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Otswa Tɛ Otswa Ohiɛnaa (Ga)
“Otswa Tɛ Otswa Ohiɛnaa” is a play about a young man who took someone to court for libel only to find that the defendant is no other than his own father.
₵24.00Otswa Tɛ Otswa Ohiɛnaa (Ga)
₵24.00 -
Namɔ Matsu? (Ga)
” Namɔ Matsu? ” is a drama which contains two Plays. The first, ” Whom Shall I send?” , is a two-act play about the fall of Man from Grace (Eden) due to disobedience.
The second Play, “Wonderful Love” deals with God’s concern about Man’s redemption, and how man sometimes vainly kicks against what is ordained.
₵18.00Namɔ Matsu? (Ga)
₵18.00 -
African Dance in Ghana: Contemporary Transformations
In African Dance in Ghana: Contemporary Transformations, Professor Francis Nii-Yartey tells the story of the development of dance – both traditional and contemporary – since Ghana’s independence. The book charts the people and events that influenced new forms of dance and their impact on art, culture and national identity. The dances that emerge combine centuries-old tradition with a yearning for original expression and innovation.
Nii-Yartey is uniquely equipped to tell the story, having been directly involved through his directorship of the Department of Dance at the University of Ghana and his involvement in establishing the Ghana Dance Ensemble and the Noyam African Dance Institute.
The second part of the book gives detailed choreographic instructions for 18 dance pieces, most of which were written, choreographed and directed by the author. They form an invaluable legacy to his career.
₵40.00 -
The Black Hermit (African Writers Series, AWS51)
In this play, Remi, the first of his tribe to go to university, ponders whether or not he should return to his people. Or should he continue to be a black hermit in the town? Amidst the backdrop of a politically torn country, Remi himself is torn between his sense of tribalism and nationalism. This struggle runs deep, as he finds it at the heart of his afflictions between himself, his marriage and familial relations, and his greater sense of obligations to his people and the country. The overwhelming nature of these problems drives him into isolation as a black hermit. His self-imposed exile into the city leads him to find contentment in the Jane, his new lover, and nightly clubbing. However, after he is lobbied to return to the tribe, he must now confront the demons of his past.
The Black Hermit was the first published East African play in English. The play was published in a small edition by Makerere University Press in 1963, and republished in Heinemann’s African Writers Series in 1968.
₵45.00