• Bookset: African Writers Series (25 titles)

    Relive all the literary joys of yesteryears by purchasing this jumbo set of all your favourite African Writers Series titles such as Things Fall Apart, The Beautyful Ones Are Not Yet Born, Weep Not Child, So Long A Letter, No Sweetness Here and many more!

    Exact titles will vary depending on availability.

    1,490.001,500.00
  • New Currency: A Historical Novella

    New Currency: A Historical Novella celebrates Akan social norms and values, particularly the “wonderful feeling of togetherness” and communal living, uniquely associated with the extended family system and invites the reader to be culturally sensitive and to worry about the Ghanaian culture degradation.

    Apart from capturing the chilling, historical realities of the 1979 demonetisation, it successfully regains and celebrates the otherwise fading, but precious extended family values.

    In the book, the seasoned author chronicles some aspects of the harrowing military rule of 1979, and narrates the ordeal of a woman about to lose an entire lifetime savings. Specifically, it recounts the widespread commotion and hardships associated with the introduction of a new monetary currency in Ghana from March 13–26, 1979.

    The historical novella, set in Sunyani, the Brong-Ahafo regional capital in the same year, captures the widespread public despondency and turbulence associated with the exercise.

    The book provides some insight into the period of the country’s history for adults who lived through the turbulence of 1979 as a necessary reminder; and to the present-day youth some awareness of the happenings then.

    The thrilling lime green-looking book with yellow and white title inscription on the cover, and thinly opaque adinkra symbols – Mpatapo (knot of reconciliation) and Sesa wo suban (change or transform your life), reflects the theme of the book published by Smartline Publishers.

  • Saro

    On a visit to the coast of Marina, Lagos, Siwoolu and his young family are lured by a traitor to a grand merchant ship where they are captured by slaveholders masquerading as traders. On the way to the new world, they are rescued by abolitionists on a British naval ship and sent to Freetown, a haven for freed slaves.

    They settle in their new home, grow their family, and become successful merchants, trading goods between Freetown and Eko. Dotunu, Siwoolu’s wife, falls in love with another man and is caught in a love triangle. But their lives are upended again when they hear that the kingdom has selected the traitor as king. Siwoolu, content with his new life, yet fearful of a curse that lurks in the shadows, refuses to return, but Dotunu is determined to keep the traitor from the throne. She turns to their son, Oșolu, who is running from his own demons, to seize the throne that is rightfully theirs.

    Saro is a multigenerational tale of betrayal and restitution, love and war, inspired by true events that will take the reader from the rocky terrain of Abeokuta and the burgeoning city of Lagos to the lion mountains of Freetown and Hastings of Sierra Leone from the 1830s to the 1850s.

    Saro

    110.00
  • Truth is a Flightless Bird

    Obama comes to Kenya!

    The American president’s historic visit to Nairobi is the electric backdrop to the story of a pastor, who plunges into the slums to rescue the woman he loves from the clutches of a Somali drug lord.

    But how deep can the pastor go, without destroying his faith, and himself?

    Truth is a Flightless Bird is a brutal love letter to the frontier town that is present-day Nairobi: a studied observation of the the failure of bare-knuckled capitalism, the inequality machines our cities have become, and – ultimately – the profoundly irrational human capacity to hope, to risk everything in order to have something in which to believe.

    With Truth is a Flightless Bird, Hussain establishes a remarkable voice, one truly his own.

  • Remember Death (Pacesetters)

    Rango will stop at nothing to make money, live in London, and have a good life. He becomes involved with Laxman, the unscrupulous importer of chemicals, and out-of-date chemicals which will affect the living of thousands of coffee farmers pour into the country. When it seems that they are about to be unmasked, Rango recruits a young factory worker to blow up the Dar es Salaam chemicals factory. Malleko finds himself in an unhappy position. Whatever he does will lead to his death.

  • You Are Dearly Loved

    When mama loses her only child to suicide, she is overcome with grief and depression. Knowing she needs all the help she can get, Maame is introduced to a support group where she meets parents who share the same fate as her. They share their stories as they embark on a path of healing from their losses.

    What could have made these young ones take their lives? Is suicide really the easy way out of hardships life throws at us?

    Follow the story of Maame who battles the prejudice of a Ghanaian society who blame parents for the suicide of their children and the grief that makes her suicidal.

    This book is for those who battle the abyss of depression and need a way out. It is for those who forget that suicide destroys not just the life taken but also the lives of the people left behind.

  • Tamara’s Forgiveness

    Home is supposed to be haven, home is supposed to be safety. When even a mission house does not hold peace, even sinners would wonder. Why did a sixteen-year old Preacher’s daughter have to bear her father’s weight every night only to be dressed up as a princess every Sunday morning? When a mother turned punching bag cannot even save her own daughter from the grips of a devil in God’s robe, the child takes matters into her own hands. She would not take it anymore; leaving home was her only option.

    With one destination in mind — the city — Tamara could live her life anew. What she was not told was the abundance of men like her father even in the civilized big city. Without Sister Mary, could she have held it altogether?

    Follow Tamara’s story in this page turner as she battles her devils, seeks revenge and finally finds forgiveness and freedom for her soul.

  • Dzo Aɖe Bi Gbe Tra Gbe (Eʋe)

    Dzo Aɖe Bi Gbe Tra Gbe: An Anthology of Very Inspiring Eʋe poems

  • Exɔ Dzo Menyale Lẽlẽm o (Eʋe)

    An anthology of Eʋe poems, including many inspiring revolutionary poems.

  • Sosu’s Call (Upgraded Version)

    Age Range: 12+ years

    Sosu’s Call, won the 1999 UNESCO 1st prize for Children’s and Young People’s Literature in the Service of Tolerance. It is listed as one of the top twelve titles of Africa’s 100 Best Books; and has been named an Honor Book for Young Children by the African Studies Association’s Children’s Africana Book Committee, as a contribution to accurate and balanced material on Africa for children.

    Beautifully illustrated, the story tells of Sosu, a young disabled boy who cannot walk. Sosu misses going to school and all the activities of the other children. His village is on a lagoon, and one day when everyone is away fishing, working in the fields or at school, he raises the alarm with his drumming, and saves the village from total destruction by the sea. His heroism is rewarded when a wheelchair is donated and at last he can go to school.

  • The Enemy of the State and Other Stories

    Set in the fictional African country of Ghaspata, a country a bit too suspiciously like Ghana, these eleven short stories hinge on themes of identity, violence, love and cruelty, fear, desperation, and man’s search for happiness and meaning.

    Adolika Nenah Sowah’s quirky imagination produces an oddly familiar world, laced with bolts of striking new realities that the author weaves into her stories – a teacher strangled by the very trees whose branches he uses to cane children, and a mysterious okro plying the skies of Ghaspata.

    Compelling, ironic, bizarre, and immensely humorous, The Enemy of the State and Other Stories is sure to leave readers highly entertained.

  • Voices that Sing Behind the Veil: Anthology of Short Stories from Africa and the Diaspora (Hardcover)

    This 684-page collection is published in collaboration with the Pan African Writers Association which is based in Accra and affiliated to the continental body, the African Union.

    The fifty-six stories come from fifteen African countries and elsewhere; Nigeria, Ghana, Ivory Coast, Cameroon, Burkina Faso and East of the continent, Uganda, Kenya, the Democratic Republic of Congo in the Great Lakes region, Ethiopia and Tanzania (in setting). They bring in other voices in Zimbabwe, South Africa, Botswana, Malawi, St. Maarten, United States and Britain. The themes are amok and definitely so in a vein of free expression. There are stories of love (of even a man who finds one whilst visiting a dying cancer-patient wife at the hospital in Lagos) or of a husband wrongfully imprisoned in Malawi who upon escape from jail confronts a wife about to wed again, a story very reminiscent of the main character in Ngugi wa Thiong’o’s, Weep Not, Child.

    There is hate and there is poverty – one from Kenya which reads like the Zimbabwean novelist, Dambudzo Marechera’s 1978 classic, The House of Hunger. Issues of mental health, corpse donation for scientific research and Coronavirus-19 are addressed alongside Pentecostal redemption, fake prophets and the havoc they exert on societies as do their counterparts in Islam.

    Contributing writers include distinguished and award-winning writers, academics and emerging talents such Zaynab Alkali (Nigeria), Ben Okri (UK/Nigeria), Molefi Kete Asante (US), Wesley Macheso (Malawi), Ogochukwu Promise (Nigeria), Grace Maguri (Zimbabwe), Athol Williams (South Africa), Martin Egblewogbe (Ghana), Esther K Mbithi (Kenya), Mary Ashun (Ghana), Wale Okediran (Nigeria) among others.

    “These extraordinary stories, mesmerising and beautifully written, are surely connected to a past that remains with us, the experiences of day-to-day living and the limitless imaginings of our futures. The discerning editor combines stories that communicate appreciation with apprehension, presence with essence… a good read.” – Toyin Falola, Historian and the Jacob and Frances Sanger Mossiker Chair, University of Texas, Austin

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