Chinua Achebe: Tributes and Reflections

Chinua Achebe renowned as Africa’s most famous novelist and author who died in Boston, USA, on 21st March 2013 at the age of 82. He is recognized as the founding father of Modern African writing in English. The publication of his first novel Things Fall Apart not only contested European narratives about Africa but also challenged traditional assumptions about the form and function of the novel. His literary life spanned over fifty years, from the publication of Things Fall Apart (1958) to There Was A Country (2012), his memoir of the Nigerian Biafran war in the 1960s.

His first novel, Things Fall Apart (a classic of 20th century fiction) has been translated into over 50 languages and sold millions of copies all over the world. Before Achebe came on the world literary scene in the late 1950s, African literature was considered by the rest of the world and more sadly, by many educated Africans themselves, as a quixotic enterprise, in which dark forests and evil spirits held all the shares. Achebe was not only an accomplished writer but also a man who was close to his readers and had the precious gift of being a great communicator and storyteller of African realities. His legacy as one of Africa’s most vocal voices against the ravages of colonialism and its long-term effects on Africa will endure through his writings for generations to come.

This volume is a fitting memorial to his legacy. Achebe was the conscience of Africa – his death gives new significance to his writing, anchoring his activism and his literary legacy in eternity. He will be remembered internationally as one of Africa’s greatest writers.


Among the role call are Nobel laureates –Professor Wole Soyinka, Toni Morrison and Nadine Gordimer and legendary writers and critics such as, Ngugi wa Thiong’o, Simon Gikandi, Abiola Irele, Zaynab Alkali, J.P. Clark-Bekederemo, Ernest Emenyonu, Biodun Jeyifo, Bernth Lindfors, Ali Mazrui, Micere Mugo, Odia Ofeimun, Kole Omotoso, Niyi Osundare, Eustace Palmer, Ato Quayson, Véronique Tadjo, to name a few. In all, there are 49 contributors.

The contributions range from poetic elegies, prose paean and reflections on his writings. There is also an interview by Helon Habila and a stage adaptation of one of his novels, No Longer at Ease, by the celebrated playwright, Professor Femi Osofisan.

Nana Ayebia in her preface to the book notes that the publication of the book is her own contribution to the deceased writer. “As an African and as a publisher and champion of African writing, I am extremely proud and grateful for his enduring contributions to raising the profile of African writing and publishing on the international stage,” she writes (p. 1).

For Maya Jaggi, the Ogidi-born writer was “the founding father of African literature” who challenged the perspective of colonialist white writers in English and fell foul of successive regimes in Nigeria.” Soyinka’s Elegy for a Nation portrays the Nigerian hubris, a yoke which the nation has been labouring under after the colonial era.

In an emotional speech written by Toni Morrison, first presented at the African American Institute Award in the US, the Nobel laureate acknowledged the effect of Achebe’s writings on her and other blacks at the first encounter: “Achebe’s work liberated my artistic intelligence as nothing else had ever done. I became fit to re-enter and re-inhabit my own milieu without the services of a native guide.”

Probably James Currey’s article “Chinua Achebe as a Publisher” presents rare insights into aspects of the personal history of Achebe that many people are not aware of yet: that of life as a publisher and his cross-cultural straddling. For Ngugi wa Thiong’o, Achebe “was the most single important figure in the development of modern African literature as a writer, editor and quite simply a human being” (p. 41).

“Far from Ogidi: Diary of a Belated Encounter” by Simon Gikanda recalls the critic’s encounter with Achebe in Princeton, in 2005, which left him enthralled, and subsequently in 2012. Despite the controversy trailing the publication of There was a Country, Gikandi believes it was the writer’s last will and testament: “Indeed, this book will put the unspeakable event at the centre of Achebe’s life and that of his nation, the Biafran, in the public sphere, so that this painful moment can be spoken of as the genocidal event that it is really was, rather than be hidden behind the mask of euphemism” (p. 55).

Ama Ata Aidoo’s piece “Remembering Chinua” recalls pleasant memories shared with the author of the classic, Things Fall Apart, that date back to the 1960s. “We miss Chinua Achebe already and will always miss him,” she laments.

While Professor Emenyonu describes Achebe as a comet, the “inimitable pacesetter, who gave Developing World writers of the 20th Century, not only an aggressive message but also an enduring medium to convey it.” Professor Toyin Falola describes him as a figure that perhaps represents the pride of Nigeria better than any other person. In an interview granted the writer, Helon Habila, which is published in chapter 31 of this book, the novelist spoke about his fears for Nigeria’s future.

The prose and poetry of Achebe is also evaluated by Ali Mazrui.

The diversity and depth of contributions explored in Chinua Achebe: Tributes and Reflections are too detailed to be contracted in this review. Achebean scholars and fans have been provided with yet another literary omelette to relish.

About the Editors

James Currey is the founder of James Currey Publishers and the first Editor of the Heinemann African Writers Series (AWS) where he worked very closely with Achebe on the first 100 titles. Nana Ayebia Clarke MBE – founder of Ayebia Clarke Publishing Ltd is a Ghanaian-born publisher. She was Submissions Editor of the AWS until 2002 when Heinemann discontinued publishing new titles in the AWS and she started her own publishing imprint with her husband David in 2003. Between them they worked on the Heinemann AWS for a total of 30 years.

Chinua Achebe, A mountain of the African Savannah
Review of: Chinua Achebe: Tributes and Reflections /Nana Ayebia Clarke & James Currey (eds.) Ayebia Clarke Publishing, 2014

After reading Chinua Achebe: Tributes and Reflections you’re not only eager to re-read the novels of Achebe, but also all those fabulous novels and groundbreaking critical works that are under discussion in this book.

Reading this tribute to the Nigerian author Chinua Achebe who died last year at the age of 82, is a ‘must and a feast for the brains’. A feast because the book describes in plain but clear language – like the language of the author himself – the merits of Achebe as a writer, publisher, critic, scholar, but particularly as a human being.

It is also a feast to read the book because of the enormous variety of texts it contains: literary critical texts, praise poems, elegies and more personal, anecdotal texts about the important role that Achebe played in the life of some of the contributors of the book; texts of writers, critics, publishers, friends and colleagues; texts that particularly highlight the novels of Achebe; articles that predominantly deal with his first and groundbreaking novel Things Fall Apart; texts that deal more with Achebe’s personal life, as a scholar at African and American universities; texts that particularly emphasize his role as inspiring publisher of the African Writers Series of the Heinemann publishing house; contributions that dig deeper into the literary history of Nigeria in particular and of Africa in general; texts that praise the writer Chinua Achebe, but also texts that adopt a quite critical attitude, for instance the one of Helen Chukwuma on the alleged lack of female perspective in Achebe’s early novels, or the texts of Ibrahim Bello-Kano and Chimamanda Ngozi Adichie about Achebe’s vision on Nigeria’s and Biafra’s history in his publications The Trouble with Nigeria and There Was A Country. Finally, there are texts that have been written especially for this book of tributes, after Achebe’s death in March last year, but also contributions that have been written at his 70th birthday, and, at the fiftieth publication anniversary of this celebrated novel Things Fall Apart.
The publication of Things Fall Apart, in 1958, was without doubt a milestone in the history of African literature, and even in literary history in general. For the first time a novel countered the biased – western – view of Africa, that was until then propagated by novels like Heart of Darkness (1902) of Joseph Conrad and Mister Johnson (1939) of Joyce Cary. Achebe portrayed in his novel, by use of plain but powerful language, a rural society that is disrupted, that fell apart, by the arrival of the white missionaries at the end of the 19e century, and, by the different ways in which the villagers reacted to this. Achebe did this – contrary to the Négritude writers and poets before him – without any exaggerated romanticism of African rural life. Even the more harsh and cruel sides of traditional society are not neglected. The novel is one of the masterpieces of African literature and had an everlasting influence on the literary production in Africa and on post-colonial discourse. The significance of Things Fall Apart can’t be better described than in the following words of Simon Gikandi op page 51:

(…) the influence of Things Fall Apart in shaping the literary sensibilities of African readers was unprecedented. But, the influence of Achebe’s novel went beyond questions of sensibility. Things Fall Apart transformed the African social imaginary, the stories Africans tell about themselves, their relation to the world and their place in the narrative of modern times. It also transformed the institution of modern literature and the English language, heralding the emergence of what has come to be known as the postcolonial canon. The publication of Things Fall Apart changed our understanding of English and its institutions of criticism. Finally the novel had, and continues to have, an affective, almost magical quality.

Chinua Achebe. Tributes and Reflections offers, apart from a lot of knowledge on Achebe, also quite some information on the (literary) history of Nigeria in particular, and of Africa in general. Therefore, the book is also a must for students of African literature, for literary scholars, and for anyone who really wants to understand Africa: connected to the contents of Achebe’s novels, the 49 contributions in the book highlight an important episode in the history of Nigeria: The Biafran independence war and the succeeding starvation of the people; it describes the gradual advent of colonialism in Africa, with the arrival of the first missionaries at the end of the 19e century and its consequences on traditional African life; it tells about the dominant representation of Africa in the West; about the Négritude movement of the West African and Caribbean Diaspora, that developed in Paris; it highlights the important issue of language use in African literature (African language vs. English, French…); it deals with the use of proverbs and sayings in African fiction, not in the least in the novels of Achebe himself; the volume articulates the publication of many masterpieces in the already mentioned African Writers Series of Heinemann. And, the book also pays attention to the literary debate of the seventies and eighties in which the so-called Bolekaja critics (Chinweizu, Jemie and Madubuike) opposed heavily against the Eurocentric vision of literary critics like Eustace Palmer and Berth Lindfors.

In short, because so many literary issues are dealt with in this tribute, it could as well be read as an introduction to African literature and its criticism. But also more advanced African scholars will enjoy it to their heart’s content; they will, for instance, like the beautiful praise poems of Wole Soyinka  (p. 18) and Ngugi wa Thiong’o (p. 43) and might be particularly interested in the more tough critical articles, like the one from Ibrahim Bello-Kano (p. 112) about the mediocre quality of some of Achebe’s books or they may like the contribution of Ato Quayson (p. 275), that particularly deals with the aspect of alienation in Achebe’s novel Arrow of God (1964).

But, first and foremost, this book is a tribute to Chinua Achebe as a result of his passing on, in March last year. Many a contributor in the book poses the question whether Chinua Achebe was the real godfather of African literature. For some he is, for others he isn’t. The answer to the question is, however, not that important. But, there is general agreement that Chinua Achebe, as a writer, as scholar, as teacher, but particularly as human being, is one of the most important and influential Africans of the past century. In this context, some beautiful lines from the poem Dear Teacher by Tijan M. Sallah, on page 293:

Dear Teacher
As we ponder your Exit;
We know a weighty star in our sky has left us.
Our bruised hopes seek your soaring light,
At the edge of clouds. We stare. We mourn.

We will remember you for your dreams to make Africa fly.
Your light to illuminate the untruths about Africa.
We will remember your integrity and your spine.

Dear Teacher, now that we have lost you,
Someone else must bear your weight.
And, now, as we ponder your Exit.
A heavy sadness squats in our hearts.
We will not let it go –
Until Africa awakes to your wisdom.

What, then, was so special about Chinua Achebe? Why has he become such a literary icon? What were his merits?

The article of Zaynab Alkali Reflections On Chinua Achebe could be read as an overview of these merits: in contrast with the western literature about Africa, or with fiction with an African setting, the common Africans recognized themselves in Achebe’s books. The fiction dealt with everyday life and rituals. Moreover, the fiction of Achebe didn’t over-romanticize or demonize the African continent – like Heart of Darkness did, for instance – but showed an African society as it was, with all its positive and negative sides. Another aspect of Achebe’s mastery was the creative way in which he moulded the English language, complete with local proverbs and sayings, in such a way that as a reader you could smell, feel and fathom the local society. Achebe’s creative use of the English language was a great inspiration for later African writers. Thirdly, as an enthusiastic editor of the renowned African Writers Series of Heinemann he launched many African writers. Further on, with his essay collections Morning Yet on Creation Day (1975), Hopes and Impediments (1989) and Home and Exile (2000) he laid the foundations for the modern literary criticism on Africa and the postcolonial discourse. His plain standpoint about Heart of Darkness – namely, that it portrayed an absolute racist view about Africa – changed forever the vision on this historical novel, but, more importantly, on the colonial literature of the late 19th and early 20th century. Finally, Achebe’s controversial viewpoints about the Biafran secession war had an everlasting influence on the debate on this conflict. But, most of all, Achebe is considered as a very great, amiable and approachable, humanistic thinker and person, as the conscience of Africa. It can’t be expressed more concisely than by the words of Barack and Michelle Obama:

A revolutionary author, educator and cultural ambassador, Chinua shattered the conventions of literature and shaped the collective identity of Nigerians throughout the world. With a dream of taking on misperceptions of his homeland, he gave voice to perspectives that cultivated understanding and drew our world closer together. His legacy will endure in the hearts of all whose lives he touched with the everlasting power of his art. (quoted by Zaynab Alkali on page 107)

Chinua Achebe was certainly one of the giants of the African literary savannah; not a barren savannah! No, one that is abundant and rich with hills full of talent; but, Achebe was towering above these like a mountain, among other literary mountains like Wole Soyinka, Ngugi wa Thiong’o, Dennis Brutus, Nadine Gordimer and others. Chinua Achebe was born on 16 November 1930 and died on 21 March 2013. But, his legacy lives on

Achebe is still alive in millions of lives
He talks to them in beautiful prose
He tells them proverbs of wisdom
He is a man of the people
A Writer of the people now and tomorrow

(Section of a praise poem on Achebe of the Kenyan author Ngugi wa Thiong’o, p. 42)

The publication of Chinua Achebe: Tributes and Reflections, a year after his passing on, is a milestone in African literary criticism, as it captures in a powerful and clear way the life and times of one of the greatest Africans in the past century.

Gilbert Braspenning

(Editor Africa Book Link)

Weight 0.65 kg


Year Published







James Currey (Editor),

Nana Ayebia Clarke (Editor)


Ayebia Clarke Publishing


There are no reviews yet.

Be the first to review “Chinua Achebe: Tributes and Reflections”

Customers Also Bought These