• Comedy

    Comedy (3)

  • Theatre

    Theatre (5)

  • Anowa

    Based on the old Ghanaian legend this is the story of a young women who decides, against her parents wishes, to marry the man she loves. After many trials and tribulations the couple amass a fortune, but Anowa realizes that something, somewhere is wrong.
    This edition of Ama Ata Aidoo’s well-known play has been specially developed for JSS pupils to use in preparation for BECE. It contains:
    • Complete text of the play
    • Introductory notes that develop pupils’ skills in literary criticism
    • Notes following each part of the play
    • Questions and activities
    • BECE exam-style questions covering the whole play

     

    Anowa

    55.00
  • A Painful Decision (Drama on Female Circumcision)

    Age Range: 6 – 12 years

    Africans have many customary practices. Sometime ago, these customs certainly had some advantages. With the passage of time, however, some of these practices have outlived their usefulness, not to mention the aim they are often associated with. Hence, there is the need for us to either modify these customary practices or abandon them altogether.

    It will be discovered, in this play, the great pain and suffering that female circumcision brings to our women.

    We do not dispute the fact that it is one of the legacies bequeathed to us by our forebears. Nonetheless, what prevents us from abandoning it since there is nothing to gain from it now or in future? The time has come for us to become selective in the practice of our customs so that only what brings progress to us is maintained.

  • A Play of Giants

    Described by the author as a ‘Fantasia on Aminian theme’, Wole Soyinka’s new play presents a savage portrait of a group of dictatorial African leaders at bay in an embassy in New York. The resemblance between them and recent historical characters is only too pronounced.

  • Obeede (Akuapem Twi)

    “Obeede” is an imaginary story based on the traditions, culture, customs, and the mode of the life of the Akan people.

    The book reveals the thoughts, beliefs, and superstitions of the Akan people in connection with their gods and life in the unseen world of our past ancestors.

    The “hero” (Kwabena Boakye) who was later known as “Obeede” represents the Akan “Ntorɔ” or “Bogya” a hunter, mysteriously fell into a deep coma and found himself in the unseen world. After many horrid experiences and adventures in that unseen world, he was later roused from his coma.

    The story is written in a beautiful language with rare words used in catchy phrases and idiomatic expressions

  • The Mystery of A Cockcrow: A Play in Three Acts

    The Mystery of a Cockrow, a play in three acts, is centered in a small village and lays bare the full miseries of matrilineal inheritance in the Ghanaian Society.

  • Takɔdaa Bie (Dagaare)

    The book tells the story of a man from the North West of Ghana from birth to death. The central character was born on a day which was considered unfavourable in the eyes of the local upholders of native customs; a day on which the senior gods had their day off.

  • Zanne Fo Kɔkɔre (Dagaare)

    ZANNE FO KƆKƆRE waa la gane n ba Saeed A. Faruk naŋ sɛge ka ka o meŋ soŋ bibiiri a Dagaare/Waale zannoo a sakue poɔ. A gane kɔlage la sɛgebie, yelbipeelɛ, yelbie nyaabo, yelbie gaŋgyere, yelŋmaa, yelgbɔge, gane sɛgebo, senselɛ, naaloŋ, kyiire, dannoŋ, yaabaa, bibiiri deɛnɛɛ, kultaa ne wɛltaa ane ataa. Ƞmaa lɛ, a gane waa ŋa ɔre-kunkuni, ka fo maŋ wele sɛre kyɛ nyɛ moɔma.

    A gane ŋa soma la a ko JHS, SHS, Kolaagyi ane Karemamine ane neɛzaa naŋ boɔra ka Dagaare/Waale kɔkɔre zannoo do saa. O la soma la a ko noba naŋ zanna ka ba wa leɛ karemamine.  Yeli naŋ vɛŋ ka ZANNE FO KƆKƆRE gane ŋa de zu o taaba zuŋ la N ba Saeed naŋ kyaane a yebizuri mine ne naasaale. A dori kaŋa meŋ zaa baaraaŋ, meŋa nyonnoo soorebie maŋ be la be.

  • The Son of Umbele: A Play in Three Acts

    “…the contents of the play revealed a brilliant mind at work in an attempt to deal with some basic ambiguities of human existence,” wrote Julius S. Scott Jnr. of Spelma College-Atlanta, when he saw an American production of The Son of Umbele.

    Indeed, this Ghana National Book Award winner has endeared itself to theatre enthusiasts as well as scholars since its premier at the Ghana Drama studio in 1972.

    Bill Marshall’s sensitivity to realities of the human existence and the conflicts of the mind is eloquently manifest in his writing, be it a novel, a TV Drama or a Stage play.

    The author appeared on the Ghanaian Arts scene in 1966 when he joined GBC-TV and helped to establish the Drama Department of the Television Station. He worked with the Corporation for several years, writing, production and directing plays for Television, He subsequently left for the private sector, working for Lintas Ghana Limited and in his own company, Studio Africain. In 1984, he was appointed the Director of the National Film and Television Institute (NAFTI) in Ghana.

    Other published works by the author are Novels: Bukom, Brother Man, The Oyster Man, Uncle Blanko’s Chair; Plays: Shadows of an Eagle, Stranger to Innocence Asana, The Crows and Other plays.

  • The Importance of Being Earnest & Other Plays (Macmillan Popular Classics)

    Around the World in Eighty Days, one of his most popular books, was first serialized in late 1872 in a French newspaper. An instant success, the novel details the round-the-world adventures of the affluent Englishman Phileas Fogg who, accompanied by his French valet Passepartout, sets out on an impossible journey for a wager of £20,000. This groundbreaking novel has since been adapted numerous times for the theatre, television, radio and cinema.

  • Shakespeare’s Hamlet

    This edition is unabridged and suitable for SHS level. Comes with notes and important questions and answers.

    One of the greatest plays of all time, the compelling tragedy of the tormented young prince of Denmark continues to capture the imaginations of modern audiences worldwide. Confronted with evidence that his uncle murdered his father, and with his mother’s infidelity, Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger. The ghost, Hamlet’s feigned madness, Ophelia’s death and burial, the play within a play, the “closet scene” in which Hamlet accuses his mother of complicity in murder, and breathtaking swordplay are just some of the elements that make Hamlet an enduring masterpiece of the theater.

  • Stranger to Innocence – A Play

    Stranger to Innocence is an intriguing short play, which treats the daily motions, frustrations, joys and aspirations of an African priestly family. This is the house where a stranger, Tawa, who has been fleeing from his own sins, seeks to find refuge. In the end, lessons of remorse and forgiveness are yet to be fully understood especially by young minds like Alaba, daughter of the priest.

    The play exhibits the author’s artistic simplicity in the use of dramatic language, which has endeared this play to wide theatre audiences.

    It is not surprising that it is popular among many drama groups and schools in the country.

    Stranger to Innocence is one of Bill Marshall’s early plays, from which a lot of inspiration is drawn.

  • Shadow of An Eagle – A Play

    “Hope and Desire alone have no virtue. It is the fulfilment of our aspirations that brings satisfaction.”

    This quote from the play, Shadow of An Eagle, evidently reveals Bill Marshall’s depth as a playwright.

    The play depicts the lifestyle of an African family in peculiar circumstances in a rural setting. It explores the tension and feeble frustrations, which can occur in a family.

    Being one of the earlier plays of Bill Marshall, which were widely patronized by schools and colleges and broadcast on the BBC African Theatre, Shadow of An Eagle uses the symbolism of the eagle in Ghanaian mythology to highlight the need for the youth to aspire to higher heights.

    Just like the hero who refuses to relapse into degeneration, which he finds at home on his return from his foreign exploits, Bimpo hopes that members of his family would shed their past frustrations, brace themselves up and take to the sky like eagles.

  • Edufa – A Play

    “Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”

    Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.

  • The Prince and the Slave – A Play

    This historic, award-winning play is set in Wakumey, a kingdom on the West African Coast in the late 18th century. The drama explores the internal tensions and disruptions that rock a community in an era when dealing in live human cargo was the order of the day“How can there be a kingdom without slaves?” is the mantra for King Dogali and his council of elders. However, when romance sneaks in through a most inappropriate quarter, the very centre of royal power comes face-to-face with the visceral effects of the Transatlantic Slave Trade.
    The Prince and the Slave reveals not only the inner workings of the practice but also the psychology of both the slave raider and the enslaved.
    The Prince and the Slave has been performed at Accra, Cape Coast, Kumasi and a few universities and secondary schools across Ghana.
  • Mmɔfra Nkɔmmɔ Bi (Asante Twi)

    A collection of Plays and interactions among children in Asante-Twi

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