• Quintessential Montessori World Sensorial Practice KG 2

    Suitable for children between 2 and 6 years.

    Equipped with activities including read along, differenciation and matches, the Quintessential Montessori World Sensorial Practice enables early learning to progress faster in relation to the five senses of the child

  • Girl on Fire

    Twin siblings, Atsu and Atsufi Dzramedo, have only one dream: to play for the Ghana U-17 National Football Team. By a stroke of luck, their team qualifies for the Abedi Pele Junior Football Tournament, bringing them one step closer. But chaos ensues when it’s discovered that Atsufi is the only girl in the tournament.

    Girl on Fire

    55.00
  • Night Dancer

    Night Dancer is set in Nigeria and tells the story of Mma and her stubborn mother, Ezi. Ezi’s unexpected death leads Mma to learn about her mother’s past and rethink the resentment and contempt she has held for her mother her whole life. Mma resents her mother who likes to say things twice like ‘dance-dance’and ‘happy-happy’ and won’t let Mma know wnaything about her father.

    Written in three parts, Chika Unigwe tells a beautiful story about what happens, why it happens and why everything is the way it is, and what happens thereafter.

    Night Dancer

    56.00
  • Vaults of Secrets

    In one story, a conscience takes it upon itself to keep prodding its principal until she tells the truth about the paternity of her four children. In another story, a woman cannot live with the result of her promiscuous lifestyle. In the title story, Vault of Secrets, a man has a special gift of walking into places at the most inopportune times. In another story, a woman facing the death penalty relives the story of a friend who has already suffered the same fate. In yet another prison story, a man comes to terms with his complicity in activism gone wrong.

    The stories in this collection flirt with the limits of freedom and bondage, they are a means with which Olukorede Yishau examines the nature of man and his ability to choose; more so man’s ability to live with the choice he has made.

  • Akosua’s Gift

    Age Range: 7 – 10 years

    Original Ghanaian story by Angela Christian and retold by Kathy Knowles; illustrations by Edmund Opare

    A “Notable Book” designation by the 2012 Children’s Africana Book Award jury.

    Akosua learned to make clay pots by watching her mother. She decides to make a water pot to present as a gift to her sister on her wedding day.

    Akosua’s Gift

    57.00
  • Mimi’s Purse

    Age Range: 2 – 7 years

    Grandma Mimi loves her home spick and span, and she likes to look smart too. She wears lively dresses and her purses always match. Especially her pink purse, which she carries everywhere.

    What happens when Grandma Mimi’s favourite pink purse gets missing?

    Mimi’s Purse

    57.00
  • Mimi Pɛɛse (Asante Twi)

    Age Range: 2 – 7 years

    Asante Twi version of 5 books of the same story in English

    Grandma Mimi loves her home spick and span, and she likes to look smart too. She wears lively dresses and her purses always match. Especially her pink purse, which she carries everywhere.

    What happens when Grandma Mimi’s favourite pink purse gets missing?

  • Those Who Wait

    Patience Acolatse is not amused when she learns that her ex-cousin, Rowena Quarshie, whom she hasn’t spoken to in six years is going to move in with her family, share her room and attend her school. However, Patience has a big heart and she is prepared to befriend Rowena once again and pick up their frienship from where they left off. What she isn’t prepared for is for her entire life to be turned upside down and inside out when Rowena gangs up with a group of girls and makes her life miserable. What does Patience do when she runs out of patience?

    Those Who Wait

    60.00
  • I Speak of Ghana

    It’s a rare person who can be both funny and wise at the same time. Yet that is exactly the way to describe Nana Awere Damoah’s writings in this small but compelling short story collection about contemporary life in Ghana. In it the reader will find Ghanaman in traffic, or Ghanawoman paying the corrupt policeman. Either way, one knows these are the words of a master story teller who handily blurs the lines between laughing so hard it makes one cry, or crying so hard it makes one laugh.

    I Speak of Ghana is an honest journey of deft oration replete with the sounds (from the harmonious to the cacophonic), smells (including the pleasant and unpleasant), sights (from the eye-catching to the embarrassing), frustrations, triumphs and the mundane – everything that makes the Ghanaian experience finds its way into this book. Unlike the typical ranting about Ghanaian situations, Nana performs an insightful examination of the heart of the matter. Dissimilar to empty praise, Nana thoroughly embraces the issues that give us hope as people connected to Ghana. Narrated with humor, the book is Nana’s eloquence at its best.

  • Things Fall Apart (African Writers Series, AWS1)

    Okonkwo is the greatest warrior alive, famous throughout West Africa. But when he accidentally kills a clansman, things begin to fall apart. Then Okonkwo returns from exile to find missionaries and colonial governors have arrived in the village. With his world thrown radically off-balance he can only hurtle towards tragedy.

    Chinua Achebe’s stark novel reshaped both African and world literature. This arresting parable of a proud but powerless man witnessing the ruin of his people begins Achebe’s landmark trilogy of works chronicling the fate of one African community, continued in Arrow of God and No Longer at Ease.

  • Anthills of the Savannah (African Writers Series)

    Chris, Ikem and Beatrice are like-minded friends working under the military regime of His Excellency, the Sandhurst-educated President of Kangan. In the pressurized atmosphere of oppression and intimidation they are simply trying to live and love – and remain friends. But in a world where each day brings a new betrayal, hope is hard to cling on to.

    Anthills of the Savannah (1987), Achebe’s candid vision of contemporary African politics, is a powerful fusion of angry voices. It continues the journey that Achebe began with his earlier novels, tracing the history of modern Africa through colonialism and beyond, and is a work ultimately filled with hope.

  • Ordained by the Oracle (African Writers Series, AWS55)

    Boateng, a prosperous trader in Elmina, has the beginnings of disbelief in the old customs. His wife dies suddenly and he is put through forty days and forty nights of rituals. The conflicting strains of emotion on social behavior are vividly shown by this practised writer.
  • A Woman in Her Prime (African Writers Series, AWS40)

    A young woman makes that all-important rite of passage from adolescence to adulthood. However, her early adult life is marred by childlessness in a society that places a great premium on children and motherhood as the ultimate mark of womanhood.
  • The Housemaid (African Writers Series)

    A dead baby and bloodstained clothes are discovered near a small village. Everyone is ready to comment on the likely story behind the abandoned infant. The men have one opinion, the women another. As the story rapidly unfolds it becomes clear that seven different women played their part in the drama. All of them are caught in a web of superstition, ignorance, greed and corruption.

  • A Man of the People (African Writers Series, AWS31)

    As Minister for Culture, the Honourable M. A. Nanga is ‘a man of the people’, as cynical as he is charming, and a roguish opportunist. At first, the contrast between Nanga and Odili, a former pupil who is visiting the ministry, appears huge. But in the ‘eat-and-let-eat’ atmosphere, Odili’s idealism soon collides with his lusts – and the two men’s personal and political tauntings threaten to send their country into chaos. Published, prophetically, just days before Nigeria’s first attempted coup in 1966, A Man of the People is an essential part of his body of work dealing with modern African history.

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