• Sebiticals Chapter X

    For eons, the character of the neglected wise observer has captured imaginations. Be they the community trickster, clown, gossip or drunkard, they have always been a thorn in the flesh of social miscreants. There is no one name for them, as they tend to be many things to many folks. Every society has their version. Audiences love them, hate them and love them again. These fellows have no allies. Their allegiance is to all. Their knife cuts both ways, as does their tongue. Oh, yeah. Ever the custodians of spicy, social secrets, they issue forth the most acidic insults. But, abuse them? Naaah, these characters are insult-proof!

    In this salacious new collection, Nana Awere Damoah has consummated the essences of this conceptual character. More than that, the author has effected their relevance in the national body politic. In Sebiticals Chapter X, Wofa Kapokyikyi the social commentator entertains, informs and pricks the conscience – as does his anecdotal nephew.

    Episode after episode, the reader cannot help but conclude that if there is a time the nation needs a voice of conscience, that time is not tomorrow. Bottomline? A Kapokyikyi is an institution that keeps the morals of society in check.

  • Ashawo Diaries: Tales of Adwoa Attaa

    A most intriguing intercourse of tragedy and sex

    The titillating intrigues of a good bad girl…delightful reading: sometimes light, sometimes dark; always with ponderous insights! – Koku Dotse

    Ashawo Diaries makes for engaging reading, and beyond connecting with earlier literary forebears, it is important to think about how such a novel enters the Ghanaian social landscape where sex is traditionally a public taboo. Ashawo Diaries is a text that challenges sanitized perspectives of Ghana. – Kwabena Opoku-Agyemang, Lecturer, Department of English, University of Ghana, Legon

    [The author] is zealous towards unearthing the ills of society. I describe her as the “perfect role model of today’s world”. I am not surprised she took this bold step to write this story. Though bold for our traditional society, l am of the view that she held the bull by the horn. The story…will surely leave readers scratching their heads with excitement. – Dr (Mrs.) Nana Ama Pokuaa Arthur, Lecturer, KNUST

    A thrilling page-turner. Amoafowaa is fluid in narration, and succinct in description. – Rebecca Obuobisa-Darko, Personnel Officer, Ga East Municipal Education Directorate

    Cecila’s Ashawo Diaries is storytelling meddled in art, obviously, science and a game of the protagonist. Daring diary entries with erotic sprinkles, gripping and sustaining, which depicts the struggles of a native daughter in contrast to Richard Wright’s native son, the zigzag turns of life and the map of love, friendship, pleasure, identity, re-identity as compasses at each turn. Poetically written and with a feminist undertone. – Grace Ihejiamaizu, Lecturer, University of Calabar, Founder of IKapture and Opportunity Desk, Nigeria

    Ashawo Diaries raises queries on why young girls should experience sexual suppression in a cultural context like Ghana where children are valued, moral standards are held high and sexual discussions silenced. – Dr. Georgina Yaa Oduro, Director, Centre for Gender Research, Advocacy and Documentation (CEGRAD), University of Cape Coast

  • Aya

    Okornore is a sorceress of words. And in the worlds she has created in this work, the reader is roller-coastered across places and spaces much deeper than the footprints she had splashed across cultures. The issues she scopes out are scheduled in a time capsule of infinite temporalities.

    Soul! is what screams at you when you journey through page after page of this delicious collection. From the heavenly to the banal, from the questions of our time to the quest of ages, Aya provides a sounding board for what it means to be human. These sweet verses, minted from the heart of a cosmopolitan citizen, secrete mystery and creativity

    Sometimes sassy, sometimes philosophical, Okornore nourishes the desire to read on and connect with a soulful source of erudition.

    Aya is a harvest of possibilities.

    Aya

    60.00
  • Plenty Talk Dey 4 Ghana: Radio Eye, Plural Broadcasting & Democracy

    *Available from 16 March 2020

    Few places on earth have the broadcast density as Ghana does. Every hour of everyday, different tongues articulate different topics on air. Expectedly, the nearly five hundred commercial stations have significantly dynamised the national narrative. Or have they? One thing is remarkable, though. Just over two decades ago there was not a thing as private radio or TV.

    Focusing on the very intriguing story of Radio Eye, this commemorative publication historicises the nation’s relationship with the electronic media. Two insightful interviews – one with the maverick who broke the glass ceiling; the other with the man who took up the baton to consolidate private broadcasting – provide a rare but enjoyable insight. Enriching the discourse further are six well-researched, peer-reviewed articles that provide a 360-degree perspective on plural broadcasting as a critical development factor.

    Plenty Talk Dey 4 Ghana is a well-curated, retrospective and introspective panorama of an African country’s media landscape. What makes it a keepsake for the local and global audience is how the book demonstrates the workings of plural broadcasting to the realisation of democracy.

  • Les Cagoulés Du Campus

    Nous vivons tous dans un monde où les réalités menant à notre épanouissement nous sont défavorables. Mais une chose paraît aussi incontestablement sûre et évidente. C’est qu’en réalité, les grandes réalisations de ce monde ont vu le jour grâce à des humains audacieux et les grandes légendes qu’elles soient d’hier ou d’aujourd’hui ont une chose en commun:un début minable. Aucune icône n’est née telle, sans être passée d’abord sous le crible de l’essai, de l’échec et enfin de la persévérance.
  • The Matriarch’s Verse

    I am a mongrel; a mixed breed of Ga, Ewe, Akuapem, English, Middle-Eastern and American cultures; I am a Third Culture Kid.

    Apiorkor’s socio-cultural experiences are interesting and might appear to be unique. But the truth is that there are several other Ghanaians who are secret sharers of her life. Such people lack access to platforms that would allow them to tell their collective story, so that their societies and communities can re-think all of the things that affect them.

    Happily, Apiorkor is an artist over matter and over emotions. She possesses a mastery over words and over the essences of life. Many Ghanaian men, women and children are like her.

    And her voice represents their voices.

    In this sensational collection, The Matriarch seeks to celebrate, shock, tickle, challenge and highlight our Ghanaian-ness in the 21st Century. The author peppers our imagination with the following:

    What does it mean to be Ghanaian?

    How have we progressed?

    Why do we stand for the things we stand for?

    Who really is the modern Ghanaian woman?

    Where is the global place for the urban Ghanaian space?

  • Motherhood 101: A memoir of my experience as a newlywed juggling pregnancy/motherhood, marriage, work and a social life

    If babies could talk, they would say their mother was God.

    One of the miracles of the human story is positively the nurturing capabilities of mothers. Beyond carrying that pregnancy for nine months and eventually bringing it forth, mothers go through a whole complex regimen every day to sustain the fledgling human life while taking care of themselves and their home. No wonder some allude mystical powers to the process of childbirth.

    But whether supernatural or superwoman, motherhood is an amazing passage that has kept mankind populating Planet Earth. And when one woman steps out to catalogue her own moments of indescribable joy and heart-wrenching pain, the result is this wonderful gift of a book.

    Amma Agyeman-Prempeh’s work is based on a selfless narrative of the most intimate encounters of motherhood set in a cosmopolitan environment. In the midst of all the juggling, the triumphant twins of love and courage rise and rise.

  • The Bold New Normal: Creating The Africa Where Everyone Prospers

    Have you ever wondered what it will take to transform each African country into a prosperous nation where each citizen has a real opportunity to thrive? Africa’s narrative has been shaped by a vision of the future that remains bleak. A vision that says a little more is okay for the African. It is time to challenge and change our paradigm of what great outcomes look like for an African country.

    It is time for The Bold New Normal of an Africa where citizens of each country genuinely have the opportunity to prosper.

    The formula for sustainable prosperity has been tried and tested world over. Why then do we continue to hope that a different method, that has thus far failed the continent, will create sustainable prosperity?

    The Bold New Normal is a timely publication that coincides with the 400th anniversary of the start of slavery: the year of return. 400 years since the unraveling of African began, it is time to piece her back together and focus forward. It is surely the time for The Bold New Normal!

  • Reflections in a Ring of Light

    In this fascinating collection of memories, dreams, musings and all that a creative mind can conjure, Nana Dadzie Ghansah takes the reader on a very descriptive journey across time.

    Nana writes across generations and zigzags us across the world from Ghana to Paris, France to Lexington, Kentucky, to Leipzig, Germany and more.

    Whether we meet him sweeping his grandfather’s compound to perfection, admiring nature in the village of Besease, being a doctor in Lexington or in his trusted 1989 VW Golf, there is an energizing outburst of thought and a simultaneously sober reflection on the past, present, and future through multiple lenses.

    If you’re looking to go on a thought-provoking and yet humorous journey that leaves your mind enriched, then this collection is a great pick.

  • E-Book: Kenkey For Ewes And Other Very Short Stories

    This anthology contains 25 new stories, and 25 ‘old’ stories, which we consider to be some of the best published on the flashfictionghana.com blog. Thus, this anthology is in many ways a natural outgrowth of the work already being done on the blog. These stories carry the spirit with which FlashFictionGhana was born; to use this convenient genre as a way of bringing to life the Ghanaian experience in all its varied facets.

    These stories represent the budding creative spirit of the current generation of young Ghanaian writers. These new voices have become the refreshing perspective from which to consider the Ghanaian narrative in a thousand or less words.

    Happy reading!

  • Abrokyire Nkomo

    For many Africans, the dream of travelling to Europe or America represents a burning lifetime ambition that they would do anything (well, almost) to achieve. So what is it really like out there? What is the story behind the rosy images of the west that are beamed to Africa on television, in movies and in the glossy magazines? What is the reality behind the grim stories we hear at times from our friends and relatives abroad? Just how hard, or easy, is it out there? This book is a collection of a number of articles written by the author and seeks to address these issues. Written in a conversational style, it is an attempt to provide an interesting, witty, yet serious insight into the good, the bad and the ugly sides of life abroad, and raises several issues that should engage the attention of the contemporary African whether at home or abroad.

    Abrokyire Nkomo

    110.00
  • FaceOff With The International ‘MP’

    Face-Off With the International ‘MP’ is a compilation of short stories, drama, different purposed letters, and jest, all garnished with an unusual but perfect mix of satire, wit and logic. The book walks readers through the experiences of the only ‘Member of Parliament’ representing a virtual constituency. The book brings to life issues in politics, romance, educational and career experiences both home and abroad, and short memos – files that the International ‘MP’ deals with 24/7. The right dose of laughter, the fluidity of Nkrumah-Boateng’s unmatched imagery, the apt description of everything Ghanaian plus the solitary enjoyment of his entitlement as the only untenured MP combine to make this book a must-read.

    “I introduce to you a reverently irreverent writer who pulls no punches, wears no kids’ gloves, bars no holds and suffers no fools gladly. There is not a topic that Rodney is shy to address, and frontally and bluntly too.” — Anan Anan Ankomah, Managing Partner, Bentsi-Enchill, Letsa & Ankomah

    “Rodney glides you along on a momentum of choleric rhetoric and suddenly explodes your mind into an amusement park of satire, laced with intelligent and exciting lines of literary mischief.” — Jason Tutu, Research & Development Expert

    “Nkrumah-Boateng uniquely mixes truth and poetic satire: his wit, crisp humour, eloquence and fluid writing style, and the heretical elegance with which he makes his points, made you want to kick something…Little wonder a major radio station mistook his satirical narrative as fact, and serialized it on radio!” — Kofi Bentil, Lawyer/Vice President, IMANI

    “Rodney’s writing always leaves me wanting more.” — Dr. Victor Bampoe, Former Deputy Minister for Health

  • Highlife Time 3

    Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.

    The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
    The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.

    The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.

    There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.

    Highlife Time 3

    250.00
  • Through the Gates of Thought

    Once again, Nana Awere Damoah has a splendid achievement to his name in this, his second book of stories, articles, aphorisms and poetry. His style is graphic, entertaining and indisputably Ghanaian. Whether he is lauding the efforts of his countrymen, exhorting everyone to thoughtfulness and faith, deploring the politicisation of local issues or making astute comments on his schooldays, he is frank and ‘in your face’.
    Seriously funny, amusingly instructive and liberally Christian, Damoah offers insights from many sources and hope for the future for his pioneering homeland. He has, like some clever spider in folklore, spun a glittering web of words in our path, trapping many tasty ideas. These we can consume at our leisure, through the gates of thought.Nana Awere Damoah is a reflective thinker and engineer, a passionate believer in the good of man, determined to leave his thoughts for posterity. He is a Ghanaian Chevening alumnus educated in Ghana and the UK, and author of Excursions in my Mind and Tales from Different Tails.

  • Excursions in my Mind

    In this brilliant series of articles, supported by quotations from literary sources, the Bible and contemporary Church leaders, Nana Awere Damoah covers the broad sweep of Christian faith as practised in everyday life. The author’s background in Chemical Engineering, his studies in the UK and his work for Unilever in Ghana give him a sound working base for his outreach to fellow believers. His keen participation in the Joyful Way ministry and his manifest love of books also reveal his awareness of music and the power of ‘the Word’ in every sense.
    Among these easily digestible, bite-sized essays are pieces of poetry and passages of Bible study, amusing stories about the author’s family and schooling, and reflections on key issues such as self-help, leadership, love for one’s parents, the nature of friendship, and what he calls ‘partnership with Jesus’. Indeed, for Nana Damoah life is a business to be worked at and lived, not just dreamed about!

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