• The Thing Around Your Neck

    A dazzling story collection from the best-selling author of Americanah and We Should All Be Feminists, “one of the world’s great contemporary writers” (Barack Obama).

    In these twelve riveting stories, the award-winning Chimamanda Ngozi Adichie explores the ties that bind men and women, parents and children, Africa and the United States. Searing and profound, suffused with beauty, sorrow, and longing, these stories map, with Adichie’s signature emotional wisdom, the collision of two cultures and the deeply human struggle to reconcile them.

  • The Son of Umbele: A Play in Three Acts

    “…the contents of the play revealed a brilliant mind at work in an attempt to deal with some basic ambiguities of human existence,” wrote Julius S. Scott Jnr. of Spelma College-Atlanta, when he saw an American production of The Son of Umbele.

    Indeed, this Ghana National Book Award winner has endeared itself to theatre enthusiasts as well as scholars since its premier at the Ghana Drama studio in 1972.

    Bill Marshall’s sensitivity to realities of the human existence and the conflicts of the mind is eloquently manifest in his writing, be it a novel, a TV Drama or a Stage play.

    The author appeared on the Ghanaian Arts scene in 1966 when he joined GBC-TV and helped to establish the Drama Department of the Television Station. He worked with the Corporation for several years, writing, production and directing plays for Television, He subsequently left for the private sector, working for Lintas Ghana Limited and in his own company, Studio Africain. In 1984, he was appointed the Director of the National Film and Television Institute (NAFTI) in Ghana.

    Other published works by the author are Novels: Bukom, Brother Man, The Oyster Man, Uncle Blanko’s Chair; Plays: Shadows of an Eagle, Stranger to Innocence Asana, The Crows and Other plays.

  • An Angel in Mucky Shorts

    Age Range: 8 and 11 years

    Auntie Lulu has a monster living in her house. It’s got a boxy head like a milk carton, hair that’s never combed, and eyes like a bullfrog. It wears mucky shorts and has dirty nails. It flicks dead flies at me and thinks it’s funny to let snot drip from its nose onto a table. Its name is Reggie and he’s Auntie Lulu’s son–which makes him my cousin. Yuck.

    Things are going from bad to worse in Rabi’s life. She told her classmates that her tree at home had the sweetest mangoes. And she promised to bring some to school to prove it. But every day someone steals the fruit from the tree! How will her mates ever believe her now? And who is this sneaky mango thief? Dreadful Auntie Sakwaa has come to live with them and is stinking up Rabi’s house with her green horse medicine. Her disgusting cousin comes to stay, and he turns her own little brother against her! Just as Rabi thinks her life couldn’t be more messed up, she meets an angel. And it wasn’t wearing a sparkling white robe.

  • Stranger to Innocence – A Play

    Stranger to Innocence is an intriguing short play, which treats the daily motions, frustrations, joys and aspirations of an African priestly family. This is the house where a stranger, Tawa, who has been fleeing from his own sins, seeks to find refuge. In the end, lessons of remorse and forgiveness are yet to be fully understood especially by young minds like Alaba, daughter of the priest.

    The play exhibits the author’s artistic simplicity in the use of dramatic language, which has endeared this play to wide theatre audiences.

    It is not surprising that it is popular among many drama groups and schools in the country.

    Stranger to Innocence is one of Bill Marshall’s early plays, from which a lot of inspiration is drawn.

  • Shadow of An Eagle – A Play

    “Hope and Desire alone have no virtue. It is the fulfilment of our aspirations that brings satisfaction.”

    This quote from the play, Shadow of An Eagle, evidently reveals Bill Marshall’s depth as a playwright.

    The play depicts the lifestyle of an African family in peculiar circumstances in a rural setting. It explores the tension and feeble frustrations, which can occur in a family.

    Being one of the earlier plays of Bill Marshall, which were widely patronized by schools and colleges and broadcast on the BBC African Theatre, Shadow of An Eagle uses the symbolism of the eagle in Ghanaian mythology to highlight the need for the youth to aspire to higher heights.

    Just like the hero who refuses to relapse into degeneration, which he finds at home on his return from his foreign exploits, Bimpo hopes that members of his family would shed their past frustrations, brace themselves up and take to the sky like eagles.

  • Edufa – A Play

    “Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”

    Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.

  • The Marriage of Anansewa – A Play

    Anansewa: As for some old chief with fifty wives, that won’t do at all.

    Ananse (with cunning): Supposing it isn’t some old chief but the finely built, glowing black, large-eyed, handsome as anything, courageous and famous Chief-Who-is-Chief?

    Ananse the cunning spider man is the hero of countless Ghanaian legends. But this Ananse gets entangled in his own web of deceit when his scheme to get rick quick backfires, and disaster stares him in the face. The only way out is for his daughter to die…

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including Edufa.

  • Glory is with God

    The book is a gripping account of a tussle between blind faith and reason. When Serenity falls in love with and marries Michael, she has no idea of the topsy turvy ride she is about to undertake. Their daughter Glory is born with congenital heart disease, which though serious is treatable by surgery. Michael believes that his daughter has been possessed by the ‘demon of the heart’, and he vehemently resists the surgery. Glory’s young life becomes a battle between Michael’s belief and Serenity’s desire to see their daughter healed at all costs.

  • The Prince and the Slave – A Play

    This historic, award-winning play is set in Wakumey, a kingdom on the West African Coast in the late 18th century. The drama explores the internal tensions and disruptions that rock a community in an era when dealing in live human cargo was the order of the day“How can there be a kingdom without slaves?” is the mantra for King Dogali and his council of elders. However, when romance sneaks in through a most inappropriate quarter, the very centre of royal power comes face-to-face with the visceral effects of the Transatlantic Slave Trade.
    The Prince and the Slave reveals not only the inner workings of the practice but also the psychology of both the slave raider and the enslaved.
    The Prince and the Slave has been performed at Accra, Cape Coast, Kumasi and a few universities and secondary schools across Ghana.
  • Travellers

    Shortlisted for the 2020 James Tait Black Memorial Prize

    Modern Europe is a melting pot of migrating souls: among them a Nigerian American couple on a prestigious arts fellowship, a transgender film student seeking the freedom of authenticity, a Libyan doctor who lost his wife and child in the waters of the Mediterranean, and a Somalian shopkeeper trying to save his young daughter from forced marriage. And, though the divide between the self-chosen exiles and those who are forced to leave home may feel solid, in reality such boundaries are endlessly shifting and frighteningly soluble.

    Moving from a Berlin nightclub to a Sicilian refugee camp to the London apartment of a Malawian poet, Helon Habila evokes a rich mosaic of migrant experiences. And through his characters’ interconnecting fates, he traces the extraordinary pilgrimages we all might make in pursuit of home.

    Travellers

    135.00
  • Sebiticals Chapter X

    For eons, the character of the neglected wise observer has captured imaginations. Be they the community trickster, clown, gossip or drunkard, they have always been a thorn in the flesh of social miscreants. There is no one name for them, as they tend to be many things to many folks. Every society has their version. Audiences love them, hate them and love them again. These fellows have no allies. Their allegiance is to all. Their knife cuts both ways, as does their tongue. Oh, yeah. Ever the custodians of spicy, social secrets, they issue forth the most acidic insults. But, abuse them? Naaah, these characters are insult-proof!

    In this salacious new collection, Nana Awere Damoah has consummated the essences of this conceptual character. More than that, the author has effected their relevance in the national body politic. In Sebiticals Chapter X, Wofa Kapokyikyi the social commentator entertains, informs and pricks the conscience – as does his anecdotal nephew.

    Episode after episode, the reader cannot help but conclude that if there is a time the nation needs a voice of conscience, that time is not tomorrow. Bottomline? A Kapokyikyi is an institution that keeps the morals of society in check.

  • A Country to Love and to Serve: Memoirs of a Ghanaian Diplomat

    This epic memoir chronicling the author’s diplomatic journey is a superb and enticing story, richly told. The narration provides great insights into the personal life and professional travails of a quintessential diplomat who rose from humble beginnings to be one of the eminent Ambassadors of the nation. Most fascinating is how adeptly the author combines the demands of motherhood and family with her tasks in the complex world of diplomacy.

    The memoir provides great insights, important lessons and best practices in diplomatic practice that should be invaluable for the nation’s policy makers and diplomats. The story told through A COUNTRY TO LOVE AND TO SERVE should be a real inspiration for young diplomats and a must read for any student of diplomacy.

  • The Boneshaker Politician

    The Boneshaker Politician is an autobiography of A.K. Opoku. He narrates how he gave his life to Christ in a dramatic way while travelling in a boneshaker, a wooden truck. He recounts how the Lord used him by way of evangelism and church building and his involvement in an uncompromising undercover politics in the church. Meanwhile he had nursed a childhood ambition of being an active politician.

    With all his “boneshaker” experience, he entered into politics and discovers that it was a different world altogether and bemoans the high moral and the financial entry requirements required of a Christian to engage in active politics. He raises question as to whether exhortations to get Christians involved in active politics is enough. He concludes with his family life and marvels at the art of God where four children of the same parentage and breed have four different characters and ambitions.

  • The River in the Sea: The Autobiography of Akenten Appiah-Menka

    The River in the Sea is a story of courage, determination, a clear sense of mission and vision on the part of a rural Ghanaian who, from humble beginnings, has risen to the highest echelon in society as a lawyer, an industrialist, a politician and statesman.It is a welcome addition to the limited literature available on the Ghanaian elite; a must read for all lawyers, politicians, academics and the populace at large.

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