• Lagos: City of the Imagination – Hardcover

    “I don’t think you can be in Lagos without becoming aware of its potency; when Lagos gets itself organised it will be extremely powerful; and already – without organisation – it is very powerful.” Rem Koolhaas, 2002

    Lagos is fast becoming a global city – a place people visit for curiosity and the vibe as much as for business or family. The mesmerising energy and intensity of the city have to be experienced to be understood. But what is the story of Lagos? When did the city begin? Who were the first inhabitants? When did it become the city of iniquity and wisdom that continues to confound all who encounters it? Who have been the key chroniclers of this real yet imaginary city?

    Veteran journalist and writer Kaye Whiteman has given us a gem that answers these questions and more. Lagos: City of the Imagination explains the origins of Lagos as both outpost of the Benin Empire and also the city run by the White Cap Chiefs. Whiteman shows that Lagos was always multicultural and cosmopolitan, with the Portuguese and later educated returnees from Sierra Leone and artisans from Brazil adding to the eclectic mix.

    The book examines the key moments in the history of Lagos: from the concerted attack by the British in the 1860s, Independence in 1960, the 1966 coup through to FESTAC and the assassination of Murtala Muhammed. Also included are vivid character portraits of some of the most powerful Lagosians in history, from Oba Kosoko and Madam Tinubu, to well-regarded colonial figures such as Sir Bernard Bourdillon and those – like Lord Lugard – not so fondly remembered.

    As the name suggests, Lagos: City of the Imagination deals extensively in those for whom Lagos is the backdrop of their work, from highlife musicians and Fela Kuti to Wole Soyinka and, more recently, the American-Nigerian writer Teju Cole.

    Lagos: City of the Imagination is an absorbing and delightful “must-read” for anyone with an interest in one of the most dramatic cities of the 21st century.

  • Amu the African: A Study in Vision and Courage

    This book is an account of the life and work of Dr. Ephraim Amu, the renowned Ghanaian educationist and reformist — a great creative musician of world rank whose contributions are a cultural heritage for the world. It gives the story of Amu’s life and the contribution he has made to the development of the Church, Education, Morality, the Youth, Agriculture, Nutrition, Ghanaian Cultural Nationalism and, especially, the evolution of Ghanaian music.

    Not since Dr Kwegyir Aggrey has any other Ghanaian influenced more positively the development of Ghanaian culture and pride in the African Personality than Dr Ephraim Amu.

  • The Hundred Wells of Salaga

    Aminah lives an idyllic life until she is brutally separated from her home and forced on a journey that turns her from a daydreamer into a resilient woman. Wurche, the willful daughter of a chief, is desperate to play an important role in her father’s court. These two women’s lives converge as infighting among Wurche’s people threatens the region, during the height of the slave trade at the end of the 19th century.

    Set in pre-colonial Ghana, The Hundred Wells of Salaga is a story of courage, forgiveness, love and freedom. Through the experiences of Aminah and Wurche, it offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.

  • Gathering Seaweed: African Prison Writing (African Writers Series)

    This anthology introduces the African literature of incarceration to the general reader, the scholar, the activist and the student. The visions and prison cries of the few African nationalists imprisoned by colonialists, who later became leaders of their independent dictatorships and in turn imprisoned their own writers and other radicals, are brought into sharper focus, thereby critically exposing the ironies of varied generations of the efforts of freedom fighters.

    Extracts of prose, poetry and plays are grouped into themes such as arrest, interrogation, torture, survival, release and truth and reconciliation.

    Contributors include: Kunle Ajibade, Obafemi Awolowo, Steve Biko, Breyten Breytenbach, Dennis Brutus, Nawal El Saadawi, M J Kariuki, Kenneth Kaunda, Caesarina Kona Makhoere, Nelson Mandela, Emma Mashinini, Felix Mnthali, Augustino Nato, Ngugi wa Thiong’o, Kwame Nkrumah, Abe Sachs, Ken Saro Wiwa, Wole Soyinka, and Koigi wa Wamwere.

    Although an often harrowing indictment of the history, culture and politics of the African continent and the societies from which this literature comes, the anthology presents excellent prose, poetry and drama, which stands up in its own right as serious literature to be cherished, read and studied.

  • Sam: A Life of Service to God and Country

    Lawyer. Politician. Democracy and human rights activist. Prisoner of conscience. Rotarian. Father. Grandfather.

    These are among the many roles Sam Okudzeto is most proud of. In his very easy-to-read memoir, SAM: A Life of Service to God and Country, he describes the journey from his village childhood, through his education in Europe, and finally to his life in the legal profession, politics and civil society of Ghana. As one who personally knew many of Ghana’s founding fathers and giants, and was active in politics during the seminal moments after independence, he offers a unique perspective of the people and events that shaped the history of Ghana and the growth of its democracy. He sheds light on the origins of many issues and shares his regrets such of the boycott by the legal profession during the drafting of the current Constitution in 1992 and the impact that boycott has had on national governance.

    In this must-read memoir, he shares many lessons from a life spent on the frontlines of human endeavor. Now in his 80s, and with a life well-lived, Sam Okudzeto hopes that the current generation of Ghana will continue to build upon the foundation laid by his pioneering generation.

    “Uncle Sam as some of us know him is iconic. He is larger than life in his profession, his faith and his service to humanity. His memoir deepens our respect for his intellect and joie de vivre and provide steps for us to emulate his rich and blessed life.” – Rev. Dr. Joyce Aryee, Executive Director, Salt & Light Ministries, Management and Communications Consultant
    “There are people you meet in life who change you. Their goodness, their kindness, their willingness to speak out for what is just and right make you look at the world in a different light. They inspire you simply by being themselves. Sam is one of those persons in my life. He is a giant in the field of law. In the fifteen years I have known him I have witnessed endless times where he has brought insight and compassion and leadership to the issues at hand. I have been in awe of Sam for these many years. Someone once said that fate chooses out relatives, we choose our friends. My friendship with Sam is cherished gift.” – Dr. Mark S. Ellis, Executive Director, International Bar Association
    “Sam’s reputation as a redoubtable and fearless advocate for the rule the law, truth and integrity has won him the respect and admiration of his peers, juniors and even his harshest critics. He is indeed a legal colossus, a true patriot with a strong moral character and an unswerving passion for pursuing the cause of right without fear of might. He is a very warm and wonderful, human being – a selfless, compassionate lover of people who seeks the good, happiness and progress of others. Above all else, Sam is a man of faith who loves the Lord with all his heart.” – Her Ladyship Georgina T. Wood, Former Chief Justice of Ghana
  • Stones Tell Stories at Osu

    Stones Tell Story at Osu is a creative biographical account of the Slave Trade at Osu, one of the leading slave trading centres off the West African Coast.

    Wellington employs a metaphorical device through the voice of the narrator, Ataa Forkoye, to provoke discussion, dissolve the shame and confusion associated with the slave trade and to persuade the current generation of Africans to abandon the taboo of not speaking about it.

    Wellington, an architect by profession, does this by rummaging through the remaining physical ruins of the slave trade, picks up the stones one by one to construct a compelling narrative through the amalgam of values, conflicting colonial hegemony, layers of economic syncretism and the collision of cultures to bring to life the force of the relationship between the Europeans and their African counterparts.

    Stones Tell Story at Osu has brought together the untold “fragmented” pieces of the story of the slave trade this side of the Atlantic and serves as the missing puzzle to those who seek answers.

    Wellington’s rich narrative style still shines in this long-awaited second edition, a book that will tug at the curiosity of historians, anthropologists and students of English and Literature in high schools and universities alike and an engaging traveling companion that resists being laid down.

  • Highlife Time 3

    Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.

    The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
    The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.

    The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.

    There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.

    Highlife Time 3

    250.00
  • The Boabab Tree of Salaga

    Suitable for upper primary pupils and children between 9 and 11 years

    Dauda, a twelve-year old boy lives in a village north of Salaga with his parents. He often helps his father, who is a blacksmith, at the forge. He also grazes their sheep and goats.

    One night, slave raiders captured everyone from his village. Dauda gets separated from his parents. He is taken to Salaga where he is chained to a big baobab tree before he is later sold off. From Salaga, he, together with many others are marched to the coast and made to board a ship to the Americas to be sold as slaves.

    Two hundred years later, a stranger visits the same baobab tree at Salaga…who is this stranger?

  • Beyond the Rivers of Ethiopia

    A powerful and revealing look into God’s purpose for the Black race.

    In this book Dr. Otabil explodes long held myths about Africa; Exposes doctrinal errors about Blacks being cursed and inferior; Restores knowledge to Black Christians about their biblical birthright and; Exhorts the body of Christ to unite with love and equality.

  • My First Coup d’Etat: Memories from the Lost Decades of Africa

    My First Coup D’Etat chronicles the coming-of-age of John Dramani Mahama (former President of Ghana) in Ghana during the dismal post-independence ‘lost decades’ of Africa. He was seven years old when rumours of a coup reached his boarding school in Accra. His father, a minister of state, was suddenly missing, then imprisoned for more than a year.

    My First Coup D’Etat offers a look at the country that has long been considered Africa’s success story. This is a one-of-a-kind book: Mahama’s is a rare literary voice from a political leader, and his stories work on many levels – as fables, as history, as cultural and political analysis, and, of course, as the memoir of a young man who, unbeknownst to him or anyone else, would grow up to be vice president of his nation. Though non-fiction, these are stories that rise above their specific settings and transport the reader – much like the fiction of Isaac Bashevis Singer and Nadine Gordimer – into a world all their own, one which straddles a time lost and explores the universal human emotions of love, fear, faith, despair, loss, longing, and hope despite all else.

    An important literary debut from the then Vice President of Ghana, a fable-like memoir that offers a shimmering microcosm of post-colonial Africa.

    ‘A much welcome work of immense relevance.’ ~ Chinua Achebe

  • Because of Kwadua

    An autobiography in honour of love, Because of Kwadua, is an easy read of love in the colonial and immediate independent Ghana from the late 40s to the late 60s.

    Set in the capital city of the country, Accra, and the Golden city, Kumasi, and their environs, the author, Hans Rudolf Roth recounts the stoic love of Kwadua, his wife, as he forays into work, experiences and making a living in Ghana at the time as a white.

    Because of Kwadua unfolds a magnificent gallery of memorable character, vivid snapshots of political rivalry, supervised and shrewd corporate efforts at profit making, the spell and blessing of domestic love and the nobility of traditional royal life.

    Transplanted from Europe to the Swiss African Trading firm in Kumasi, young Roth finds himself ensnared by the ‘dainty lady from Africa’, ‘the black beauty of the Gold Coast’. The hidden beauty, the excellent cooking and the charming manners of Mercy Kwadua Kwafo deepen the undying intimacy of the two till their love ripens into inescapable wedlock.

    The book is set in the turbulent last days of colonial administration in the Gold Coast and five decades of post-independence Ghana and moves with astonishing kaleidoscopic speed.

    Because of Kwadua unfolds a magnificient gallery of memorable characters, vivid snapshots of political party rivalry, supervised and shrewd corporate efforts at profit making, the spell and blessing of domestic love and the nobility of traditional royal life.

    Very exiting, very entertaining and full of drama, the book holds the reader with magnetic compulsion.

  • Unfinished Journey: The Life and Times of VCRAC Crabbe

    Otumfuo Osei Tutu II, Asantehene, says this about the book:

    “The Life of Justice Crabbe has surely not been all rosy. He has suffered painfully from people who envied and misunderstood him. But through it all, he came out better, fearless and incurably optimistic. We learn from some of his painful experiences recounted in this book that misfortune is only a missed-fortune. We should always believe as individuals and as a nation that the best is yet to come! Clearly, part of his secret for aging so gracefully is being content with the lot that life grants him and not to carry any negative emotions in his body.”

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