• Love Lifted Me from the Street

    For a young man who was born in a slum by very poor parents, access to basic necessities of life were luxuries to him; even education. To him, comfortable living was meant for a particular class of people, of which, he believed his family was far from; given the acute hardship conditions his family was going through.

    This book is a memoir of the Author’s street life as a teenage school boy, whose major ordeal was to hawk on the street, sleep on the street and virtually live off at the mercy of the street.

    The Author highly attributes his success story to LOVE. “Without love, I have nothing. All throughout my life, many people have in diverse ways shown me love, and that gesture of love has made me who I am today”.

    Readers will uncover the “from grass to grace” success story of the Author, who, is an epitome of inspiration to many youths today.

  • Homeless

    This book is an inspirational true story of a homeless young boy who, out of sheer tenacity, kept his eyes on EDUCATION to unlock his dreams of becoming a lawyer.

    The book contains life changing stories and experiences of the Author, which in essence, emphasizes the importance of EDUCATION in the life of every child, most especially the less-privileged, underprivileged or economically disadvantaged child, whose fortunes of successful living are uncertain.

    HOMELESS has been reviewed and approved by Ghana Education Service (GES) and Conference of Assisted Senior High Schools (GHASS) in Ghana as a supplementary reader for JHS, SHS, Vocational and Technical Institutions and Colleges of Education.

    Homeless

    60.00
  • SeedTime: Selected Poems I

    In memory of all the Ancestral Voices who prepared the field for our SeedTime…

    SeedTime I brings together Selected Poems from Kofi Anyidoho’s first five collections, beginning in reverse order with poems from AncestralLogic & CaribbeanBlues (1993), A Harvest of Our Dreams (1984), EarthChild (1985), Elegy for the Revolution (1978), and BrainSurgery (1985). BrainSurgery, the earliest of these collections, was never published as a collection until it came out together with EarthChild (Woeli Publishing Services, 1985), even though several of the poems had appeared in various journals, magazines and anthologies.

    SeedTime: Selected Poems I is a backward glance to those magical years of birth waters flowing across a landscape filled at once with danger and hope, with dying and rebirth in the mystery and miracle of new beginnings so soon after countless brushfires. But the doubt returns again so close behind the hope as we offer trembling prayers in new poems from an old loom: See What They’ve Done To Our SunRise. Yet, somehow, we must open our minds and souls to the Forever Promise of New SeedTimes. This world cannot, must not crumble under our watch.

    “Quintessential Anyidoho…a harvest of the master craftman’s gems across time and space. SeedTime brings a refreshing newness to old songs, and, for new ones, a touch of creative genius we have come to associate with the poet’s pedigree; a timeless legacy of a poet-laureate, whose voice waxes even stronger in his twilight years.” − Mawuli Adjei, author, poet and literary scholar

    “A collection of haunting poems in which we SEE the turbulent variety of our history, and HEAR the English language teased to express the many rhythms of the African’s eternal homesickness.” − Prof. A. N. Mensah, Department of English, University of Ghana

  • Baba Chibsah: Inspirational Story of an Illustrious Migrant

    Baba Chibsah: Inspirational Story of an Illustrious Migrant is one of those books that take the reader on a journey of illumination. At the core of the story is the life of Baba Chibsah, who was both a visionary and practical man who was driven by his own idealism and belief in God and community to achieve goals he could not have comprehended when he set out from his home in the Upper Volta (now Burkina Faso), to work in the Gold Coast (Ghana) in 1922. His immediate aim was to earn enough money to buy a bicycle. Taking every opportunity that came his way, the acclaimed founder of Tafo Zongo never went back but created a community and values worth celebrating.

    His adventures read like a story out of a thriller movie. However, the story breaks free of its boundaries and becomes the history of a whole generation. This book teaches more about life in pre-independence times, not only in Ghana but in our West African sub-region than most textbooks. Here the story of migration, impact of European colonial policy, social interaction, Islamic movements and trends, and indeed the development of the Tafo-Suame enclave in Kumasi are all laid out here in cinematic detail.

    Alhaji Seidu Kibsa Sawadogo aka Alhaji Seidu Chibsah has not only honoured his father and his generation but also produced a history masterpiece.

  • The Children of House No. D13 South Suntresu Kumasi: An Ahwoi & Adu-Gyamfi Siblings’ Collective Biography

    *Available from 15 June 2022

    To describe The Children of House No. D13, South Suntresu, Kumasi, as an intriguing project is an understatement. A collective biography of eight siblings was always going to be a daunting challenge, even if each person told their own story and got it together in one volume. To do it in a coordinated combination of first and third person “voices” would appear to be a bit implausible. To actually achieve the purpose and turn it from a project into an enthralling reading experience deserves all the plaudits this book is likely to gather.

    This book is a collection of life stories of the eight children of Madam Maye Charlotte Hudson, also known as Esi Tutuwa but known to some people as Esi Nkwagye and to the people of South Suntresu, Kumasi as Mrs. Ahwoi. The ‘Ahwois” principally is the collective name of three brothers – Ato, Kwesi and Kwamena – who have played prominent roles in Ghana’s recent history, but the siblings also include five girls, Ama, Adoma, Efua, Naana and Sister Aggie, who also played their part in this thrilling story in their own unique ways.

    For such a collective recall of personal histories to work, a principal requirement is a willingness of all the parties involved to treat the project seriously; of equal importance is the need to treat everyone’s personal history as important, which is what this book has succeeded in doing. It would be right to describe it as an exercise in literary democracy!

    It is not every book project that produces a good book, but this book has done so because at the heart of the project is a good story. And at the heart of that good story is human progress against the odds capsuled in the life of these eight individuals.

    These are the dramatis personae in order of appearance – from the womb – Ato Ahwoi, Kwesi Ahwoi, Mrs. Ama Twum, Kwamena Ahwoi, Mrs. Ama Adoma Bartels-Kodwo, Mrs. Efua Bram-Larbi, Theodora Naana Adu Gyamfi and Mrs. Agnes Appiagyei-Dankah. Theodora Naana Adu-Gyamfi passed away at the age of 28 and so her role ends early except in passing references. However, it is worth recalling that before she died, and in an act that exemplifies the major theme of this book, Naana secretely transferred all the money in her own bank account into that of her six year old niece, Abena Tutuwa Ahwoi, the daughter of her brother, Kwamena.

    The structure of the narrative, which makes it possible to flow, is simply to follow the fortunes of these siblings sequentially in turn through the main phases of their development. The person whose presence permeates the story is the matriarch – Mrs. Ahwoi, nee Maye Charlotte Hudson.

    The book achieves the purpose of showing the “remarkable togetherness and the mutual support system that enabled the children of House No. D13, South Suntresu, Kumasi, to overcome the many hurdles along their individual paths in life as being due to their mother, Madam Maye Charlotte Hudson (Mrs. Ahwoi). Indeed, the matriarch herself is effectively the ninth subject of the biography of the eight children” as Honourable Kwame Preprah states in the Foreword.

    Nana Kwasi Gyan Apenteng

    Consultant in Communication, Media and Culture

    Former Chairman, National Media Commission (NMC)

    Former President, Ghana Association of Writers (GAW)

  • From Dar es Salaam to Bongoland: Urban Mutations in Tanzania

    The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is ‘haven of peace’ resulting from a mix-up of the Arabic words “dar” (house) and “bandar” (harbour). Named in 1867 by the Sultan of Zanzibar, the town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort to the socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, for the Tanzanian, the town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means ‘brain’ in Kiswahili). Far from being an anecdote, this slide into toponomy records the mutations that affect the links that Tanzanians maintain with their principal city and the manner in which it represents them.

    This book takes into account the changes by departing from the hypothesis that they reveal a process of territorialisation. What are the processes – envisaged as spatial investments – which, by producing exclusivity, demarcations and exclusions, fragment the urban space and its social fabric? Do the practices and discussions of the urban dwellers construct limited spaces, appropriated, identified and managed by communities (in other words, territories)? Dar es Salaam is often described as a diversified, relatively homogenous and integrating place. However, is it not more appropriate to describe it as fragmented?

    As territorialisation can only occur through frequenting, management and localised investment, it is therefore through certain places – first shelter and residential area, then the school, daladala station, the fire hydrant and the quays – that the town is observed. This led to broach the question in the geographical sense of urban policy carried out since German colonisation to date. At the same time, the analysis of these developments allows for an evaluation of the role of the urban crisis and the responses it brings.

    In sum, the aim of this approach is to measure the impact of the uniqueness of the place on the current changes. On one hand, this is linked to its long-term insertion in the Swahili civilisation, and on the other, to its colonisation by Germany and later Britain and finally, to the singularity of the post-colonial path. This latter is marked by an alternation of Ujamaa with Structural Adjustment Plans applied since 1987. How does this remarkable political culture take part in the emerging city today?

    This book is a translation of De Dar es Salaam à Bongoland: Mutations urbaines en Tanzanie, published by Karthala, Paris in 2006.

  • Politics in Ghana (1982-1992): Rawlings, Revolution and Populist Democracy

    This work was embarked upon as part of my study of military intervention in politics which had become the bane of politics in my country and Africa as a whole. My previous study had encompassed the period 1972-1979 (vide Politics In Ghana 1972 — 1979). The publication was well received and it won several awards. The book decried military rule in the hope that it would discourage military incursions in Ghanaian politics. As the 31 December Revolution unfolded, several friends impressed upon me, and I felt a deep obligation in the same direction, to capture and analyse the events of the time for posterity and for the guidance of my beloved country.

    With the advent of the PNDC on 31 December 1981, revolutionary politics was launched, which was geared towards participatory democracy. The PNDC military government claimed that it was not just another military junta but that under the auspices of the military and civilian revolutionary leaders and cadres, the people were taking their destinies into their own hands towards the establishment of grassroots democracy. In the process, as the revolutionaries claimed, all injustices would be redressed, corruption would be eradicated and a new era of prosperity would dawn as “true democracy” was manifested.

    My task in this work was to examine critically, the true nature of the PNDC, its composition, declared aims and objectives and whether the politics of revolution which dawned on 31 December 1981, could be justified. It was worthy to study and document whether the Defence Committees, District Assemblies, political and legal institutions of the PNDC, the regime’s human rights record, economic and social policies, responsibility and accountability to the populace, responsiveness in government and its electoral record did lead to a true democracy. The work is seen as a contribution towards answering the question: did the PNDC bring democracy to Ghana?

  • Oxford Street, Accra: City Life and the Itineraries of Transnationalism

    In Oxford Street, Accra, Ato Quayson analyzes the dynamics of Ghana’s capital city through a focus on Oxford Street, part of Accra’s most vibrant and globalized commercial district. He traces the city’s evolution from its settlement in the mid-seventeenth century to the present day. He combines his impressions of the sights, sounds, interactions, and distribution of space with broader dynamics, including the histories of colonial and postcolonial town planning and the marks of transnationalism evident in Accra’s salsa scene, gym culture, and commercial billboards.

    Quayson finds that the various planning systems that have shaped the city—and had their stratifying effects intensified by the IMF-mandated structural adjustment programs of the late 1980s—prepared the way for the early-1990s transformation of a largely residential neighborhood into a kinetic shopping district. With an intense commercialism overlying, or coexisting with, stark economic inequalities, Oxford Street is a microcosm of historical and urban processes that have made Accra the variegated and contradictory metropolis that it is today.

    “Oxford Street, Accra offers a fresh portrait of a rising African metropolis by one of the most original and skilled critics of the African condition. Deeply researched and packed with detail and bold in scope and analysis, Oxford Street, Accra is a unique addition to the growing body of work on contemporary African Urbanism. This extraordinary book shows the extent to which the future of urban theory might well lie in the global South.” – Achille Mbembe, author of Critique de la raison négre.

    KEY SELLING POINTS:

    • Oxford Street, Accra is a must-buy as an invaluable companion and compass for both newcomers and returning visitors to Accra.
    • Oxford Street, Accra was chosen as one of the ‘UK Guardian’s 10 Best City Books of the World in 2014.’
    • Oxford Street, Accra was also the Co-Winner of ‘The Urban History Association’s Top Award in the International Category For Books Published About World Cities in 2013 – 2014.’
    • Oxford Street, Accra contains an encyclopedic knowledge of the City of Accra, tracing the city’s evolution from its settlement in the mid-seventeenth century to the present day.
    • The book offers a microcosm of historical and urban knowledge of the making of the city that have transformed Accra into the sophisticated metropolis that is it today.
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Unwrapped: The Story of a Shepherd Boy

    Unwrapped is a deep and sincere account of how one can not only live well but also carve out a very impressive career that contributes to a better world. Abraham Mnzava’s account of his life demonstrates how one can contribute to improving health and eventually alleviating poverty by hard work. Moreover, Unwrapped reminds us that the basis for success relies not only on skills and determination but on partnerships that bridge systems and cultures, though this should be coupled with a deep respect for ones’ roots.

    “If we do not know where we come from, we will not know where we are going to.”

    However, if we are too attached to the past, we cannot be open to the future. The insight into the life of Abraham Mnzava provided by Unwrapped offers hope for the future for many of us across the globe.

  • The Legislative System of Ghana

    This book focuses on the legislative system of Ghana. It contains sixteen chapters, each focusing on a unique aspect of the legislative system of Ghana. It outlines the rules, the practice, and procedure that govern the conduct of business and Members in the Parliament of Ghana and its committees, and the various actors involved in the organisation of the legislative business. It breaks into minute forms, the procedural norms, and attitudes that influence members’ behaviour and the various parliamentary outcomes.

    “This study is well researched and presented in a very lucid form…. Indeed, it is a very useful source for students, parliamentarians, and academics on the parliamentary history, procedure, and practice of Ghana’s Parliament.” – Hon Dr. Benjamin Kunbour, Former Majority Leader, Former Minister of Defence and Senior Lecturer, University of Ghana School of Law

  • Paying My Debt: An Autobiography

    “Every human life is a unique story. Telling my life story is not for vainglory. It is not a story of heroic deeds, but the story of a humble debtor who cannot pay his debts in a lifetime. This is an attempt to look at the trails of my life which would remind me that no matter how far I have come, I am nowhere close to paying all my debts.”

    This is the opening paragraph of the autobiography of Mr Daniel Owusu-Koranteng, a Trade Unionist, human and environmental rights activist, Professional Paralegal, poet, human resource development/industrial relations practitioner and an ADR Practitioner.

  • The Black Pimpernel: Nelson Mandela on the Run

    In March 1961, after giving a brief speech at a conference, Nelson Mandela vanished.

    For the next eighteen months he was an outlaw, living under assumed identities and in various disguises (sometimes as a chauffeur, sometimes a gardener) as the South African police and secret services, helped by MI5 and the CIA, sought him in vain. His mission? To undergo military training and set up armed resistance to apartheid.

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