• The Midnight Caller (Junior African Writers Series Level 2)

    Level 2 is suited to learners who have been studying English for 4-5 years. Short sentences and a large number of illustrations combine to make these books both enjoyable and easy to read, either individually or in class. Learners have a wide variety of stories to choose from.

    Someone is watching John’s house. John has seen him — a strange and frightening man. Then one dark night the man comes calling. What does he want? John is determined to find out.

  • Junior African Writers Series Bookset Levels 1 – 2 (20 titles)

    Develop literacy skills in your 8-17 year olds with exciting and engaging books for all reading levels.
    The sentence structure and vocabulary has been carefully constructed to suit your students experience and age so that as they grow, so do their literacy abilities.
    Titles in this set include (likely to change due to availability of titles):
    Taxi to Johannesburg — Matlakala Bopape and Peta Constable (Level 1)
    The Big Fight — Michael Cullup (Level 1)
    The Frightened Thief — Amu Djoleto (Level 1)
    The Midnight Caller — Anthony Umelo (Level 2)
    The Hyena Valley — The Hyena Valley (Level 2)
    The Secret of Nkwe Hill — Marcus Khama ter Haar (Level 2)
    The Smile Thief — Fatou Keita (Level 2)
    The Magic Pool — Gaele Mogwe (Level 2)
    Happy the Street Child — F.M. Mlekwa (Level 2)
    Kodua’s Ark — Yaw Ababio Boateng (Level 3)
    The Ashanti Golden Stool — Ayebia Ribeiro-Ayeh (Level 3)
    The Haunted Taxi Driver — Kofi Sekyi (Level 3)
    Valley of Skulls — Anokye Wiredu (Level 3)
    The Secret Valley — Mike Sadler (Level 4)
    Paulo’s Strange Adventure — Barbara Kimenye (Level 4)
    The Ivory Poachers — Linda Pfotenhauer (Level 5)

  • Gathering Seaweed: African Prison Writing (African Writers Series)

    This anthology introduces the African literature of incarceration to the general reader, the scholar, the activist and the student. The visions and prison cries of the few African nationalists imprisoned by colonialists, who later became leaders of their independent dictatorships and in turn imprisoned their own writers and other radicals, are brought into sharper focus, thereby critically exposing the ironies of varied generations of the efforts of freedom fighters.

    Extracts of prose, poetry and plays are grouped into themes such as arrest, interrogation, torture, survival, release and truth and reconciliation.

    Contributors include: Kunle Ajibade, Obafemi Awolowo, Steve Biko, Breyten Breytenbach, Dennis Brutus, Nawal El Saadawi, M J Kariuki, Kenneth Kaunda, Caesarina Kona Makhoere, Nelson Mandela, Emma Mashinini, Felix Mnthali, Augustino Nato, Ngugi wa Thiong’o, Kwame Nkrumah, Abe Sachs, Ken Saro Wiwa, Wole Soyinka, and Koigi wa Wamwere.

    Although an often harrowing indictment of the history, culture and politics of the African continent and the societies from which this literature comes, the anthology presents excellent prose, poetry and drama, which stands up in its own right as serious literature to be cherished, read and studied.

  • The Frightened Thief (Junior African Writers Series Level 1)

    Level 1 is for readers who have been studying for three to four years. The content and language have been carefully controlled to increase fluency in reading.

    Amanor must find money to give to the school bullies. He is very frightened. What can he do to get it?

  • Taxi to Johannesburg (Junior African Writers Series Level 1)

    Level 1 is for readers who have been studying for three to four years. The content and language have been carefully controlled to increase fluency in reading.

    Tumi is going to Johannesburg by taxi. But the taxi breaks down and then it is stopped by a policeman. Will Tumi ever get to Johannesburg?

  • Can We Talk And Other Stories (African Writers Series)

    Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe’s foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity.

    The first stories, ‘Hoffman Street’ and ‘The Man who Hanged Himself’ capture the bewildered innocence of a child’s view of the adult world, where behaviour is often puzzling and contradictory; stories such as ‘Going to See Mr B.V.’ provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. ‘Among the Dead’ and ‘Brothers and Sisters’ look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while ‘Playing your Cards’, ‘The Waterfall’, ‘Strays’ and ‘Bramson’ introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in ‘Can we Talk’ we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. ‘Can we Talk’ is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.

  • The Paper Chase (Junior African Writers Series Level 1)

    Level 1 is for readers who have been studying for three to four years. The content and language have been carefully controlled to increase fluency in reading.

    Jacob sells newspapers to make some extra money. But one Saturday everything goes wrong. He wakes up late, misses his bus and when he forgets to weigh down his newspapers with a stone, they blow everywhere. What is Jacob going to do?

  • The Lovers (African Writers Series)

    The Lovers collects Head’s short fiction of the 1960s and 70s, written mainly in Serowe, Botswana, and depicting the lives and loves of African village people pre- and post-independence.

    An earlier selection called Tales of Tenderness and Power was published in the Heinemann African Writers Series in 1990, but this expanded and updated volume adds many previously unavailable stories collected here for the first time. Anthology favourites like her breakthrough The Woman from America and The Prisoner who Wore Glasses are included, leading up to the first complete text of her much translated title story.

  • The Smile Thief (Junior African Writers Series Level 2)

    Level 2 is suited to learners who have been studying English for 4-5 years. Short sentences and a large number of illustrations combine to make these books both enjoyable and easy to read, either individually or in class. Learners have a wide variety of stories to choose from.

    A wicked witch hates fun and laughter, so she steals the smiles from the village children. But her magic doesn’t work on one little girl, Soukey, who keeps on smiling and laughing. Can Soukey break the witch’s spell and help the other children smile again?

  • The Big Fight (Junior African Writers Series Level 1)

    Level 1 is for readers who have been studying for three to four years. The content and language have been carefully controlled to increase fluency in reading.

    Joseph is big and strong. He is a good boxer. His brother is being bullied. Joseph can help him. But can he win the big fight to help his school win the cup?

  • The Return of the Water Spirit (African Writers Series)

    Set in Angola in the late 1980s, a time of war, and when the Marxist-orientated ruling elite became engulfed by corruption, nepotism and rampant capitalism.

    Three centuries earlier, a hideous crime occurred, the beheading of a slave who had had inappropriate relations with his Master’s daughter. Now, in the very same Kinaxixi Square in the city of Luanda buildings are falling down one by one baffling the country’s engineers. Many describe this mysterious process as ‘Luanda Syndrome, God’s punishment on a degenerate society.

    Drawing on the essence of African mythology which had all but been obliterated by history, could this be explained by the return of a Water Spirit (the ‘kianda’)?

    The novel focuses on the interplay between these two forces-the forces of old and new. Just like faith can move mountains, the spirit of the water can move cities.

    This book is a scathing critique of Angola’s ruling elite, for abandoning their socialist principles in favour of rampant capitalism.

  • The Boy Who Rode a Lion (Junior African Writers Series Level 2)

    Level 2 is suited to learners who have been studying English for 4-5 years. Short sentences and a large number of illustrations combine to make these books both enjoyable and easy to read, either individually or in class. Learners have a wide variety of stories to choose from.

    In this comic story set in Kenya at the turn of the century, Kamau earns money for his school fees by guarding sheep from a lion.

  • Mr Kalogo’s Factory (Junior African Writers Series Level 2)

    Level 2 is suited to learners who have been studying English for 4-5 years. Short sentences and a large number of illustrations combine to make these books both enjoyable and easy to read, either individually or in class. Learners have a wide variety of stories to choose from.

    The man from the Government wants to build a paper factory on the banks of the river. He tells the people it will bring jobs and money to the village. But the people are against his plan. Their chief knows that the man has a terrible secret. It is a secret which could destroy the village.

  • Dog Dip (Junior African Writers Series Level 2)

    Level 2 is suited to learners who have been studying English for 4-5 years. Short sentences and a large number of illustrations combine to make these books both enjoyable and easy to read, either individually or in class. Learners have a wide variety of stories to choose from.

    Jerami lives near the dog dip in a town in Malawi. He wants a dog of his own, but his mother won’t agree. Then one day he looks after a lost dog and hides it away. What will happen when his secret is discovered?

  • Voices Made Night (African Writers Series)

    In this collection of stories, the Mozambican poet, Mia Couto, expresses, through striking poetic metaphors, the emptiness and absurdity of lives bound by poverty and subject to arbitrary incursions of extreme violence. The frustrated longing of the lipless snake catcher who surrounds his lady’s house with snakes; or the man who fears his wife is a witch and scalds her with boiling water, are caught in dual tension. In Voices Made Night, an African cosmology portrays a surreal world defined by its contradictions, set against a background of political instability.

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