• Night Dancer

    Night Dancer is set in Nigeria and tells the story of Mma and her stubborn mother, Ezi. Ezi’s unexpected death leads Mma to learn about her mother’s past and rethink the resentment and contempt she has held for her mother her whole life. Mma resents her mother who likes to say things twice like ‘dance-dance’and ‘happy-happy’ and won’t let Mma know wnaything about her father.

    Written in three parts, Chika Unigwe tells a beautiful story about what happens, why it happens and why everything is the way it is, and what happens thereafter.

    Night Dancer

    56.00
  • The Scarlet Letter (FingerPrint! Classics)

    “Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart!”

    In the seventeenth-century Puritan community of Boston, Hester Prynne is trapped, first into a loveless marriage and then into adultery.

    With the scarlet letter ‘A’—signifying an adulteress—fixed on her bosom, she is brought out of the prison and made to stand on the scaffold with her infant.

    What happens when Hester, in spite of being
    publicly shamed by the crowd and repeatedly
    urged by a young priest, refuses to reveal
    the identity of her daughter’s father?

    A tale of sin, punishment and atonement, Nathaniel Hawthorne’s The Scarlet Letter exposes the moral rigidity and double standards of the society. One of the first mass-produced books in America, it became an instant bestseller on its first publication in 1850. it continues to remain Hawthorne’s masterwork.

  • The Importance of Being Earnest & Other Plays (Macmillan Popular Classics)

    Around the World in Eighty Days, one of his most popular books, was first serialized in late 1872 in a French newspaper. An instant success, the novel details the round-the-world adventures of the affluent Englishman Phileas Fogg who, accompanied by his French valet Passepartout, sets out on an impossible journey for a wager of £20,000. This groundbreaking novel has since been adapted numerous times for the theatre, television, radio and cinema.

  • The Death of Vivek Oji

    Named one of the year’s most anticipated books by The New York Times, Harper’s Bazaar, BuzzFeed, and more

    They burned down the market on the day Vivek Oji died.

    One afternoon, a mother opens her front door to find the length of her son’s body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek’s birth, the day his grandmother Ahunna died. It is the story of an overprotective mother and a distant father, and the heart-wrenching tale of one family’s struggle to understand their child, just as Vivek learns to recognize himself.

    Teeming with unforgettable characters whose lives have been shaped by Vivek’s gentle and enigmatic spirit, it shares with us a Nigerian childhood that challenges expectations. This novel, and its celebration of the innocence and optimism of youth will touch all those who embrace it.

  • Disguise: Masking What’s Beneath

    08

    A hit man’s identity shrouded in secrecy. There are a number of killings in town; One man wants it all for himself, so he tried betraying his best friends he set-up a company with, in order to claim it.

    Mr. Kuipers’ nephew is murdered and the police believe it’s strongly linked to him, because he’s the powerful median titan in the country.

    But with the help of the police and Ken Kraken, they try to find out who badly wants their demise and later discover the shock of their lives.

    A thrilling novel to spark up your thoughts, a book intrigued and spun with unimaginable suspense that all readers are swept breathless from the beginning of the story to the end. Pure reading entertainment as good you’ll ever find.

  • Tears Fears Sweat & Blood

    The violent death of former Libya’s leader Gaddafi triggered collective brutalities against black African migrants who were often accused of supporting the late ruler. This is the unbelievable story of two innocent migrants who were wrongly accused of being mercenaries and barely lived to tell their stories.

  • Anu Gbaa Ajo Egbe (Igbo)

    Ositadimma Amakeze has been heralded as the modern-day Achebe.

    Anụ Gbaa Ajọ Egbe… (fable)is a contribution towards promotion and preservation of folktales as tradition in Igbo land. Let the title, which at the first looks controversial, not deter you, for where there’s Tortoise they are limitless possibilities. Remember, it was he, who chose to be addressed as “Unu dum” when he joined a flock of birds to a feast in heaven. You better see why he is the Nkpọnkpọ kpọkịrịkpọ, one of a kind that no other animal is capable of begetting but she Tortoise herself!

    The novel documents the adventures of Mbekwu, the tortoise who is regarded as the trickster in Igbo folklore – equivalent to Ananse in Twi lore or the Coyote in Native American lore.

  • Ɛbɛlalekonle (Nzema)

    Ɛbɛlalekonle teaches good morals to all,especially the youth.The main character,Ɛbɛlalekonle, was adopted by a philanthropist after he had lost both parents.

    Despite the fatherly love and care he had from the philanthropist,he followed bad friends and got involved in a fatal lorry accident in a foreign county.Thanks to the media,his Foster father was able to trace him at his hospital bed.Having been discharged from the hospital he returned home with the foster parents.By God’s grace,he learnt a great lesson,went into farming as a profession and later became a very rich and respected person in society.

  • Scarlet

    For many generations, uncertainty and tension have pervaded both the people of Under The Sky and the wraiths of Kiriyanga, but they trudge on, while holding on to the little streaks of light at the end of this seemingly-never-ending tunnel – a prophecy that order would be restored on the Day of Scarlet. This imminent respite however, comes with stringent conditions: “ … until a woman drinks from the confluence of two rivers that do not mix, the Day of Scarlet will not come.”
    Scarlet is an inquiry into the absurdity of possessing absolute power or its pursuit thereof. With strong allusions to the Grecian myth of Zeun and Hades, and Yoruba myths of love triangles among gods as told of Osun, Ogun, and Sango, or Yemoja, Obatala, and Ogun, woven into and set in tales from Kikuyu lore, Alexander Emmanuel Ochogwu lends his voice to the conversations around politics and power-grabbing in Nigeria, Africa, and beyond

    Scarlet

    55.00
  • The Last Carver

    Ositadimma Amakeze has been heralded as the modern-day Achebe. In The Last Carver, he narrates the story of a community, their culture, and the need to always keep tradition alive.

    The Last Carver narrates the musings of the historian Mgbirimgba Atuegwu on the recent death of one of the most respected men in his community, the Omenka. From Mgbirimgba’s eyes, we are allowed to see the cultural practices of Umuokwe and the Igbos of South Eastern Nigeria in the early colonial period.

    “I knew Ositadimma Amakeze as a poet of unusual ability. The effect of that flair on his creative story is so evident from the beginning to the end of this amazing novel.” — Dr P-J Ezeh, Anthropological Linguist and Literary Critic, University of Nigeria, Nsukka

    “It is a brilliant, multi-layered story that encompasses a tale of ingenious portrayal of a culture on the threshold of extinction. A gazetteer of good backgrounds with a soupcon of nostalgic traditions, Amakeze joins the league of modern African cultural writers with a bang!” — Ijoma Onuorah-Anyakwo, Journalist

    The Last Carver is reliving Our Cultural Heritage to impact on the modern and future generation an everlasting knowledge of their identity. A very good ‘sociolinguihistoric’ masterpiece.” — Madubuko Ego Charity FCAI, Ph.D, Assistant Director FCT Education Resource Centre, Abuja

    “…an ideal for writers of African literature, with an excellent juxtaposition of the ‘Oyibo’ (English) and Igbo languages. He gives a different perspective to the Igbo scenario of “those days” with so much clarity that I feel as though I were present. It’s a must-read!” — Anastasia O. Chukwulete

    The Last Carver

    55.00
  • Leaving Time

    For more than a decade, Jenna Metcalf has never stopped thinking about her mother, Alice, who mysteriously disappeared in the wake of a tragic accident. Refusing to believe she was abandoned, Jenna searches for her mother regularly online and pores over the pages of Alice’s old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother’s whereabouts.

    As Jenna’s memories dovetail with the events in her mother’s journals, the story races to a mesmerizing finish.

    Leaving Time

    40.00
  • Koby’s Diaries: First Chronicles

    Koby’s Diaries: First Chronicles is a compilation of four short stories─ all with one main character, Koby Ansah, recounting various episodes of his life. The intriguing and suspenseful diary of this young man evokes some chilling memories that swing the reader from a world of excitement in one breath to a world of fear in another breath!

  • These Bones Will Rise Again

    What are the right questions to ask when seeking out the true spirit of a nation?

     In November 2017 the people of Zimbabwe took to the streets in an unprecedented alliance with the military. Their goal, to restore the legacy of Chimurenga, the liberation struggle, and wrest their country back from over thirty years of Robert Mugabe’s rule.

    In an essay that combines bold reportage, memoir and critical analysis, Zimbabwean novelist and journalist Panashe Chigumadzi reflects on the ‘coup that was not a coup’, the telling of history and manipulation of time and the ancestral spirts of two women – her own grandmother and Mbuya Nehanda, the grandmother of the nation.

    Chigumadzi successfully nests the intimate charge of her poignant personal story in the sweeping historical account and mythology of Zimbabwe. – Brian Chikwava, author of Harare North

    Chigumadzi’s exploration of personal, family and national history reincarnates in stark, vivid images, many of those interred in the shadows of her country’s ‘Big Men’. – Tsitsi Dangarembga, author of Nervous Conditions

  • Taduno’s Song

    The day a stained brown envelope arrives from Taduno’s homeland, he knows that the time has come to return from exile.

    Arriving full of trepidation, the musician discovers that his community no longer recognises him, believing that Taduno is dead. His girlfriend Lela has disappeared, taken away by government agents. As he wanders through his house in search of clues, he realises that any traces of his old life have been erased. All that was left of his life and himself are memories. But Taduno finds a new purpose: to unravel the mystery of his lost life and to find his lost love. Through this search, he comes to face a difficult decision: to sing for love or to sing for his people.

    Taduno’s Song is a moving tale of sacrifice, love and courage.

    Taduno’s Song

    125.00
  • Love Is Power, or Something Like That: Stories

    When it comes to love, things are not always what they seem. In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidante. Men and women can be objects of fantasy, the subject of beery soliloquies. They can be trophies or status symbols. Or they can be overwhelming in their need.
    In the wide-ranging stories in Love Is Power, or Something Like That, A. Igoni Barrett roams the streets with people from all stations of life. A man with acute halitosis navigates the chaos of the Lagos bus system. A minor policeman, full of the authority and corruption of his uniform, beats his wife. A family’s fortunes fall from love and wealth to infidelity and poverty as poor choices unfurl over three generations. With humor and tenderness, Barrett introduces us to an utterly modern Nigeria, where desire is a means to an end, and love is a power as real as money.

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