• Cat Eyes

    Cat Eyes is the story of Pededoo, a country boy, who struggles to maintain a civil relationship with his father who had just returned home after many years abroad with a family of Cat Eyes. Despite his resentment for his father and the new family, Pededoo is hardly able to resist and truly dislike Melissa-Jane, the amiable and dashing cat-eyed blonde.

    Cat Eyes is a bildungsroman, a book of family, adventure, self-discovery and love that would take readers on a voyage they would hold dear.

    Cat Eyes

    32.00
  • Imminent River

    A DEATH-DEFYING CONTEST FOR A LIFE-RESTORING FORMULA…

    Far deeper than the story of a traditional healer and her feuding children’s search for her ‘life’ formula, Imminent River seamlessly melds a delectably gorgeous love story into a historical family saga, one reminiscent of Alex Haley’s R-o-o-t-s, but in which the search is in the opposite direction, for the ‘shoots’ rather than ‘roots’. This epic spans half a world – from the fetid swamps of West Africa, Europe and North America and Back. The result: an intricate build-up, a breath-taking denouement, a hair-raising resolution. If bookshelves were anthills, they’d rise in standing ovation.

    Imminent River

    85.00
  • Viral Load

    Kayode Oguntebi’s Viral Load is a poignant narrative of various discourses, of the simple and predominant things that make up the trajectory of the African post-colonial experience.  Tunde Lewu, a young Nigerian from a rather challenging middle class reaches a breach in his expectations when he realises that he has HIV from forgotten escapades, but this story isn’t only about Tunde Lewu. It is a story that intercepts the realities of military incursion into politics, the involvement of the western powers in contributing to the paragraphs of aid and the establishment of social organisation.

    Lewu is only a character who navigates and engages other characters in the global sphere that are looking for answers to personal, social and economic preponderances. The health of the protagonist in Viral Load is subtly linked to the health of Africa. The health of a family shattered into specks of darkest brilliance props up unpalatable dissatisfaction that transcends the present and morphs into the novel’s future. This makes the author attempt a new proposition for a plot of this nature while retaining a flow from flashbacks and imaginations.

    Kayode Oguntebi’s debut novel is full of promise. His futuristic narrative of what Africa would be when Africa leaders turn their paradigms towards improving the lives of the people. What you will find in the Viral Load is the cosmopolitan Africa capable of engaging the rest of the world as it presents its own cultural solutions packaged in a more acceptable, and verifiable quality.

    Viral Load

    48.00
  • Heal the Hood

    Hatima Parker is an African-American teenage girl living on the mean streets of South Central Los Angeles. Life in the hood is always tough but life produces more obstacles when an African-American man named Rodney King is beaten by the LAPD and an African-American teenage girl named Latasha Harlins is murdered by a Korean woman.

    Hatima has dreams of becoming a Marine and an Africanist and her goals cause her to question the world she lives in. She’s not sure if she wants to pursue a career with the US Armed Forces as that could easily lead to a career in law enforcement. She also finds herself connecting the teachings of Martin Luther King Jr., Malcolm X, the Black Panthers, Marcus Garvey, Frederick Douglass, Nelson Mandela, and other black leaders to the incidents of racism she witnesses in her world in order to see if their many ways to change the status quo were effective and still are.

    Hatima also starts a relationship with a Korean teenage boy named Joshua Yang. But since racial tensions are high between African-Americans and Korean-Americans, there are many people against the biracial couple being together.

    Hatima learns the world is far from perfect and throughout 1991 and 1992 she learns how to take a stand against a world that often chooses hatred over love.

    Heal the Hood

    75.00
  • Vaults of Secrets

    In one story, a conscience takes it upon itself to keep prodding its principal until she tells the truth about the paternity of her four children. In another story, a woman cannot live with the result of her promiscuous lifestyle. In the title story, Vault of Secrets, a man has a special gift of walking into places at the most inopportune times. In another story, a woman facing the death penalty relives the story of a friend who has already suffered the same fate. In yet another prison story, a man comes to terms with his complicity in activism gone wrong.

    The stories in this collection flirt with the limits of freedom and bondage, they are a means with which Olukorede Yishau examines the nature of man and his ability to choose; more so man’s ability to live with the choice he has made.

  • Son of Man

    OUR MEN…A university graduate in desperate need of a job. A father’s vengeance for a dead son. A young pragmatic man humbled by the horrors of incarceration. An old man’s dying gift to a generation. A journalist’s courage in a notorious military government. A youth corper’s temperance of religion, love and survival

    …THEIR STORIES.

    From the quiet town of Umuahia to the creeks of Bonny Island, the sweltering plains of Jos to the bustling hub of Lagos, these Nigerian men have a story to tell. Stories of life, love, family, happiness, sorrow, pestilence and death—situations faced every day in their lives. Armed with objectivity, some find peace with their resolutions, while some face dire consequences with prices to pay; with their freedom, or worst yet, their lives.

    Son of Man

    48.00
  • Domestication of Munachi

    On a hot Sunday afternoon years ago……Two sisters walk in on their father’s sexual liaison with the family’s hired help which leaves them both scarred in different ways.

    Years later…

    Unable to bear the thought of marriage to a man she barely knows, the younger and more adventurous one, Munachi, runs away from home on the eve of her traditional marriage, unwittingly resurrecting a long buried feud between her religious mother and eccentric aunty. This conflict leaves a door open for the family’s destruction.

    The Domestication of Munachi is a novel about the unnecessary pressure on women to take on life partners, regardless of who these partners are and the psychological impacts seen through the stories of two sets of sisters—Munachi and Nkechi versus Chimuanya and Elizabeth.

  • Night Dancer

    Night Dancer is set in Nigeria and tells the story of Mma and her stubborn mother, Ezi. Ezi’s unexpected death leads Mma to learn about her mother’s past and rethink the resentment and contempt she has held for her mother her whole life. Mma resents her mother who likes to say things twice like ‘dance-dance’and ‘happy-happy’ and won’t let Mma know wnaything about her father.

    Written in three parts, Chika Unigwe tells a beautiful story about what happens, why it happens and why everything is the way it is, and what happens thereafter.

    Night Dancer

    56.00
  • Sweet Crude Odyssey

    In the international market, they call it sweet crude – low-sulphur crude oil. It is targeted by oil thieves in the Niger Delta, who siphon it from the pipelines and sell to the highest bidder. This brutal black market is a web connecting rich barons in gleaming cities to savage militants in the creeks. This is the world Bruce Telema is lured into. But even as he outruns poverty and gains a fearsome reputation in the oil cabal, death, karma and the law stay close on his heels.

  • The Son of Umbele: A Play in Three Acts

    “…the contents of the play revealed a brilliant mind at work in an attempt to deal with some basic ambiguities of human existence,” wrote Julius S. Scott Jnr. of Spelma College-Atlanta, when he saw an American production of The Son of Umbele.

    Indeed, this Ghana National Book Award winner has endeared itself to theatre enthusiasts as well as scholars since its premier at the Ghana Drama studio in 1972.

    Bill Marshall’s sensitivity to realities of the human existence and the conflicts of the mind is eloquently manifest in his writing, be it a novel, a TV Drama or a Stage play.

    The author appeared on the Ghanaian Arts scene in 1966 when he joined GBC-TV and helped to establish the Drama Department of the Television Station. He worked with the Corporation for several years, writing, production and directing plays for Television, He subsequently left for the private sector, working for Lintas Ghana Limited and in his own company, Studio Africain. In 1984, he was appointed the Director of the National Film and Television Institute (NAFTI) in Ghana.

    Other published works by the author are Novels: Bukom, Brother Man, The Oyster Man, Uncle Blanko’s Chair; Plays: Shadows of an Eagle, Stranger to Innocence Asana, The Crows and Other plays.

  • An Angel in Mucky Shorts

    Age Range: 8 and 11 years

    Auntie Lulu has a monster living in her house. It’s got a boxy head like a milk carton, hair that’s never combed, and eyes like a bullfrog. It wears mucky shorts and has dirty nails. It flicks dead flies at me and thinks it’s funny to let snot drip from its nose onto a table. Its name is Reggie and he’s Auntie Lulu’s son–which makes him my cousin. Yuck.

    Things are going from bad to worse in Rabi’s life. She told her classmates that her tree at home had the sweetest mangoes. And she promised to bring some to school to prove it. But every day someone steals the fruit from the tree! How will her mates ever believe her now? And who is this sneaky mango thief? Dreadful Auntie Sakwaa has come to live with them and is stinking up Rabi’s house with her green horse medicine. Her disgusting cousin comes to stay, and he turns her own little brother against her! Just as Rabi thinks her life couldn’t be more messed up, she meets an angel. And it wasn’t wearing a sparkling white robe.

  • Stranger to Innocence – A Play

    Stranger to Innocence is an intriguing short play, which treats the daily motions, frustrations, joys and aspirations of an African priestly family. This is the house where a stranger, Tawa, who has been fleeing from his own sins, seeks to find refuge. In the end, lessons of remorse and forgiveness are yet to be fully understood especially by young minds like Alaba, daughter of the priest.

    The play exhibits the author’s artistic simplicity in the use of dramatic language, which has endeared this play to wide theatre audiences.

    It is not surprising that it is popular among many drama groups and schools in the country.

    Stranger to Innocence is one of Bill Marshall’s early plays, from which a lot of inspiration is drawn.

  • Shadow of An Eagle – A Play

    “Hope and Desire alone have no virtue. It is the fulfilment of our aspirations that brings satisfaction.”

    This quote from the play, Shadow of An Eagle, evidently reveals Bill Marshall’s depth as a playwright.

    The play depicts the lifestyle of an African family in peculiar circumstances in a rural setting. It explores the tension and feeble frustrations, which can occur in a family.

    Being one of the earlier plays of Bill Marshall, which were widely patronized by schools and colleges and broadcast on the BBC African Theatre, Shadow of An Eagle uses the symbolism of the eagle in Ghanaian mythology to highlight the need for the youth to aspire to higher heights.

    Just like the hero who refuses to relapse into degeneration, which he finds at home on his return from his foreign exploits, Bimpo hopes that members of his family would shed their past frustrations, brace themselves up and take to the sky like eagles.

  • Edufa – A Play

    “Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”

    Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.

  • Glory is with God

    The book is a gripping account of a tussle between blind faith and reason. When Serenity falls in love with and marries Michael, she has no idea of the topsy turvy ride she is about to undertake. Their daughter Glory is born with congenital heart disease, which though serious is treatable by surgery. Michael believes that his daughter has been possessed by the ‘demon of the heart’, and he vehemently resists the surgery. Glory’s young life becomes a battle between Michael’s belief and Serenity’s desire to see their daughter healed at all costs.

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