• The Mystery of A Cockcrow: A Play in Three Acts

    The Mystery of a Cockrow, a play in three acts, is centered in a small village and lays bare the full miseries of matrilineal inheritance in the Ghanaian Society.

  • Wuthering Heights (Great Stories in Easy English)

    Wuthering Heights is one of the most famous love stories in the English language. It is also, as the Introduction to this edition reveals, one of the most potent revenge narratives. Its ingenious narrative structure, vivid evocation of landscape, and the extraordinary power of its depiction of love and hatred have given it a unique place in English literature. The passionate tale of Catherine and Heathcliff is here presented in a new edition that examines the qualities that make it such a powerful and compelling novel. The Introduction by Helen Small sheds light on the novel’s oddness and power, its amorality and Romantic influences, its structure and narration, and the sadistic violence embodied in the character of Heathcliff.

  • Victims of Circumstance

    Victims of Circumstance is based on the Igbo cultural practice of Osu Caste system. In the course of the narrative, the descendants of Ezeako automatically become Osu-outcasts-following the sacrifice of their father, Ezeako, to an oracle of Ogwugwu.

    Having assumed this status, the Ezeako children who have now become a village (Umuezeako) are no longer treated as free citizens but rather as social outcasts.

    This discrimination culminates in the collapse of the relationship between Ego and Nduka.

  • Shadow of An Eagle – A Play

    “Hope and Desire alone have no virtue. It is the fulfilment of our aspirations that brings satisfaction.”

    This quote from the play, Shadow of An Eagle, evidently reveals Bill Marshall’s depth as a playwright.

    The play depicts the lifestyle of an African family in peculiar circumstances in a rural setting. It explores the tension and feeble frustrations, which can occur in a family.

    Being one of the earlier plays of Bill Marshall, which were widely patronized by schools and colleges and broadcast on the BBC African Theatre, Shadow of An Eagle uses the symbolism of the eagle in Ghanaian mythology to highlight the need for the youth to aspire to higher heights.

    Just like the hero who refuses to relapse into degeneration, which he finds at home on his return from his foreign exploits, Bimpo hopes that members of his family would shed their past frustrations, brace themselves up and take to the sky like eagles.

  • Stranger to Innocence – A Play

    Stranger to Innocence is an intriguing short play, which treats the daily motions, frustrations, joys and aspirations of an African priestly family. This is the house where a stranger, Tawa, who has been fleeing from his own sins, seeks to find refuge. In the end, lessons of remorse and forgiveness are yet to be fully understood especially by young minds like Alaba, daughter of the priest.

    The play exhibits the author’s artistic simplicity in the use of dramatic language, which has endeared this play to wide theatre audiences.

    It is not surprising that it is popular among many drama groups and schools in the country.

    Stranger to Innocence is one of Bill Marshall’s early plays, from which a lot of inspiration is drawn.

  • Tamara’s Forgiveness

    Home is supposed to be haven, home is supposed to be safety. When even a mission house does not hold peace, even sinners would wonder. Why did a sixteen-year old Preacher’s daughter have to bear her father’s weight every night only to be dressed up as a princess every Sunday morning? When a mother turned punching bag cannot even save her own daughter from the grips of a devil in God’s robe, the child takes matters into her own hands. She would not take it anymore; leaving home was her only option.

    With one destination in mind — the city — Tamara could live her life anew. What she was not told was the abundance of men like her father even in the civilized big city. Without Sister Mary, could she have held it altogether?

    Follow Tamara’s story in this page turner as she battles her devils, seeks revenge and finally finds forgiveness and freedom for her soul.

  • Plastic (Penguin Readers Level 1)

    Age Range: 12 – 17  years

    We all use a lot of plastic every day. It is cheap and strong, and plastic things last. But where does plastic come from? And what can we do to recycle all the plastic in our world?

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    Plastic, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.

  • A Christmas Carol (Penguin Readers Level 1)

    Age Range: 12 – 17  years

    Ebenezer Scrooge hates Christmas. He is angry that people are not working. Then, he meets the ghost of his old partner, Jacob Marley. Can Scrooge be a good person before it is too late?

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    A Christmas Carol, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.

    Story word count: 1,315

  • Wuthering Heights (Oxford World Classics)

    Wuthering Heights is one of the most famous love stories in the English language. It is also, as the Introduction to this edition reveals, one of the most potent revenge narratives. Its ingenious narrative structure, vivid evocation of landscape, and the extraordinary power of its depiction of love and hatred have given it a unique place in English literature. The passionate tale of Catherine and Heathcliff is here presented in a new edition that examines the qualities that make it such a powerful and compelling novel. The Introduction by Helen Small sheds light on the novel’s oddness and power, its amorality and Romantic influences, its structure and narration, and the sadistic violence embodied in the character of Heathcliff.

    The volume retains the authoritative Clarendon text and notes, with new notes that identify literary allusions hitherto unnoticed. In addition, the edition boasts two appendices, one of which contains poems by Emily Brontë selected for their relevance to the novel, and a second which contains Charlotte Brontë’s “Biographical Notice of Ellis & Acton Bell” and “Preface to the New Edition.”

    About the Series: For over 100 years Oxford World’s Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford’s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Silverfin (Penguin Readers Level 1)

    Age Range: 12 – 17  years

    On Loch SilverFin in Scotland, a bad man lives in a castle with his son. James Bond and his new friend Red Kelly go to the castle. They must find Red’s missing cousin, Alfie. But what do they find in the castle? Do they find Alfie, or is it too late?

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    Silverfin, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.

  • The Canterville Ghost (Penguin Readers Level 1)

    Age Range: 12 – 17  years

    An American family buy Canterville Hall – a house with a ghost. But the ghost is not happy because it cannot frighten the family.

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    The Canterville Ghost, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.

  • A Play of Giants

    Described by the author as a ‘Fantasia on Aminian theme’, Wole Soyinka’s new play presents a savage portrait of a group of dictatorial African leaders at bay in an embassy in New York. The resemblance between them and recent historical characters is only too pronounced.

  • In Search of Vengeance

    A very embittered man sets out on a journey of revenge, to seek justice for himself and his deceased mother from two key players in his life: his former girlfriend (for aborting his baby) and his truant doctor father. When the story opens, Sulemana Bashiru has arrived in Sunyani from Northern Ghana and is making enquiries from a druggist about a suitable resthouse from where, as we learn later, he would operate with the assistance of a teenage boy.

    How far does Bashiru go in his search for vengeance? To what extent is he able to visit his wrath on his male- factors and carry out his long-intended destruction? What methods does he use? The pages of this book smell vengeance, conflict, confrontation and pour out bitter venom but they also portray, ultimately, the intervention of mercy and the power of reconciliation.

  • The Return of the Falcon

    Drobonso stands at the crossroads. The paramountcy and the chief priest, custodian of the traditional and cultural customs of the state are entangled.

    The emerging Christian churches misconstrue the reasons for enactment and consolidation of these ancestral relics.

    In the ensuing struggle, the writer presents an exposition on the rather “Primitive” values of our tradition and the effect of modernization on our society.

    The narrator explores memories and engages the reader in dialogue.

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