• Understanding Management in Living

    An in-depth and comprehensive material which covers all aspects of the Senior High School syllabus for the Management in Living programme. This book is recommended for the teaching and learning of Management in Living in Senior High Schools (SHS), Technical/ Vocational Institutes and Colleges of Education by GES.

  • Frooties Get a New Nanny (Hardcover)

    Age: 4 to 6 years

    This story will take you to frootfield where the 9 Froot Children live with their parents; Mr. and Mrs. Tropical Froot. The froot children are known for their topsy turvy behaviour – sometimes good, sometimes bad- and they just needed a new Nanny to set them right.

    Find out how Mrs. Lunga became their Nanny while learning about choices and consequences.

     

  • Ananse and the Pig

    Age Range: 7 – 12 years

    Ananse moves into a new neighbourhood and makes friends with Prako, the Pig. They help each other in many ways until there is a famine and the two friends go hunting early one morning…

  • African Pianism: Twelve Pedagogical Pieces

    “African Pianism refers to a style of piano music which derives its characteristic idiom from the procedures of African percussion music as exemplified in bell patterns, drumming, xylophone and mbira music. It may use simple or extended rhythmic motifs or the lyricism of traditional songs and even those of African popular music as the basis of its rhythmic phrases. It is open ended as far as the use of tonal materials is concerned except that it may draw on the modal and cadential characteristics of traditional music.

    “Its harmonic idiom may be tonal, atonal, consonant or dissonant in whole or in part, depending on the preferences of the composer, the mood or impressions he wishes to create or how he chooses to reinforce, heighten or soften the jaggedness of successive percussive attacks. In this respect the African composer does not have to tie himself down to any particular school of writing if his primary aim is to explore the potential of African rhythmic and tonal usages.”

    Although I have felt the need for this kind of material even in the 1950s, most of the Twelve Pedagogical Pieces in this volume were written when the school of Performing Arts at the University of Ghana was established in the 1960s in order to give the African piano student being nurtured on simplified and original versions of Western piano repertoire something with African rhythmic and tonal flavour that may enrich his experience, shapes his orientation, sense of timing and coordination of rhythmic and tonal events.

    As the titles of the pieces indicate, I have used a variety of traditional and popular sources as the basis of the compositions. Each source establishes a framework of rhythmic and tonal configuration from which a few idiomatic derivatives are made and used in the inner and outer structures of the piece in such a way as to create a perpetual feeling of propulsive motion. Each piece is sustained by a particular quality of motion created in this manner.

    As in traditional African practice each piece can be repeated once or twice except where a definite closure is indicated by a retard. The pianist can also select a number of them and play them as a suite. A few of them such as the Volta Fantasy and Meditation can stand on their own as concert pieces and have been presented in that manner by both African and Western pianist. It is my hope, there- fore, that some of the pedagogical pieces will be of general interest. – J. H. Kwabena Nketia

  • Sharing Knowledge and Experience: A Profile of Kwabena Nketia – Scholar and Music Educator

    Kwabena Nketia was a renowned scholar, linguist, composer, poet, researcher, teacher and musicologist in Ghana. His writings have become standard reference works on African musicology, and his work spanned many countries and interests. Nketia maintained a strong interest in Afro-American concerns, African musical traditions and Africans and blacks in the diaspora; and he worked tirelessly on establishing a theoretical framework of African music; consciousness of African identity in music; and to produce publications representing his own musical culture.

    This biography concentrates on the educational and research aspects of Nketia’s work, assessing the importance of his contribution to African musicology, thought on music education, and practical application of ethnomusicology and composition in teaching method, and exercises in African rhythm.

  • The Canoe’s Story (Hardcover)

    Age Range: 6 – 12 years

    “But I did not have time yet to stare and wonder. The men wrestled me out of the machine and pushed and towed me across the sand to the shade of coconut palms. The moment I touched the ground, I heard a chorus of voices saying, ‘Akwaaba. Welcome to the coast!’ It was from the group of canoes and I was rather surprised that they spoke my language. But needed not be surprised. I had forgotten that they all came from the same forest in the hitherland where I too had come from.”

    Written by Ghanaian author Meshack Asare, The Canoe’s Story is a children’s book about a tree’s journey from the forest to becoming a canoe sailing the ocean. Told from the tree’s perspective, this richly illustrated story, portrays the strong ties between man and nature.

  • The Cross Drums (Hardcover)

    Age Range: 7 – 12 years

    Selected by the International Youth Library, Munich, for the 2009 White Ravens list of outstanding new books for children and young adults

    “The drums called to each other. The drummers hailed each other and the calling and hailing got stronger and stronger. Then it got so strong that the drums and the drummers began to walk to the gates. All the children that had gathered round them got up and followed. They followed the drummers out through the gates and on to the open field.

    “Together they danced on the path, the same path that brought the men who came to throw the flames that burned their homes. They danced happily on the path across the a continued to follow the drummers.

    “They followed them to the baobab tree. And there under the tree, they came face to face with other children. They had come from the other village but they too swayed and skipped and hopped and laughed. They too were happy, just like them.”

    Another exciting story promoting peace and tolerance from the internationally renowned writer and illustrator, Meshack Asare of Ghana.

  • The African Predicament: Collected Essays

    This collection of Kofi Awoonor’s writings comprises essays written over a period of three decades, and includes several previously unpublished pieces. According to the author himself: ‘[they] reflect a life-time of engagement in literature and politics, my two passions…’

    Kofi Awoonor addresses a diverse range of subjects from an African perspective: the slave trade, post-independence history, globalisation, and the fate of the African continent given the twin scourges of poverty and HIV/AIDS. Literary criticism considers the legacy of W.E.B DuBois, and in a contemporary context, Kofi Anyidoho’s poetry. Further essays are reflections composed during the author’s long sojourns in the US: on Negro, Afro-American, black, African-American and African and identities. Further essays cover historical and political topics, such as the overthrow of Nkrumah, and the UN in relation to Africa in the post-Cold War period.

  • Purpose Capsules

    Purpose Capsules strongly implies that Purpose can be found in Jesus Christ and therefore one must know who he is in Christ to discover this purpose, which is not just the reason why you were born but why you are born to be born again in Christ. As a result, Purpose Capsules spends a great deal of time to explain who you are in Christ so that you really grasp why you are here on earth in the light of Christ. By this your mind will not only be challenged but be exposed to living to your truest and fullest potential in Christ so as to be better equipped to discover and fulfill your divine purpose – which is to manifest the Christ in you to the glory of God.

  • Building a 21st Century Church on the 1st Century Model (An Agenda for Generational Transformation)

    As Christian believers, we cannot remain comfortably seated in our church pews while still expecting a turn-around in the affairs of this world. We have been given an assignment to offer effective answers to deal with the challenges of this world. The role of the Church is thus to keep preparing us to be able to fulfil that assignment.

    This book presents the Church as the breeding ground for the ambassadors of Jesus the Christ to be used in reflecting God in every sphere of influence.

    We would realise that the people Jesus recruited and left behind effectively changed the history of their world for good. Unfortunately over time, the influence of Christians rather than increasing appear to have somewhat declined. This book therefore seeks to look at how far Christians have held on to the mandate since the days of the 1st Century Church.

    Eventually, as the Church effectively fulfils its purpose, this world would witness Christians exerting their influence much more forcefully in every sphere of life with principles of the kingdom of God in a way that ultimately glorify God the Father.

  • Kwame Nkrumah: Africa’s Man of the Millennium

    This book seeks to review various presentations made about the life of the man who led this country in her march towards independence and caught the imagination of the entire continent in the 1960s as he advocated and pushed the frontiers towards continental unity.

    The man at the centre of it all – Kwame Nkrumah – is captured in all his facets; his humble beginnings, studies abroad, his return home to work with the UGCC, his political agitations, tenure of office as Leader of Government Business, Prime Minister and President, his removal from office and the role played by internal and external forces, his days in exile, his death and other aspects of his life. These are all presented with a view to enable the reader learn some history as well as good lessons of life.

    Interestingly, though largely seen as the first universal African of the 19th Century, Kwame Nkrumah was actually a man of two halves; much loved and much hated all at the same time. How a single personality could be viewed in that manner is better appreciated by reading the book.

  • Stranger to Innocence – A Play

    Stranger to Innocence is an intriguing short play, which treats the daily motions, frustrations, joys and aspirations of an African priestly family. This is the house where a stranger, Tawa, who has been fleeing from his own sins, seeks to find refuge. In the end, lessons of remorse and forgiveness are yet to be fully understood especially by young minds like Alaba, daughter of the priest.

    The play exhibits the author’s artistic simplicity in the use of dramatic language, which has endeared this play to wide theatre audiences.

    It is not surprising that it is popular among many drama groups and schools in the country.

    Stranger to Innocence is one of Bill Marshall’s early plays, from which a lot of inspiration is drawn.

  • Shadow of An Eagle – A Play

    “Hope and Desire alone have no virtue. It is the fulfilment of our aspirations that brings satisfaction.”

    This quote from the play, Shadow of An Eagle, evidently reveals Bill Marshall’s depth as a playwright.

    The play depicts the lifestyle of an African family in peculiar circumstances in a rural setting. It explores the tension and feeble frustrations, which can occur in a family.

    Being one of the earlier plays of Bill Marshall, which were widely patronized by schools and colleges and broadcast on the BBC African Theatre, Shadow of An Eagle uses the symbolism of the eagle in Ghanaian mythology to highlight the need for the youth to aspire to higher heights.

    Just like the hero who refuses to relapse into degeneration, which he finds at home on his return from his foreign exploits, Bimpo hopes that members of his family would shed their past frustrations, brace themselves up and take to the sky like eagles.

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