-
A Question of Power (African Writers Series, AWS149)
“Your mother was insane. If you’re not careful you’ll get insane just like your mother. Your mother was a white woman. They had to lock her up, as she was having a child by the stable boy who was a native.”
It is never clear to Elizabeth whether the mission school principal’s cruel revelation of her origins is at the bottom of her mental breakdown. She has left South Africa with her son and is living in the village of Motabeng, the place of sand, in Botswana where there are no street lights at night. In the darkness of this country where people turn and look at her with vague curiosity as an outsider she establishes an entirely abnormal relationship with two men. A mind-bending book which takes the reader in and out of sanity.
₵55.00 -
The Black Hermit (African Writers Series, AWS51)
In this play, Remi, the first of his tribe to go to university, ponders whether or not he should return to his people. Or should he continue to be a black hermit in the town? Amidst the backdrop of a politically torn country, Remi himself is torn between his sense of tribalism and nationalism. This struggle runs deep, as he finds it at the heart of his afflictions between himself, his marriage and familial relations, and his greater sense of obligations to his people and the country. The overwhelming nature of these problems drives him into isolation as a black hermit. His self-imposed exile into the city leads him to find contentment in the Jane, his new lover, and nightly clubbing. However, after he is lobbied to return to the tribe, he must now confront the demons of his past.
The Black Hermit was the first published East African play in English. The play was published in a small edition by Makerere University Press in 1963, and republished in Heinemann’s African Writers Series in 1968.
₵55.00 -
A Woman in Her Prime (African Writers Series, AWS40)
A young woman makes that all-important rite of passage from adolescence to adulthood. However, her early adult life is marred by childlessness in a society that places a great premium on children and motherhood as the ultimate mark of womanhood.
₵45.00 -
Gathering Seaweed: African Prison Writing (African Writers Series)
This anthology introduces the African literature of incarceration to the general reader, the scholar, the activist and the student. The visions and prison cries of the few African nationalists imprisoned by colonialists, who later became leaders of their independent dictatorships and in turn imprisoned their own writers and other radicals, are brought into sharper focus, thereby critically exposing the ironies of varied generations of the efforts of freedom fighters.
Extracts of prose, poetry and plays are grouped into themes such as arrest, interrogation, torture, survival, release and truth and reconciliation.
Contributors include: Kunle Ajibade, Obafemi Awolowo, Steve Biko, Breyten Breytenbach, Dennis Brutus, Nawal El Saadawi, M J Kariuki, Kenneth Kaunda, Caesarina Kona Makhoere, Nelson Mandela, Emma Mashinini, Felix Mnthali, Augustino Nato, Ngugi wa Thiong’o, Kwame Nkrumah, Abe Sachs, Ken Saro Wiwa, Wole Soyinka, and Koigi wa Wamwere.
Although an often harrowing indictment of the history, culture and politics of the African continent and the societies from which this literature comes, the anthology presents excellent prose, poetry and drama, which stands up in its own right as serious literature to be cherished, read and studied.
₵55.00 -
Can We Talk And Other Stories (African Writers Series)
Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe’s foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity.
The first stories, ‘Hoffman Street’ and ‘The Man who Hanged Himself’ capture the bewildered innocence of a child’s view of the adult world, where behaviour is often puzzling and contradictory; stories such as ‘Going to See Mr B.V.’ provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. ‘Among the Dead’ and ‘Brothers and Sisters’ look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while ‘Playing your Cards’, ‘The Waterfall’, ‘Strays’ and ‘Bramson’ introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in ‘Can we Talk’ we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. ‘Can we Talk’ is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.
₵55.00 -
The Lovers (African Writers Series)
The Lovers collects Head’s short fiction of the 1960s and 70s, written mainly in Serowe, Botswana, and depicting the lives and loves of African village people pre- and post-independence.
An earlier selection called Tales of Tenderness and Power was published in the Heinemann African Writers Series in 1990, but this expanded and updated volume adds many previously unavailable stories collected here for the first time. Anthology favourites like her breakthrough The Woman from America and The Prisoner who Wore Glasses are included, leading up to the first complete text of her much translated title story.
₵55.00 -
The Return of the Water Spirit (African Writers Series)
Set in Angola in the late 1980s, a time of war, and when the Marxist-orientated ruling elite became engulfed by corruption, nepotism and rampant capitalism.Three centuries earlier, a hideous crime occurred, the beheading of a slave who had had inappropriate relations with his Master’s daughter. Now, in the very same Kinaxixi Square in the city of Luanda buildings are falling down one by one baffling the country’s engineers. Many describe this mysterious process as ‘Luanda Syndrome, God’s punishment on a degenerate society.
Drawing on the essence of African mythology which had all but been obliterated by history, could this be explained by the return of a Water Spirit (the ‘kianda’)?
The novel focuses on the interplay between these two forces-the forces of old and new. Just like faith can move mountains, the spirit of the water can move cities.
This book is a scathing critique of Angola’s ruling elite, for abandoning their socialist principles in favour of rampant capitalism.
₵55.00 -
Voices Made Night (African Writers Series)
In this collection of stories, the Mozambican poet, Mia Couto, expresses, through striking poetic metaphors, the emptiness and absurdity of lives bound by poverty and subject to arbitrary incursions of extreme violence. The frustrated longing of the lipless snake catcher who surrounds his lady’s house with snakes; or the man who fears his wife is a witch and scalds her with boiling water, are caught in dual tension. In Voices Made Night, an African cosmology portrays a surreal world defined by its contradictions, set against a background of political instability.₵55.00 -
Ordained by the Oracle (African Writers Series, AWS55)
Boateng, a prosperous trader in Elmina, has the beginnings of disbelief in the old customs. His wife dies suddenly and he is put through forty days and forty nights of rituals. The conflicting strains of emotion on social behavior are vividly shown by this practised writer.
₵32.00 -
Every Man Is A Race (African Writers Series)
‘A man’s story is always badly told. That’s because a person never stops being born. Nobody leads one sole life, we are all multiplied into different and ever-changeable men.’ So it is with all the stories in this collection, which never make a definitive judgement on the individual life, but only suggest its possibilities.Set in Mozambique, the stories reflect the legacy of Portuguese colonialism and the tragedy of the subsequent civil war.Mia Couto’s first collection, Voices Made Night, was described as ‘lyrical’, ‘magical’ and ‘compassionate’ by the reviewers, who were unanimous in identifying a significant new talent from the continent. This volume confirms that judgement.
₵55.00 -
Bookset: African Writers Series (25 titles)
Relive all the literary joys of yesteryears by purchasing this jumbo set of all your favourite African Writers Series titles such as Things Fall Apart, The Beautyful Ones Are Not Yet Born, Weep Not Child, So Long A Letter, No Sweetness Here and many more!
Exact titles will vary depending on availability.
₵1,325.00₵1,375.00Bookset: African Writers Series (25 titles)
₵1,325.00₵1,375.00 -
Africa Writes Back: The African Writers Series & the Launch of African Literature
June 17, 2008, is the fiftieth anniversary of the publication of Chinua Achebe’s Things Fall Apart by Heinemann. This publication provided the impetus for the foundation of the African Writers Series in 1962 with Chinua Achebe as the editorial adviser. This narrative, drawing liberally on the correspondence with the authors, concentrates on the adventurous first twenty-five years.
Africa Writes Back: The African Writer’s Series & the Launch of African Literature captures the energy of literary publishing in a new and undefined field. Portraits of the leading characters and the many consultants and readers providing reports and advice to new and established writers make Africa Writes Back a stand-out book. James Currey’s voice and insights are an added bonus.
₵55.00 -
Harvest of Thorns (African Writers Series)
The revolution that ended white minority rule in Rhodesia (now Zimbabwe) is seen here chiefly through the eyes of Benjamin Tichafa, a young guerrilla. He is the son of a devoutly religious couple, his father a government messenger completely subservient to his white superiors. Enraged by the treatment of blacks, a teenage Benjamin turns from his parents’ apolitical religion. After being arrested in a demonstration, he joins the revolution.
The novel is enriched by the viewpoints of black Rhodesians who, out of fear or for economic reasons, do not fully support the struggle. The slaying of a dictatorial white farm owner dismays his foreman, whose livelihood is now threatened. The fatal beating of a woman who reluctantly informed on the guerrillas raises misgivings in Benjamin’s outfit. Though ultimately portraying the victory as worthwhile, Chinodya also shows the price paid in lives, tattered families and lost traditions. The result is a humane and penetrating look at a brutal government and a bloody revolution.
Harvest of Thorns is a novel of great significance which will give all those who read it a greater understanding of the road along which Zimbabwe has travelled, as well as indicate many of the directions ahead.
₵55.00