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Zanne Fo Kɔkɔre (Dagaare)
ZANNE FO KƆKƆRE waa la gane n ba Saeed A. Faruk naŋ sɛge ka ka o meŋ soŋ bibiiri a Dagaare/Waale zannoo a sakue poɔ. A gane kɔlage la sɛgebie, yelbipeelɛ, yelbie nyaabo, yelbie gaŋgyere, yelŋmaa, yelgbɔge, gane sɛgebo, senselɛ, naaloŋ, kyiire, dannoŋ, yaabaa, bibiiri deɛnɛɛ, kultaa ne wɛltaa ane ataa. Ƞmaa lɛ, a gane waa ŋa ɔre-kunkuni, ka fo maŋ wele sɛre kyɛ nyɛ moɔma.
A gane ŋa soma la a ko JHS, SHS, Kolaagyi ane Karemamine ane neɛzaa naŋ boɔra ka Dagaare/Waale kɔkɔre zannoo do saa. O la soma la a ko noba naŋ zanna ka ba wa leɛ karemamine. Yeli naŋ vɛŋ ka ZANNE FO KƆKƆRE gane ŋa de zu o taaba zuŋ la N ba Saeed naŋ kyaane a yebizuri mine ne naasaale. A dori kaŋa meŋ zaa baaraaŋ, meŋa nyonnoo soorebie maŋ be la be.
₵35.00Zanne Fo Kɔkɔre (Dagaare)
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Guasohantan: Agoru Bi (Akuapem Twi)
Guasohantan is a Play in Akuapem Twi.
₵32.00 -
A Painful Decision (Drama on Female Circumcision)
Age Range: 6 – 12 years
Africans have many customary practices. Sometime ago, these customs certainly had some advantages. With the passage of time, however, some of these practices have outlived their usefulness, not to mention the aim they are often associated with. Hence, there is the need for us to either modify these customary practices or abandon them altogether.
It will be discovered, in this play, the great pain and suffering that female circumcision brings to our women.
We do not dispute the fact that it is one of the legacies bequeathed to us by our forebears. Nonetheless, what prevents us from abandoning it since there is nothing to gain from it now or in future? The time has come for us to become selective in the practice of our customs so that only what brings progress to us is maintained.
₵30.00 -
A Play of Giants
Described by the author as a ‘Fantasia on Aminian theme’, Wole Soyinka’s new play presents a savage portrait of a group of dictatorial African leaders at bay in an embassy in New York. The resemblance between them and recent historical characters is only too pronounced.
₵30.00A Play of Giants
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Hlɔbiabia (Ewe)
Hlɔbiabia (Vengeance) is a story of a body who suffered a great deal of injustice in the hands of many people including his own teachers and close friends. Torments he suffered made him vow to repay mankind in the same way he had been treated.
By paying people in their own coins, he managed to go overseas where he obtained many degrees. Later, however, when he returned home, he rendered good service to people and in addition confessed every wrong he had done and pleaded with the bench for a fitting punishment as an atonement for his sins.
₵30.00Hlɔbiabia (Ewe)
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Tahinta: A Rhythm Play for Children (With QR Code for Audio)
Tahinta is a story with a beat. It is about a boy went fishing in the River Birim. He set his fish-trap in the water. He cast his net but when he drew it out, it was empty. He began to look unhappy. But just when he was getting ready to go home, something came walking across the river. You will find out what it was.
₵30.00 -
Stranger to Innocence – A Play
Stranger to Innocence is an intriguing short play, which treats the daily motions, frustrations, joys and aspirations of an African priestly family. This is the house where a stranger, Tawa, who has been fleeing from his own sins, seeks to find refuge. In the end, lessons of remorse and forgiveness are yet to be fully understood especially by young minds like Alaba, daughter of the priest.
The play exhibits the author’s artistic simplicity in the use of dramatic language, which has endeared this play to wide theatre audiences.
It is not surprising that it is popular among many drama groups and schools in the country.
Stranger to Innocence is one of Bill Marshall’s early plays, from which a lot of inspiration is drawn.
₵25.00 -
Fefehawo (Eʋe)
A collection of Play and Action Songs suitable for use by school children and the general public. It is hoped that, this book will be useful to teachers and students in Training Colleges.
₵25.00Fefehawo (Eʋe)
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Nwɔhoa Buluku (Nzema)
This book contains seven(7) short plays that can be staged by children.
₵25.00Nwɔhoa Buluku (Nzema)
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Yɛngangnaa (Dagaare)
This is a popular folklore that has been dramatized.It tells the story of a young man whose name is such that its meaning touches on the integrity of the Chief of his village. The Chief, on discovering that, tries many times to kill the young man. On each occasion the young man outwits him. In the end, the Chief’s son is killed instead.
₵25.00Yɛngangnaa (Dagaare)
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Ewɔ Moya Na Fiagã Agɔkɔli (Ewe)
This book ‘ Ewɔ Moya Na Fiagã Agɔkɔli’ is a drama about the migration of the ancestors of the Eʋes from Ŋɔtsiẽ in the Republic of Togo.The decision to move out of Ŋɔtsiẽ was necessitated by the excessive wickedness displayed against them by Fiagã Agɔkɔli,
₵25.00 -
E Be He Kake (Dangme)
E Be He Kake, a Dangme expression, which means ‘It is so everywhere’, is a dramatic play portraying rural life in Ghana. Its pathos has a considerable moral perfection, and teaches that trust/confidence in God, inspite of tribulations and temptations, storms and tempests, is always rewarded.
₵25.00E Be He Kake (Dangme)
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Odoi Diŋ: Legɔŋ Maŋtsɛ (Ga)
Odoi Diŋ-Legɔŋ Maŋtsɛ is a play about the Legon Maŋtsɛ.
₵24.00Odoi Diŋ: Legɔŋ Maŋtsɛ (Ga)
₵24.00