• The Pen at Risk: Spilling My Little Beans

    “The Pen at Risk is more than a memoir. It is a piece of authentic, ungarnished history by a writer and public intellectual who is too modest to accept the title of a historian, but who witnessed and chronicled the most intriguing epochs of Ghana’s national life. Laced with the innate Fante humour, this book is a piece of deep but entertaining non-fiction that is told with the demystified simplicity of one of Ghana’s greatest academics and writers. Kwesi Yankah is a gift to humanity, and this memoir is a greater gift to an unfortunate generation like mine that did not live in the era of the incisive writings of the great Kwatriot.” – Manasseh Azure Awuni, Editor-in-Chief, The Fourth Estate

    “When a citizen who has spent his whole life scrutinising society, turns the spotlight on himself, the risks include this epic engagement that spares no one, him included. In this bare-it-all memoir, the Yankah enigma is fully bared, warts and all.  As it turns out, Yankah has had more than his fair share of privileged roles, ultimately impacting the national narrative. The richness of ethnography here, is as riveting as his urban-savvy accounts of the intrigues of university and national politics. While we watch him weave his wizardry of words, we are also awed by the totality of his humanity. The Pen at Risk is a hilarious package of eruditions. It is about the exalted gossips of our Motherland. The narratives are so sweet they hurt. If this isn’t the best book you have read in years, call me illiterate.” – Kofi Akpabli, Scholar, Author, Journalist

    “In this memoir, Kwesi Yankah  delivers a sparkling tableau of key aspects of his life, tabling his charmed childhood and amazing trajectory as an academic. He then rolls out his long stint as an audacious social commentator and columnist for leading papers (which may have put his pen at risk). With a penmanship characterized by a keen eye for detail, this autobiography is an entertaining and captivating book that should be read by all interested in media and social history as well as autobiography as a literary genre.” – Professor Mansah Prah, University of Cape Coast

    “Intriguing, revealing, and brilliant. The Pen at Risk is unvarnished introspection beautifully strung together with anecdotes in a way that is vibrant and colorful. Kwesi Yankah’s work is a refreshingly modest invitation to see life through a different lens, even for a fleeting moment.” – Dr Obeng Amoako Edmonds, University of Southern California, Los Angeles, California

  • The Teller of Secrets (HarperVia Edition)

    In this stunning debut novel—a tale of self-discovery and feminist awakening—a feisty Nigerian-Ghanaian girl growing up amid the political upheaval of late 1960s postcolonial Ghana begins to question the hypocrisy of her patriarchal society, and the restrictions and unrealistic expectations placed on women.

    Young Esi Agyekum is the unofficial “secret keeper” of her family, as tight-lipped about her father’s adultery as she is about her half-sisters’ sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women’s secrets and men’s secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places.

    As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways.

    Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa’s most exciting literary talents.

  • Beyond the Political Spider: Critical Issues in African Humanities (African Humanities Series)

    Beyond the Political Spider: Critical Issues in African Humanities by Kwesi Yankah is the first title in the newly established African Humanities Association (AHA) publication series.

    By integrating his own biography into a critique of the global politics of knowledge production, Yankah, through a collection of essays, interrogates critical issues confronting the Humanities that spawn intellectual hegemonies and muffle African voices. Using the example of Ghana, he brings under scrutiny, amongst others, endemic issues of academic freedom, gender inequities, the unequal global academic order, and linguistic imperialism in language policies in governance.

    In the face of these challenges, the author deftly navigates the complex terrain of indigenous knowledge and language in the context of democratic politics, demonstrating that agency can be liberatory when emphasising indigenous knowledge, especially expressed through the idiom of local languages and symbols, including Ananse, the protean spider, folk hero in Ghana and most parts of the pan-African world.

    “Fascinating snapshots from an engaged scholarly life in Africa, valuable as an archival resource for the understanding of this period of higher education in Africa.” – John Higgins, Arderne Chair in Literature, Department of English Literary Studies, University of Cape Town

    “This book is unique and gives a powerful rendition of the state of the Humanities in Africa (with Ghana as a case in point). It grapples with some of the pertinent issues dogging the Humanities in Africa. It comments on the Humanities scholarship in Africa, and subtly throws a challenge for future scholarship. It draws on African traditions, communal heritage, and governance in discussing the role and place of the Humanities in Africa. It also brings into the analysis the ever-changing imperatives and modernity in re-configuring African Humanities.” – Mark Benge Okot, Head of Department, Literature, Makerere University, Uganda

    “Beyond the Political Spider’ effectively draws, in a unique fashion, from literature, history, linguistics and other cognate disciplines in the African Humanities.” – Sati Umaru Fwatshak, Department of History, University of Jos, Nigeria

  • Our Motherland – My Life

    Our Motherland – My Life chronicles the remarkable life of a true Ghanaian patriot who has been an active participant and observer in Ghanaian political transitions. His African cultural influences are undergirded by his deep spiritual belief in articulating the needs of Ghana and Africa as an influential communicator. His leadership legacy as a visionary will be remembered for generations to come as one of the best Ghanaian and Pan Africanist thinkers of his generation.

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