• Jennifer

    Due to difficult circumstances beyond her control, Jennifer Hayfron has no other choice than to share the same hotel with Dr Martin when the train on which she is travelling back to school suddenly breaks down at a late hour.

    By a fatal coincidence, Jennifer’s foster father comes around from nowhere and sees her daughter and Dr Martin coming out from the hotel and are about to get aboard a parked vehicle. Mr Hayfron’s hasty conclusion is obvious. There is verbal explosion on the spot, as well as a series of interesting drama in the ensuing days.

    The story, written for young people has been written in simple readable English.

    Jennifer

    40.00
  • My Strong Tower: The Genesis

    My Strong Tower: The Genesis is an exciting novel, based on the everyday life of the average Ghanaian Christian. Ewuresi, Akosua, Ayele and Kumi are young adults battling with the daily temptations that young Christians are bound to face.

    Ewuresi is a teenager who has completed her secondary school education together with her best friend, Akosua. Although they both portray different personalities, they manage to go through tough times together and still maintain a close relationship. Kumi, their male friend, gets entangled between the two ladies through his witty and sociable attitude. Ayele, the eldest of the lot, provides the spiritual support to get the youth on the right path with their relationship with God.

    Each character represents the different levels of faith that can be seen among the lifestyles of the youth today, as they struggle to maintain a relationship with Jesus Christ. Enjoy this wonderful story as you study the scriptures to get yourself better acquainted with the Lord Almighty.

  • The Mystery of the Haunted House

    This book was awarded a Burt Award for African Literature, Ghana 2010. The Burt Award for African Literature is a new literary prize that the recognizes excellence in young adult fiction from Africa.

    “He continued reading about the different methods of grafting, about how to cut and store and protect scions and what the best time for planting was. The light from the torch began to grow dim. Koku checked the time. It was almost midnight, he had been reading for almost two hours. He had to sleep now or he would never wake up on time in the morning for his lessons. He switched off his torch and turned unto his side still excited. He was dozing off when he heard a sound and sat up. He couldn’t exactly say what it was but heard it. He got out of bed and tiptoed down to the hall. A light glowed dimly from the family room. Was it TV? His parents forbade them from watching late night movies but occasionally he and Sena disobeyed them and sneaked downstairs anyway. But if it was TV how come there was no sound? He stuck his head round the wall. Sena was behind the computer, her fingers pecking at the keyboard quickly. What was she doing? And who was she chatting with?”

  • The Housemaid (African Writers Series)

    A dead baby and bloodstained clothes are discovered near a small village. Everyone is ready to comment on the likely story behind the abandoned infant. The men have one opinion, the women another. As the story rapidly unfolds it becomes clear that seven different women played their part in the drama. All of them are caught in a web of superstition, ignorance, greed and corruption.

  • A Man of the People (African Writers Series, AWS31)

    As Minister for Culture, the Honourable M. A. Nanga is ‘a man of the people’, as cynical as he is charming, and a roguish opportunist. At first, the contrast between Nanga and Odili, a former pupil who is visiting the ministry, appears huge. But in the ‘eat-and-let-eat’ atmosphere, Odili’s idealism soon collides with his lusts – and the two men’s personal and political tauntings threaten to send their country into chaos. Published, prophetically, just days before Nigeria’s first attempted coup in 1966, A Man of the People is an essential part of his body of work dealing with modern African history.

  • Mine Boy (African Writers Series, AWS6)

    When Xuma move to Johannesburg he is a naive country boy, but the impact of harsh city life awakens him to the new ways and values of  radically different world. His vision of a ‘man without colour’, a raceless society, is shattered by the realities of his underprivileged existence.
    First published in 1946, this novel was one of the first books to expose universally the condition of black South Africans under a white regime. Abrahams’ forceful but restrained images of discrimination in the gold mines, the appalling housing and Xuma’s simple, humanitarian act of defiance, struck a chord around the world. Mine Boy has remained a central influence on South African fiction for over fifty years.
  • The Concubine (African Writers Series, AWS25)

    Ihuoma, a beautiful young widow, has the admiration of the entire community in which she lives, and especially of the hunter Ekwueme. Obedient to the expectations of the traditional society they belong to, they forswear their love so that Ekwueme can marry the girl to whom he had been betrothed since birth. But their passion is fated and jealousy, a love potion and the closeness of the spirit world lift this simple tale on to a tragic plane.
  • The Girl Who Can (African Writers Series)

    In The Girl Who Can, the irrepressible Ama Ata Aidoo looks at the roles and rules, and the games people find themselves playing, often unwillingly. She analyses African women’s struggle to find their rightful place in society. Her stories raise issues of choice and conflict, teasing about the issues with disarming frankness. How do people behave in cross-cultural relationships? In the modern world, where a plastic label identifies us, what is our identity? Will African women be in the driving seat in the twenty-first century? With the zest and humour, Aidoo raises these questions and provides some challenging answers.

    In this collection of short stories, Aidoo elevates the mundane in women’s lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society. Written from a child’s perspective, Aidoo subverts the traditional beliefs and assumptions about the child’s voice. Her inimitable sense of style and eloquence, explores love, marriage and relationships with all the issues they throw up for the contemporary African woman. In doing so, she manages to capture the very essence of womanhood.

  • The Beautyful Ones Are Not Yet Born (African Writers Series, AWS43)

    01
    A railway freight clerk in Ghana attempts to hold out against the pressures that impel him toward corruption in both his family and his country. The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.
  • So Long a Letter (African Writers Series)

    Written by award-winning African novelist Mariama Ba and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences—some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined.Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country.

    Winner of the prestigious Noma Award for Publishing in Africa.

  • Beyond the Horizon (African Writers Series)

    Gazing at her naked body in the mirror, Mara reflects on her transformation from naive Ghanaian village girl into a prostitute in a German brothel. Mara has been deceived by her husband, Akobi, into coming to Europe to find a “paradise,” but, as the truth about Akobi and her new life unfolds, she realizes she is trapped. The expectations of her family in Africa force her to remain, living a lie. As she fights back, she finds the revenge she takes can in no way compensate for her loss of innocence and lifetime exile from her homeland.This is a natural storyteller’s compelling and sobering account of the ruthless exploitation of women in Africa and Europe.

    Amma Darko was born in Tamale, Ghana, and grew up in Accra. After living in Germany, she returned to Ghana. Beyond the Horizon, first published in German, is Amma Darko’s first novel.

  • The Enemy Within (African Writers Series)

    Set in South Africa in the early 1990s, against a backdrop of de Klerk’s rise to power, Steve Jacobs tells the story of Jeremy Spielman, a Jewish junior barrister, and his defense of a Xhosa man accused of murder.

    The murder trial, an Afrikaner girlfriend, and a mother who has tried to keep him from gentiles his whole life, all force Jeremy to confront his own love-hate relationship with the anti-apartheid struggle, South Africa’s almost unconscious racism, anti-Semitism, and his faith in an unjust legal system.

    Steve Jacobs trained as a lawyer but left his legal career to concentrate on writing. He is an active campaigner against cruelty to animals and has worked with squatters at Crossroads and in a local group opposing a nuclear power station.

  • The Clothes of Nakedness (African Writers Series)

     Winner of The Commonwealth Writers Prize 1999 and The Commonwealth Writer’s Prize Best First Book Africa 1999.
    Gabriel Bukari is an out-of-work taxi driver living from hand-to-mouth in a poor suburb of Accra: honest, kind-hearted, and faithful to his wife. When he meets Mystique Mysterious, the ‘big man’ who can get him a job, he is exposed to temptations he has never faced before.
    In this lively portrait of relations between rich and poor in urban Ghana, Benjamin Kwakye explores the seductive power of corruption and shows how ordinary people can be manipulated to make choices which threaten their community life.
  • Houseboy (African Writers Series, AWS29)

    Toundi Ondoua, the rural African protagonist of Houseboy, encounters a world of prisms that cast beautiful but unobtainable glimmers, especially for a black youth in colonial Cameroon.
    Houseboy, written in the form of Toundi’s captivating diary and translated from the original French, discloses his awe of the white world and a web of unpredictable experiences. Early on, he escapes his father’s angry blows by seeking asylum with his benefactor, the local European priest who meets an untimely death. Toundi then becomes “the Chief European’s ‘boy’–the dog of the King.” Toundi’s attempt to fulfill a dream of advancement and improvement opens his eyes to troubling realities. Gradually, preconceptions of the Europeans come crashing down on him as he struggles with his identity, his place in society, and the changing culture.
  • The Return of the Water Spirit (African Writers Series)

    Set in Angola in the late 1980s, a time of war, and when the Marxist-orientated ruling elite became engulfed by corruption, nepotism and rampant capitalism.

    Three centuries earlier, a hideous crime occurred, the beheading of a slave who had had inappropriate relations with his Master’s daughter. Now, in the very same Kinaxixi Square in the city of Luanda buildings are falling down one by one baffling the country’s engineers. Many describe this mysterious process as ‘Luanda Syndrome, God’s punishment on a degenerate society.

    Drawing on the essence of African mythology which had all but been obliterated by history, could this be explained by the return of a Water Spirit (the ‘kianda’)?

    The novel focuses on the interplay between these two forces-the forces of old and new. Just like faith can move mountains, the spirit of the water can move cities.

    This book is a scathing critique of Angola’s ruling elite, for abandoning their socialist principles in favour of rampant capitalism.

Main Menu