accra’s most vibrant and globalized commercial district. He traces the city’s evolution from its settlement in the mid-seventeenth century to the present day. He combines his impressions of the sights, sounds, interactions, and distribution of space with broader dynamics, including the histories of colonial and postcolonial town planning and the marks of transnationalism evident in Accra’s salsa scene, gym culture, and commercial billboards.
Quayson finds that the various planning systems that have shaped the city—and had their stratifying effects intensified by the IMF-mandated structural adjustment programs of the late 1980s—prepared the way for the early-1990s transformation of a largely residential neighborhood into a kinetic shopping district. With an intense commercialism overlying, or coexisting with, stark economic inequalities, Oxford Street is a microcosm of historical and urban processes that have made Accra the variegated and contradictory metropolis that it is today.
“Oxford Street, Accra offers a fresh portrait of a rising African metropolis by one of the most original and skilled critics of the African condition. Deeply researched and packed with detail and bold in scope and analysis, Oxford Street, Accra is a unique addition to the growing body of work on contemporary African Urbanism. This extraordinary book shows the extent to which the future of urban theory might well lie in the global South.” – Achille Mbembe, author of Critique de la raison négre.
KEY SELLING POINTS:
- Oxford Street, Accra is a must-buy as an invaluable companion and compass for both newcomers and returning visitors to Accra.
- Oxford Street, Accra was chosen as one of the ‘UK Guardian’s 10 Best City Books of the World in 2014.’
- Oxford Street, Accra was also the Co-Winner of ‘The Urban History Association’s Top Award in the International Category For Books Published About World Cities in 2013 – 2014.’
- Oxford Street, Accra contains an encyclopedic knowledge of the City of Accra, tracing the city’s evolution from its settlement in the mid-seventeenth century to the present day.
- The book offers a microcosm of historical and urban knowledge of the making of the city that have transformed Accra into the sophisticated metropolis that is it today.
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90 & Grateful: An Autobiography (Hardcover)
The author of this fine autobiography, Mrs Lucy Effah, a nonagenarian who has shown that it is never too late for any personal endeavour once you set your mind to it. Born a royal of Asante Bekwai, she grew up to become a top nurse-midwife professional in the pre and immediate post independent eras of Ghana. Her life has demonstrated a genetic leadership trait inherent in her character. She exemplified such faith and commitment that may be compared to the dedication of globally acknowledged and timeless personalities like Florence Nightingale, Mother Teresa and Mary Seacole.
The book includes many glowing tributes – including a Foreword from the former President of Ghana, His Excellency John Agyekum Kufuor attributing her trailblazing qualities in nursing education to her leadership qualities. The former President said she has always had an aura of care and compassion about her in both her public and private life. In this respect, she has made immense contributions to the process of transformation in Ghana.
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The Akan of Ghana: Aspects of Past and Present Practices
The Akan of Ghana: Aspects of Past and Present Practices takes the reader through the ancestry of present-day Akan people – from the influence of ancient Egypt, through the ancient Empires of Western Sudan and into the forest belt of present-day Ghana. Comparative analysis of cultural practices (such as kingship and the royal setup, death, funeral rites, and family structures) between ancient Egypt and present-day Akan people are highlighted. The three elements that make up an Akan person – Blood, Soul, and Spirit – as well as the Akan family structure are elaborately treated, and a clear cultural distinction between an Akan family and clan is explained. Names and their appellations, signs and symbols, as well as some kente designs are highlighted in the appendices. Ultimately, cultural challenges of the Akan in the contemporary world are brought to the fore.
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Men Across Time: Contesting Masculinities in Ghanaian Fiction and Film
Men Across Time: Contesting Masculinities in Ghanaian Fiction and Film examines the various constructions and manifestations of masculinities from precolonial, colonial, independent and post-independent Ghana as portrayed in selected Ghanaian fiction, film and music videos. Two main questions are engaged here:
- What predominant masculine images are present in Ghanaian texts?
- In what ways has the passage of time affected the subversion of dominant masculine images, contested hegemony and created room for the presence of alternative masculinities?
This book submits that in questioning the various masculine modes of behaviours portrayed in these texts, and negotiating their own masculine identities, the male characters showcase the mutations that are taking place within masculine representations over time and aver that other models of masculine expression are possible.
“This study’s engagement with the theory of hegemonic masculinity represents an important contribution to the discourse in gender studies in Ghana and Africa. In addition, it is well researched and presents a cutting-edge analysis of masculinity across genres. I cannot think of any other study in Ghanaian literary and cultural studies that provides such a broad historical background context and the book is certainly original in its approach.” — Professor Mansah Prah, Department of Sociology and Anthropology, University of Cape Coast, Ghana
“The book’s major strength is in adding significantly to an area of study that is currently under theorised. This has the potential to make a robust and important contribution to the field of knowledge on representation of masculinities in African and specifically Ghanaian popular culture.” — Associate Professor Nicky Falkof, Media Studies, University of the Witwatersrand, South Africa
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Abusua Pa Jigsaw Puzzle: The Black Star Square (216 Puzzle Pieces) – Pre-Order
Independence Square, also known as Black Star Square, is a landmark in Accra, Ghana, with historical and cultural significance. It serves as the venue for Ghana’s Independence Day celebrations and features symbolic elements like the Independence Arch and the Independence Square Monument. The square is one of the world’s largest and can accommodate large gatherings. It has surrounding landmarks and is open to the public for recreational activities. Independence Square holds historical significance as the site where Ghana proclaimed its independence from British colonial rule in 1957. It stands as a symbol of national pride and hosts events that commemorate Ghana’s freedom.
The soldier facing the Independence Arch in Ghana symbolizes the country’s struggle for independence and its emergence as the first sub-Saharan African nation to gain freedom from British colonial rule. The soldier represents the Ghanaian military’s dedication to protecting the nation’s sovereignty and symbolizes the courage and sacrifice of the people in their fight for self-rule. It serves as a reminder of Ghana’s commitment to preserve its independence, uphold values of freedom and democracy, and promote national unity. Overall, the soldier facing the Independence Arch represents the historical significance of Ghana’s independence, the contributions of the military, and the ongoing commitment to safeguard the nation’s sovereignty.
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Abusua Pa Jigsaw Puzzle: Chief Dancing (140/216 Puzzle Pieces) – Pre-Order
A Chief’s Dance in Ghana holds great cultural significance as a symbol of the chief’s authority, heritage and community unity. It preserves Ghanaian traditions and passes down ancestral knowledge. The dance has ritual and spiritual elements and honours ancestors and historical lineage.
It showcases cultural identity and attracts tourists, promoting cultural pride and understanding. The Chief’s Dance plays a vital role in Ghanaian society, connecting the past with the present and ensuring the continuity of cultural heritage.
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Abusua Pa Jigsaw Puzzle: Fort Amsterdam (216 Puzzle Pieces) – Pre-Order
Fort Amsterdam is a historic fort located in the town of Abandze in the Central Region of Ghana. It was built by the Dutch in 1638 as a trading post for gold and ivory, and later served as a slave trading station.
The fort was strategically located on a hill overlooking the Atlantic Ocean, allowing the Dutch to have a clear view of incoming ships. It was also built with stone walls and cannons to protect against attacks from rival European powers and indigenous groups.
During its occupation by the Dutch, Fort Amsterdam was an important center for the transatlantic slave trade, with thousands of Africans passing through its gates before being shipped off to the Americas.
Today, the fort is a popular tourist attraction and a reminder of Ghana’s colonial past. Visitors can tour the grounds and learn about the fort’s history through exhibits and guided tours.
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Abusua Pa Jigsaw Puzzle: Fort William (216 Puzzle Pieces) – Pre-Order
Fort William, originally known as Fort Anomabo, is a historic fortress located in Central Region of Ghana. During the 19th century, under the command of Brodie Cruickshank, the fortress was renamed Fort William in honour of King Charles II.
Constructed primariily using local resources, this remarkable stronghold earned the reputation of being one of the most splendidly designed and sturdily built fortresses along the coast.
Throughout its existence, it served diverse purposes. Initially functioning as a rest house and a post office, Fort William underwent a transformation and was repurposed as a state prison, a role it fulfilled until 2001. Today, the fort has undergone another metamorphosis and currently serves as a community library, enriching the lives of the people of Anomabu. This conversation not only preserves its historical significance but also stands a a beacon of knowledge and learning within the local community.
₵450.00