Men Across Time: Contesting Masculinities in Ghanaian Fiction and Film examines the various constructions and manifestations of masculinities from precolonial, colonial, independent and post-independent Ghana as portrayed in selected Ghanaian fiction, film and music videos. Two main questions are engaged here:

• What predominant masculine images are present in Ghanaian texts?
• In what ways has the passage of time affected the subversion of dominant masculine images, contested hegemony and created room for the presence of alternative masculinities?

This book submits that in questioning the various masculine modes of behaviours portrayed in these texts, and negotiating their own masculine identities, the male characters showcase the mutations that are taking place within masculine representations over time and aver that other models of masculine expression are possible.

“This study’s engagement with the theory of hegemonic masculinity represents an important contribution to the discourse in gender studies in Ghana and Africa. In addition, it is well researched and presents a cutting-edge analysis of masculinity across genres. I cannot think of any other study in Ghanaian literary and cultural studies that provides such a broad historical background context and the book is certainly original in its approach.” — Professor Mansah Prah, Department of Sociology and Anthropology, University of Cape Coast, Ghana

“The book’s major strength is in adding significantly to an area of study that is currently under theorised. This has the potential to make a robust and important contribution to the field of knowledge on representation of masculinities in African and specifically Ghanaian popular culture.” — Associate Professor Nicky Falkof, Media Studies, University of the Witwatersrand, South Africa