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    Bob Marley: The Untold Story

    What was it about Bob Marley that made him so popular in a world dominated by rock’n’roll? How is that he has not only remained the single most successful reggae artist ever, but has also become a shining beacon of radicalism and peace to generation after generation of fans across the globe?

    On May 11, 1981, a little after 11.30 in the morning, Bob Marley died. The man who introduced reggae to a worldwide audience, in his own lifetime he had already become a hero figure in the classic mythological sense. From immensely humble beginnings and with talent and religious belief his only weapons, the Jamaican recording artist applied himself with unstinting perseverance to spreading his prophetic musical message.

    And he had achieved it: only a year earlier, Bob Marley and The Wailers’ tour of Europe had seen them perform to the largest audiences a musical act had up to that point experienced. Record sales of Marley’s albums before his death were spectacular; in the years since his death they have become phenomenal, as each new generation discovers afresh the remarkable power of his music.

    Chris Salewicz, who had a sequence of adventures with Bob Marley in Jamaica in 1979, offers us a comprehensive and detailed account of Bob Marley’s life and the world in which he grew up and came to dominate. Never-before-heard interviews with dozens of people who knew Marley are woven through a narrative that brings to life not only the Rastafari religion and the musical scene in Jamaica, but also the spirit of the man himself.

    100.00
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  • Ghana’s Heritage of Culture (Hardcover)

    Kofi Antubam was once a student, avid researcher, teacher and a trail-blazing master of the arts and culture.

    His depiction of Ghana’s traditional values is profound. From explaining the meaning of colours, time, names, beauty, the traditions of royal Courts, the essence of the male and female, Antubam dissects sculpture, painting, music and dance, poetry, hairstyles, textiles, jewelry — our known forms of art. Presented here are one man’s notion of religion, prayer, vice and virtue, procreation and the rituals and symbolism of death in the traditions of Ghana. — Ray Sowah

    Antubam’s research to identify and codify the tenets of the Ghanaian personality began in 1943. It took more than 2 decades for his words to be published. This unique and influential piece of written art, expresses the author’s beliefs, written in his unique style, a representation of the urgent call of his time. At the core of his book is the search for identify. The original book sought to define the ‘Ghanaian Personality’ ” who we were as a country and as a people. 55 years after Antubam raised this issue, we still continue to grapple with defining our collective identity. It is the hope of the publisher that, in reading this book, Ghanaians and those who study and love our culture will find explanations for ‘I am a Ghanaian’. It is rooted in our traditions.

    Published by Heritage Project as part of The Legacy Series.

    225.00
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  • Kofi Antubam and the Myth Around Ghana’s Presidential Seat

    This book is a rare legacy for the nation, art connoisseurs and people who love to know more about the various values of Ghanaian Art.

    Kofi Antubam was an eminent artist who taught Art and Crafts at the Achimota School in the 50’s and early 60’s. He was born in 1922 and died at the age of 42 in 1964.

    This book, “Kofi Antubam and the myth around Ghana’s Presidential Seat” does not only enlighten the reader on the late Antubam’s great exploits [e.g. designing of the Presidential Seat, State Sword, State Mace and many State Monuments] but also shows their cultural and aesthetic values, and outline the myths and functions of Ghanaian traditional Art as incorporated in his works.

    Kofi Antubam who almost single-handedly placed Ghanaian art on the world map during his life time has been a forgotten hero since his death. Apart from the various prizes he won in different art competitions, he gave lectures at several conferences, both at home and abroad on various humanistic and aesthetic topics.

    Thirty years after his death, two elderly carvers emerged from nowhere to claim that Kofi Antubam contracted them to carve the Presidential Seat but did not pay them.

    The 128-page power-packed book on creativity searches for the truth. Who are the true carvers of the Presidential Seat?

    The author spent three years researching this book.

    23.00
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