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The Clothes of Nakedness (African Writers Series)
Winner of The Commonwealth Writers Prize 1999 and The Commonwealth Writer’s Prize Best First Book Africa 1999.Gabriel Bukari is an out-of-work taxi driver living from hand-to-mouth in a poor suburb of Accra: honest, kind-hearted, and faithful to his wife. When he meets Mystique Mysterious, the ‘big man’ who can get him a job, he is exposed to temptations he has never faced before.In this lively portrait of relations between rich and poor in urban Ghana, Benjamin Kwakye explores the seductive power of corruption and shows how ordinary people can be manipulated to make choices which threaten their community life.₵55.00 -
Houseboy (African Writers Series, AWS29)
Toundi Ondoua, the rural African protagonist of Houseboy, encounters a world of prisms that cast beautiful but unobtainable glimmers, especially for a black youth in colonial Cameroon.Houseboy, written in the form of Toundi’s captivating diary and translated from the original French, discloses his awe of the white world and a web of unpredictable experiences. Early on, he escapes his father’s angry blows by seeking asylum with his benefactor, the local European priest who meets an untimely death. Toundi then becomes “the Chief European’s ‘boy’–the dog of the King.” Toundi’s attempt to fulfill a dream of advancement and improvement opens his eyes to troubling realities. Gradually, preconceptions of the Europeans come crashing down on him as he struggles with his identity, his place in society, and the changing culture.₵55.00 -
The Return of the Water Spirit (African Writers Series)
Set in Angola in the late 1980s, a time of war, and when the Marxist-orientated ruling elite became engulfed by corruption, nepotism and rampant capitalism.Three centuries earlier, a hideous crime occurred, the beheading of a slave who had had inappropriate relations with his Master’s daughter. Now, in the very same Kinaxixi Square in the city of Luanda buildings are falling down one by one baffling the country’s engineers. Many describe this mysterious process as ‘Luanda Syndrome, God’s punishment on a degenerate society.
Drawing on the essence of African mythology which had all but been obliterated by history, could this be explained by the return of a Water Spirit (the ‘kianda’)?
The novel focuses on the interplay between these two forces-the forces of old and new. Just like faith can move mountains, the spirit of the water can move cities.
This book is a scathing critique of Angola’s ruling elite, for abandoning their socialist principles in favour of rampant capitalism.
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A Cowrie of Hope (African Writers Series)
“These were the nineties,” reflects the narrator of A Cowrie of Hope, and for the young widow Nasula they are years of relentless economic hardship and privation. She dreams of a better life for her beautiful daughter, Sula, free from poverty and independent of marriage. But when Nasula finds herself unable to pay for Sula’s education, her hopes seem to have been extinguished – until a friend advised her to go to Lusaka and sell her last sack of highly sought-after Mbala beans. Nasula makes the journey, but in the city she finds herself exposed to new, and predatory, dangers.
In A Cowrie of Hope Binwell Sinyangwe captures the rhythms of a people whose poverty has not diminished their dignity, where hope can only be accompanied by small acts of courage, and where friendship has not lost its value.
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Weep Not, Child (African Writers Series, AWS7)
A powerful, moving story that details the effects of the infamous Mau Mau war, the African nationalist revolt against colonial oppression in Kenya, on the lives of ordinary men and women, and on one family in particular. Two brothers, Njoroge and Kamau, stand on a rubbish heap and look into their futures. Njoroge is excited; his family has decided that he will attend school, while Kamau will train to be a carpenter. Together they will serve their country – the teacher and the craftsman.
But this is Kenya and the times are against them. In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up.
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Arrow of God (African Writers Series, AWS16)
Set in the Igbo heartland of eastern Nigeria, one of Africa’s best-known writers describes the conflict between old and new in its most poignant aspect: the personal struggle between father and son.
Ezeulu, the headstrong chief priest of the god Ulu, is worshipped by the six villages of Umuaro. But his authority is increasingly under threat—from rivals within his tribe, from functionaries of the colonial government, and even from his own family members. Yet he believes himself to be untouchable: surely he is an arrow in the bow of his God? Armed with this belief, he is prepared to lead his people, even if it is towards their own destruction. But his people will not be dominated so easily.
Spare and powerful, Arrow of God is an unforgettable portrayal of the loss of faith, and the downfall of a man in a society forever altered by colonialism.
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The New Tribe (African Writers Series)
When a baby girl is abandoned at birth, Reverend Arlington and his wife Ginny are only too happy to adopt her. The media cover this moving story, and a Nigerian woman living in England takes more than a passing interest in the Arlingtons. She decides that they world provide the right Christian home for her own baby, Chester. Shortly afterwards, Chester is delivered to social services with a letter explaining that the Arlingtons should be his new parents. So young Chester enters the vicarage of the sleepy seaside village of St Simon. He is the only black child for miles around.
The New Tribe tells the story of Chester’s long search for his true identity, and the challenges he faces as a black child in a white family.
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Arrows of Rain (African Writers Series)
This debut novel from the author of the powerful, universally acclaimed Foreign Gods, Inc. looks at a woman’s drowning and the ensuing investigation in an emerging African nation.In the country of Madia (based in part on Ndibe’s native Nigeria) a young prostitute runs into the sea and drowns. The last man who spoke to her, the “madman” Bukuru, is asked to account for her last moments. When his testimony implicates the Madian armed forces, Bukuru is arrested and charged with her death. At the first day of trial, Bukuru, acting as his own attorney, counters these charges with allegations of his own, speaking not only of government complicity in a series of violent assaults and killings, but telling the court that the president of Madia himself is guilty of rape and murder. The incident is hushed up, and Bukuru is sent back to prison, where he will likely meet his end. But a young journalist manages to visit him, and together they journey through decades of history that illuminate Bukuru’s life, and that of the entire nation.
A brave and powerful work of fiction, Arrows of Rain is a brilliant dramatization of the complex factors behind the near-collapse of a nation from one of the most exciting novelists writing today.₵55.00 -
A Squatter’s Tale (African Writers Series)
Young financier Obi enjoys life in the fast lane in 1990’s Lagos. He walks tall in designer suits with his girlfriend at his side enjoying the envy of those with empty purses.
When his finance company collapses Obi’s decadent lifestyle comes to an abrupt end and he is forced to flee to the United States. There he has to live on the margins of society. Obi wants money, he wants a woman, and he wants to live the good life.
This face-paced novel, by turns comic and moving, reveals what success and failure mean for the young Nigerian at home and in exile. Ike Oguine explores the alienation experienced by today’s economic refugees under the cover of light-hearted comedy.
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No Sweetness Here and Other Stories (African Writers Series)
In this collection, Ama Aita Aidoo explores postcolonial life in Ghana with her characteristic honesty and humor. Tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture. True to the tradition of African storytelling, the characters come to life through their distinct voices and speech. If there is no sweetness, there is the salt essential to life, even if it comes from tears, and the strength that comes from a history of endurance.
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Can We Talk And Other Stories (African Writers Series)
Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe’s foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity.
The first stories, ‘Hoffman Street’ and ‘The Man who Hanged Himself’ capture the bewildered innocence of a child’s view of the adult world, where behaviour is often puzzling and contradictory; stories such as ‘Going to See Mr B.V.’ provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. ‘Among the Dead’ and ‘Brothers and Sisters’ look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while ‘Playing your Cards’, ‘The Waterfall’, ‘Strays’ and ‘Bramson’ introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in ‘Can we Talk’ we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. ‘Can we Talk’ is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.
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The Trouble with Nigeria (African Writers Series)
The eminent African novelist and critic, here addresses Nigeria’s problems, aiming to challenge the resignation of Nigerians and inspire them to reject old habits which inhibit Nigeria from becoming a modern and attractive country. In this famous book now reprinted, he professes that the only trouble with Nigeria is the failure of leadership, because with good leaders Nigeria could resolve its inherent problems such as tribalism; lack of patriotism; social injustice and the cult of mediocrity; indiscipline; and corruption.
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The Joys of Motherhood (African Writers Series, AWS227)
The fourth novel from the Nigerian-born writer, Buchi Emecheta, The Joys of Motherhood is recognised as one of Africa’s 100 Best Books of the 20th Century in an initiative organised by the Zimbabwean International Book Fair.
First published in 1979, The Joys of Motherhood is the story of Nnu Ego, a Nigerian woman struggling in a patriarchal society. Unable to conceive in her first marriage, Nnu is banished to Lagos where she succeeds in becoming a mother. Then, against the backdrop of World War II, Nnu must fiercely protect herself and her children when she is abandoned by her husband and her people.
The Joys of Motherhood is a powerful commentary on polygamy, patriarchy and women’s changing roles in urban Nigeria.
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Faceless
Street life in the slums of Accra is realistically portrayed in this socially-commited, subtle novel about four educated women who are inspired by the plight of a 14-year old girl, Fofo. As the main characters convert their library center into a practical street initiative, the novel invokes the squalor, health risks, and vicious cycles of poverty and violence that drive children to the streets and women to prostitution; and, from which, ultimately, no one in the society is free.
₵55.00Faceless
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A Question of Power (African Writers Series, AWS149)
“Your mother was insane. If you’re not careful you’ll get insane just like your mother. Your mother was a white woman. They had to lock her up, as she was having a child by the stable boy who was a native.”
It is never clear to Elizabeth whether the mission school principal’s cruel revelation of her origins is at the bottom of her mental breakdown. She has left South Africa with her son and is living in the village of Motabeng, the place of sand, in Botswana where there are no street lights at night. In the darkness of this country where people turn and look at her with vague curiosity as an outsider she establishes an entirely abnormal relationship with two men. A mind-bending book which takes the reader in and out of sanity.
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