• A Cowrie of Hope (African Writers Series)

    “These were the nineties,” reflects the narrator of A Cowrie of Hope, and for the young widow Nasula they are years of relentless economic hardship and privation. She dreams of a better life for her beautiful daughter, Sula, free from poverty and independent of marriage. But when Nasula finds herself unable to pay for Sula’s education, her hopes seem to have been extinguished – until a friend advised her to go to Lusaka and sell her last sack of highly sought-after Mbala beans. Nasula makes the journey, but in the city she finds herself exposed to new, and predatory, dangers.

    In A Cowrie of Hope Binwell Sinyangwe captures the rhythms of a people whose poverty has not diminished their dignity, where hope can only be accompanied by small acts of courage, and where friendship has not lost its value.

  • Weep Not, Child (African Writers Series, AWS7)

    A powerful, moving story that details the effects of the infamous Mau Mau war, the African nationalist revolt against colonial oppression in Kenya, on the lives of ordinary men and women, and on one family in particular. Two brothers, Njoroge and Kamau, stand on a rubbish heap and look into their futures. Njoroge is excited; his family has decided that he will attend school, while Kamau will train to be a carpenter. Together they will serve their country – the teacher and the craftsman.

    But this is Kenya and the times are against them. In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up.

  • Arrow of God (African Writers Series, AWS16)

    Set in the Igbo heartland of eastern Nigeria, one of Africa’s best-known writers describes the conflict between old and new in its most poignant aspect: the personal struggle between father and son.

    Ezeulu, the headstrong chief priest of the god Ulu, is worshipped by the six villages of Umuaro. But his authority is increasingly under threat—from rivals within his tribe, from functionaries of the colonial government, and even from his own family members. Yet he believes himself to be untouchable: surely he is an arrow in the bow of his God? Armed with this belief, he is prepared to lead his people, even if it is towards their own destruction. But his people will not be dominated so easily.

    Spare and powerful, Arrow of God is an unforgettable portrayal of the loss of faith, and the downfall of a man in a society forever altered by colonialism.

  • The New Tribe (African Writers Series)

    When a baby girl is abandoned at birth, Reverend Arlington and his wife Ginny are only too happy to adopt her. The media cover this moving story, and a Nigerian woman living in England takes more than a passing interest in the Arlingtons. She decides that they world provide the right Christian home for her own baby, Chester. Shortly afterwards, Chester is delivered to social services with a letter explaining that the Arlingtons should be his new parents. So young Chester enters the vicarage of the sleepy seaside village of St Simon. He is the only black child for miles around.

    The New Tribe tells the story of Chester’s long search for his true identity, and the challenges he faces as a black child in a white family.

  • Arrows of Rain (African Writers Series)

    This debut novel from the author of the powerful, universally acclaimed Foreign Gods, Inc. looks at a woman’s drowning and the ensuing investigation in an emerging African nation.

    In the country of Madia (based in part on Ndibe’s native Nigeria) a young prostitute runs into the sea and drowns. The last man who spoke to her, the “madman” Bukuru, is asked to account for her last moments. When his testimony implicates the Madian armed forces, Bukuru is arrested and charged with her death. At the first day of trial, Bukuru, acting as his own attorney, counters these charges with allegations of his own, speaking not only of government complicity in a series of violent assaults and killings, but telling the court that the president of Madia himself is guilty of rape and murder. The incident is hushed up, and Bukuru is sent back to prison, where he will likely meet his end. But a young journalist manages to visit him, and together they journey through decades of history that illuminate Bukuru’s life, and that of the entire nation.

    A brave and powerful work of fiction, Arrows of Rain is a brilliant dramatization of the complex factors behind the near-collapse of a nation from one of the most exciting novelists writing today.
  • A Squatter’s Tale (African Writers Series)

    Young financier Obi enjoys life in the fast lane in 1990’s Lagos. He walks tall in designer suits with his girlfriend at his side enjoying the envy of those with empty purses.

    When his finance company collapses Obi’s decadent lifestyle comes to an abrupt end and he is forced to flee to the United States. There he has to live on the margins of society. Obi wants money, he wants a woman, and he wants to live the good life.

    This face-paced novel, by turns comic and moving, reveals what success and failure mean for the young Nigerian at home and in exile. Ike Oguine explores the alienation experienced by today’s economic refugees under the cover of light-hearted comedy.

  • No Sweetness Here and Other Stories (African Writers Series)

    In this collection, Ama Aita Aidoo explores postcolonial life in Ghana with her characteristic honesty and humor. Tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture. True to the tradition of African storytelling, the characters come to life through their distinct voices and speech. If there is no sweetness, there is the salt essential to life, even if it comes from tears, and the strength that comes from a history of endurance.

  • The Trouble with Nigeria (African Writers Series)

    The eminent African novelist and critic, here addresses Nigeria’s problems, aiming to challenge the resignation of Nigerians and inspire them to reject old habits which inhibit Nigeria from becoming a modern and attractive country. In this famous book now reprinted, he professes that the only trouble with Nigeria is the failure of leadership, because with good leaders Nigeria could resolve its inherent problems such as tribalism; lack of patriotism; social injustice and the cult of mediocrity; indiscipline; and corruption.

  • Gathering Seaweed: African Prison Writing (African Writers Series)

    This anthology introduces the African literature of incarceration to the general reader, the scholar, the activist and the student. The visions and prison cries of the few African nationalists imprisoned by colonialists, who later became leaders of their independent dictatorships and in turn imprisoned their own writers and other radicals, are brought into sharper focus, thereby critically exposing the ironies of varied generations of the efforts of freedom fighters.

    Extracts of prose, poetry and plays are grouped into themes such as arrest, interrogation, torture, survival, release and truth and reconciliation.

    Contributors include: Kunle Ajibade, Obafemi Awolowo, Steve Biko, Breyten Breytenbach, Dennis Brutus, Nawal El Saadawi, M J Kariuki, Kenneth Kaunda, Caesarina Kona Makhoere, Nelson Mandela, Emma Mashinini, Felix Mnthali, Augustino Nato, Ngugi wa Thiong’o, Kwame Nkrumah, Abe Sachs, Ken Saro Wiwa, Wole Soyinka, and Koigi wa Wamwere.

    Although an often harrowing indictment of the history, culture and politics of the African continent and the societies from which this literature comes, the anthology presents excellent prose, poetry and drama, which stands up in its own right as serious literature to be cherished, read and studied.

  • A Question of Power (African Writers Series, AWS149)

    “Your mother was insane. If you’re not careful you’ll get insane just like your mother. Your mother was a white woman. They had to lock her up, as she was having a child by the stable boy who was a native.”

    It is never clear to Elizabeth whether the mission school principal’s cruel revelation of her origins is at the bottom of her mental breakdown. She has left South Africa with her son and is living in the village of Motabeng, the place of sand, in Botswana where there are no street lights at night. In the darkness of this country where people turn and look at her with vague curiosity as an outsider she establishes an entirely abnormal relationship with two men. A mind-bending book which takes the reader in and out of sanity.

  • A Grain of Wheat (African Writers Series, AWS36)

    Barack Obama, via Facebook: “A compelling story of how the transformative events of history weigh on individual lives and relationships.”

    The Nobel Prize–nominated Kenyan writer’s best-known novel

    Set in the wake of the Mau Mau rebellion and on the cusp of Kenya’s independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency. At the center of it all is the reticent Mugo, the village’s chosen hero and a man haunted by a terrible secret. As we learn of the villagers’ tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.

  • No Longer at Ease (African Writers Series, AWS3)

    Obi Okonkwo is an idealistic young man who, thanks to the privileges of an education in Britain, has now returned to Nigeria for a job in the civil service. However in his new role he finds that the way of government seems to be backhanders and corruption. Obi manages to resist the bribes that are offered to him, but when he falls in love with an unsuitable girl – to the disapproval of his parents – he sinks further into emotional and financial turmoil. The lure of easy money becomes harder to refuse, and Obi becomes caught in a trap he cannot escape.

    Showing a man lost in cultural limbo, and a Nigeria entering a new age of disillusionment, No Longer at Ease concludes Achebe’s remarkable trilogy charting three generations of an African community under the impact of colonialism, the first two volumes of which are Things Fall Apart and Arrow of God.

  • The Black Hermit (African Writers Series, AWS51)

    In this play, Remi, the first of his tribe to go to university, ponders whether or not he should return to his people. Or should he continue to be a black hermit in the town? Amidst the backdrop of a politically torn country, Remi himself is torn between his sense of tribalism and nationalism. This struggle runs deep, as he finds it at the heart of his afflictions between himself, his marriage and familial relations, and his greater sense of obligations to his people and the country. The overwhelming nature of these problems drives him into isolation as a black hermit. His self-imposed exile into the city leads him to find contentment in the Jane, his new lover, and nightly clubbing. However, after he is lobbied to return to the tribe, he must now confront the demons of his past.

    The Black Hermit was the first published East African play in English. The play was published in a small edition by Makerere University Press in 1963, and republished in Heinemann’s African Writers Series in 1968.

  • Edufa – A Play

    “Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”

    Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.

  • Bambulu’s School Days

    Bambulu’s School Days, first serialised in The Mirror, Ghana’s most popular weekly, is the memoir of a Ghanaian School child who had a very uncongenial and difficult childhood because his parents were separated shortly after his birth. He, however, got over that initial puerile traumatic experience; which was, mostly, triggered by his father and stepmother.

    Little Paul, later known as Bambulu, really had a tough and rugged beginning but with a little twist in fortune he, eventually, reconciled with his mother.

    Thanks to his mother’s determination, complimented by an uncle’s generosity, Paul was able to gain admission to the Senior Secondary School. Nonetheless, bullying by senior students, strange teaching methods by some teachers and others do not make life in the Senior Secondary School as attractive as Bambulu would have expected.

    The novel is a rich discovery of the Ghanaian Senior Secondary School system in the 1970s as seen through the unbiased eyes of an innocent school boy.

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