• Highlife Time 3

    Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.

    The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
    The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.

    The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.

    There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.

    Highlife Time 3

    250.00
  • The Boabab Tree of Salaga

    Suitable for upper primary pupils and children between 9 and 11 years

    Dauda, a twelve-year old boy lives in a village north of Salaga with his parents. He often helps his father, who is a blacksmith, at the forge. He also grazes their sheep and goats.

    One night, slave raiders captured everyone from his village. Dauda gets separated from his parents. He is taken to Salaga where he is chained to a big baobab tree before he is later sold off. From Salaga, he, together with many others are marched to the coast and made to board a ship to the Americas to be sold as slaves.

    Two hundred years later, a stranger visits the same baobab tree at Salaga…who is this stranger?

  • Beyond the Rivers of Ethiopia

    A powerful and revealing look into God’s purpose for the Black race.

    In this book Dr. Otabil explodes long held myths about Africa; Exposes doctrinal errors about Blacks being cursed and inferior; Restores knowledge to Black Christians about their biblical birthright and; Exhorts the body of Christ to unite with love and equality.

  • Unfinished Journey: The Life and Times of VCRAC Crabbe

    Otumfuo Osei Tutu II, Asantehene, says this about the book:

    “The Life of Justice Crabbe has surely not been all rosy. He has suffered painfully from people who envied and misunderstood him. But through it all, he came out better, fearless and incurably optimistic. We learn from some of his painful experiences recounted in this book that misfortune is only a missed-fortune. We should always believe as individuals and as a nation that the best is yet to come! Clearly, part of his secret for aging so gracefully is being content with the lot that life grants him and not to carry any negative emotions in his body.”

Main Menu