• Highlife Time 3

    Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.

    The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
    The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.

    The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.

    There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.

    Highlife Time 3

    250.00
  • Beyond the Rivers of Ethiopia

    A powerful and revealing look into God’s purpose for the Black race.

    In this book Dr. Otabil explodes long held myths about Africa; Exposes doctrinal errors about Blacks being cursed and inferior; Restores knowledge to Black Christians about their biblical birthright and; Exhorts the body of Christ to unite with love and equality.

  • My First Coup d’Etat: Memories from the Lost Decades of Africa

    My First Coup D’Etat chronicles the coming-of-age of John Dramani Mahama (former President of Ghana) in Ghana during the dismal post-independence ‘lost decades’ of Africa. He was seven years old when rumours of a coup reached his boarding school in Accra. His father, a minister of state, was suddenly missing, then imprisoned for more than a year.

    My First Coup D’Etat offers a look at the country that has long been considered Africa’s success story. This is a one-of-a-kind book: Mahama’s is a rare literary voice from a political leader, and his stories work on many levels – as fables, as history, as cultural and political analysis, and, of course, as the memoir of a young man who, unbeknownst to him or anyone else, would grow up to be vice president of his nation. Though non-fiction, these are stories that rise above their specific settings and transport the reader – much like the fiction of Isaac Bashevis Singer and Nadine Gordimer – into a world all their own, one which straddles a time lost and explores the universal human emotions of love, fear, faith, despair, loss, longing, and hope despite all else.

    An important literary debut from the then Vice President of Ghana, a fable-like memoir that offers a shimmering microcosm of post-colonial Africa.

    ‘A much welcome work of immense relevance.’ ~ Chinua Achebe

  • Unfinished Journey: The Life and Times of VCRAC Crabbe

    Otumfuo Osei Tutu II, Asantehene, says this about the book:

    “The Life of Justice Crabbe has surely not been all rosy. He has suffered painfully from people who envied and misunderstood him. But through it all, he came out better, fearless and incurably optimistic. We learn from some of his painful experiences recounted in this book that misfortune is only a missed-fortune. We should always believe as individuals and as a nation that the best is yet to come! Clearly, part of his secret for aging so gracefully is being content with the lot that life grants him and not to carry any negative emotions in his body.”

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