Over the course of fifty-four years till the eve of independence, eight colonial pro-consuls governors for the British Empire pitched wit, passion and guile against under-celebrated, sometimes everyday Nigerians – Ahmadu Attahiru I, the Sokoto Caliph and his cavalry, who violently resisted British ouster and occupation; Eleko and the Lagos Chieftains, who first claimed they would “rather die than pay tax”… This is a story of Nigeria’s history as well as the history of Nigeria’s story. The other story!₵95.00₵95.00
Annie John is a haunting and provocative story of a young girl growing up on the island of Antigua. A classic coming-of-age story in the tradition of The Catcher in the Rye and A Portrait of the Artist as a Young Man, Kincaid’s novel focuses on a universal, tragic, and often comic theme: the loss of childhood. Annie’s voice―urgent, demanding to be heard―is one that will not soon be forgotten by readers.
An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl’s existence. Loved and cherished, Annie grows and thrives within her mother’s benign shadow. Looking back on her childhood, she reflects, “It was in such a paradise that I lived.” When she turns twelve, however, Annie’s life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a “young lady,” ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. “For I could not be sure,” she reflects, “whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world.”₵70.00₵70.00
A SUNDAY TIMES TOP TEN BESTSELLER
Selected as a summer read by the Independent, Grazia, Vogue, Cosmopolitan and ES Magazine
‘Transcendent: art at its most carnal and healing. It is a love letter to love … This book is, like its author, the most empathic and generous and wise and sensual and brave and stunning and luminous permissors of passion that has ever been created. The reason it was written doesn’t merely save on a reading level, but on the level of the soul. As a writer and as a citizen of the world, Gilbert shines on and on and on…’ — Lisa Taddeo, author of Three Women
It is the summer of 1940. Nineteen-year-old Vivian Morris arrives in New York with her suitcase and sewing machine, exiled by her despairing parents. Although her quicksilver talents with a needle and commitment to mastering the perfect hair roll have been deemed insufficient for her to pass into her sophomore year of Vassar, she soon finds gainful employment as the self-appointed seamstress at the Lily Playhouse, her unconventional Aunt Peg’s charmingly disreputable Manhattan revue theatre. There, Vivian quickly becomes the toast of the showgirls, transforming the trash and tinsel only fit for the cheap seats into creations for goddesses.
Exile in New York is no exile at all: here in this strange wartime city of girls, Vivian and her girlfriends mean to drink the heady highball of life itself to the last drop. And when the legendary English actress Edna Watson comes to the Lily to star in the company’s most ambitious show ever, Vivian is entranced by the magic that follows in her wake. But there are hard lessons to be learned, and bitterly regrettable mistakes to be made. Vivian learns that to live the life she wants, she must live many lives, ceaselessly and ingeniously making them new.
‘At some point in a woman’s life, she just gets tired of being ashamed all the time. After that, she is free to become whoever she truly is,’ she confides. And so Vivian sets forth her story, and that of the women around her – women who have lived as they truly are, out of step with a century that could never quite keep up with them.₵130.00₵130.00