• The Lovers (African Writers Series)

    The Lovers collects Head’s short fiction of the 1960s and 70s, written mainly in Serowe, Botswana, and depicting the lives and loves of African village people pre- and post-independence.

    An earlier selection called Tales of Tenderness and Power was published in the Heinemann African Writers Series in 1990, but this expanded and updated volume adds many previously unavailable stories collected here for the first time. Anthology favourites like her breakthrough The Woman from America and The Prisoner who Wore Glasses are included, leading up to the first complete text of her much translated title story.

  • No Longer at Ease (African Writers Series, AWS3)

    Obi Okonkwo is an idealistic young man who, thanks to the privileges of an education in Britain, has now returned to Nigeria for a job in the civil service. However in his new role he finds that the way of government seems to be backhanders and corruption. Obi manages to resist the bribes that are offered to him, but when he falls in love with an unsuitable girl – to the disapproval of his parents – he sinks further into emotional and financial turmoil. The lure of easy money becomes harder to refuse, and Obi becomes caught in a trap he cannot escape.

    Showing a man lost in cultural limbo, and a Nigeria entering a new age of disillusionment, No Longer at Ease concludes Achebe’s remarkable trilogy charting three generations of an African community under the impact of colonialism, the first two volumes of which are Things Fall Apart and Arrow of God.

  • The Black Hermit (African Writers Series, AWS51)

    In this play, Remi, the first of his tribe to go to university, ponders whether or not he should return to his people. Or should he continue to be a black hermit in the town? Amidst the backdrop of a politically torn country, Remi himself is torn between his sense of tribalism and nationalism. This struggle runs deep, as he finds it at the heart of his afflictions between himself, his marriage and familial relations, and his greater sense of obligations to his people and the country. The overwhelming nature of these problems drives him into isolation as a black hermit. His self-imposed exile into the city leads him to find contentment in the Jane, his new lover, and nightly clubbing. However, after he is lobbied to return to the tribe, he must now confront the demons of his past.

    The Black Hermit was the first published East African play in English. The play was published in a small edition by Makerere University Press in 1963, and republished in Heinemann’s African Writers Series in 1968.

  • The Last Carver

    Ositadimma Amakeze has been heralded as the modern-day Achebe. In The Last Carver, he narrates the story of a community, their culture, and the need to always keep tradition alive.

    The Last Carver narrates the musings of the historian Mgbirimgba Atuegwu on the recent death of one of the most respected men in his community, the Omenka. From Mgbirimgba’s eyes, we are allowed to see the cultural practices of Umuokwe and the Igbos of South Eastern Nigeria in the early colonial period.

    “I knew Ositadimma Amakeze as a poet of unusual ability. The effect of that flair on his creative story is so evident from the beginning to the end of this amazing novel.” — Dr P-J Ezeh, Anthropological Linguist and Literary Critic, University of Nigeria, Nsukka

    “It is a brilliant, multi-layered story that encompasses a tale of ingenious portrayal of a culture on the threshold of extinction. A gazetteer of good backgrounds with a soupcon of nostalgic traditions, Amakeze joins the league of modern African cultural writers with a bang!” — Ijoma Onuorah-Anyakwo, Journalist

    The Last Carver is reliving Our Cultural Heritage to impact on the modern and future generation an everlasting knowledge of their identity. A very good ‘sociolinguihistoric’ masterpiece.” — Madubuko Ego Charity FCAI, Ph.D, Assistant Director FCT Education Resource Centre, Abuja

    “…an ideal for writers of African literature, with an excellent juxtaposition of the ‘Oyibo’ (English) and Igbo languages. He gives a different perspective to the Igbo scenario of “those days” with so much clarity that I feel as though I were present. It’s a must-read!” — Anastasia O. Chukwulete

    The Last Carver

    55.00
  • Scarlet

    For many generations, uncertainty and tension have pervaded both the people of Under The Sky and the wraiths of Kiriyanga, but they trudge on, while holding on to the little streaks of light at the end of this seemingly-never-ending tunnel – a prophecy that order would be restored on the Day of Scarlet. This imminent respite however, comes with stringent conditions: “ … until a woman drinks from the confluence of two rivers that do not mix, the Day of Scarlet will not come.”
    Scarlet is an inquiry into the absurdity of possessing absolute power or its pursuit thereof. With strong allusions to the Grecian myth of Zeun and Hades, and Yoruba myths of love triangles among gods as told of Osun, Ogun, and Sango, or Yemoja, Obatala, and Ogun, woven into and set in tales from Kikuyu lore, Alexander Emmanuel Ochogwu lends his voice to the conversations around politics and power-grabbing in Nigeria, Africa, and beyond

    Scarlet

    55.00
  • Secrets Of The Bending Grove

    SHIKA AMENYO, a sensitive, inhibited woman from a respectable family, discovers that her cousin, SEFA GAMELI, has been keeping a terrible secret that is killing him. She embarks with him on a journey that is replete with shocking family scandals, betrayal and deep loss, but also restitution. Shika’s friends — MIYO, a fragile, unreachable soul, and SWEETIE, a shrewd spitfire on a mission — buttress her with much-needed support.

    The resilience of these three women comes from mastering the survival traits of the grove. They are bound by painful secrets from childhood that drive their relationships with the men in their lives: a pragmatist whose generosity will touch many women; a traitor hiding behind a priest’s collar; an ambitious man living a lie in order to secure his career; and a green-eyed wanderer who must allow himself to be tamed if he is to obtain the one thing he desires from this foreign land.

  • Edufa – A Play

    “Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”

    Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.

  • Jungle Dance

    Jungle Dance is a euphemism for a myriad of issues, roles, relationships and routes. It is a picture of what the corporate world is – challenging but rewarding also. It captures feelings of despondency, rejection and confusion interlaced with the triumphs, friendships and love that two women experience in their corporate journeys.

    “Steeped in realism, yet fictional, emotional pet detached, almost biographical but not exactly that, a mishmash yet lucid – that’s what you get when you get an astute and observant corporate person doing a foray into fiction. You get real life drama in an imaginative narrative. Come let’s dance in this jungle of words.” – Nana Awere Damoah, Writer/Engineer

    “Petra takes on an uncommon theme like the corporate world and tells a story from the lenses of her own experiences. This is a fictional work that ends up being real, motivational and romantic!” – Ama Pratt, Broadcast Journalist

    “Riveting and gripping. A complete story about life in the corporate world and its vicissitudes — told with the sense of African love for family. A quintessential modern African story.” – Yaw Ofosu Larbi, Broadcast Journalist

    Jungle Dance

    55.00
  • A-Files

    Nita’s (almost) perfect world has just been turned on its slightly ruffled but otherwise happy head. Now, not only does she have to endure living with Adesuwa, the world’s most overbearing sister, she has to go to school with her as well!

    Will Nita succeed at finding a place for herself at her new school or will she be totally blotted out by Adesuwa’s (totally ridiculous) popularity?

    A-Files is the first in a series of middle-grade children’s books by Victoria Afe Inegbedion. It follows the lives of teen sisters Nita and Adesuwa as they navigate life, school and family.

    A-Files

    55.00
  • Bambulu’s School Days

    Bambulu’s School Days, first serialised in The Mirror, Ghana’s most popular weekly, is the memoir of a Ghanaian School child who had a very uncongenial and difficult childhood because his parents were separated shortly after his birth. He, however, got over that initial puerile traumatic experience; which was, mostly, triggered by his father and stepmother.

    Little Paul, later known as Bambulu, really had a tough and rugged beginning but with a little twist in fortune he, eventually, reconciled with his mother.

    Thanks to his mother’s determination, complimented by an uncle’s generosity, Paul was able to gain admission to the Senior Secondary School. Nonetheless, bullying by senior students, strange teaching methods by some teachers and others do not make life in the Senior Secondary School as attractive as Bambulu would have expected.

    The novel is a rich discovery of the Ghanaian Senior Secondary School system in the 1970s as seen through the unbiased eyes of an innocent school boy.

  • My Strong Tower: The Genesis

    My Strong Tower: The Genesis is an exciting novel, based on the everyday life of the average Ghanaian Christian. Ewuresi, Akosua, Ayele and Kumi are young adults battling with the daily temptations that young Christians are bound to face.

    Ewuresi is a teenager who has completed her secondary school education together with her best friend, Akosua. Although they both portray different personalities, they manage to go through tough times together and still maintain a close relationship. Kumi, their male friend, gets entangled between the two ladies through his witty and sociable attitude. Ayele, the eldest of the lot, provides the spiritual support to get the youth on the right path with their relationship with God.

    Each character represents the different levels of faith that can be seen among the lifestyles of the youth today, as they struggle to maintain a relationship with Jesus Christ. Enjoy this wonderful story as you study the scriptures to get yourself better acquainted with the Lord Almighty.

  • Anowa

    Based on the old Ghanaian legend this is the story of a young women who decides, against her parents wishes, to marry the man she loves. After many trials and tribulations the couple amass a fortune, but Anowa realizes that something, somewhere is wrong.
    This edition of Ama Ata Aidoo’s well-known play has been specially developed for JSS pupils to use in preparation for BECE. It contains:
    • Complete text of the play
    • Introductory notes that develop pupils’ skills in literary criticism
    • Notes following each part of the play
    • Questions and activities
    • BECE exam-style questions covering the whole play

     

    Anowa

    55.00
  • Girl on Fire

    Twin siblings, Atsu and Atsufi Dzramedo, have only one dream: to play for the Ghana U-17 National Football Team. By a stroke of luck, their team qualifies for the Abedi Pele Junior Football Tournament, bringing them one step closer. But chaos ensues when it’s discovered that Atsufi is the only girl in the tournament.

    Girl on Fire

    55.00
  • Night Dancer

    Night Dancer is set in Nigeria and tells the story of Mma and her stubborn mother, Ezi. Ezi’s unexpected death leads Mma to learn about her mother’s past and rethink the resentment and contempt she has held for her mother her whole life. Mma resents her mother who likes to say things twice like ‘dance-dance’and ‘happy-happy’ and won’t let Mma know wnaything about her father.

    Written in three parts, Chika Unigwe tells a beautiful story about what happens, why it happens and why everything is the way it is, and what happens thereafter.

    Night Dancer

    56.00
  • Vaults of Secrets

    In one story, a conscience takes it upon itself to keep prodding its principal until she tells the truth about the paternity of her four children. In another story, a woman cannot live with the result of her promiscuous lifestyle. In the title story, Vault of Secrets, a man has a special gift of walking into places at the most inopportune times. In another story, a woman facing the death penalty relives the story of a friend who has already suffered the same fate. In yet another prison story, a man comes to terms with his complicity in activism gone wrong.

    The stories in this collection flirt with the limits of freedom and bondage, they are a means with which Olukorede Yishau examines the nature of man and his ability to choose; more so man’s ability to live with the choice he has made.

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