• The Deal: The Case of the Professional Lady

    An award winning investigative journalist is asked, “Who would you life to interview most?”

    “The devil,” he replies.

    He is told to be careful of what he wished for but he laughs if off until he finds the devil at the foot of his bed demanding an interview and inviting him to go undercover with him.

    The Deal is the first published novel of Uncle Ebo Whyte. It brings attention to the deficiencies of our human nature, the choices we make and how those choices affect us. With very vivid descriptions of scenes that establish a suspense-filled plot, readers are bound to enjoy a rich, imaginative experience so real and captivating with life-enriching nuggets for all.

  • These Bones Will Rise Again

    What are the right questions to ask when seeking out the true spirit of a nation?

     In November 2017 the people of Zimbabwe took to the streets in an unprecedented alliance with the military. Their goal, to restore the legacy of Chimurenga, the liberation struggle, and wrest their country back from over thirty years of Robert Mugabe’s rule.

    In an essay that combines bold reportage, memoir and critical analysis, Zimbabwean novelist and journalist Panashe Chigumadzi reflects on the ‘coup that was not a coup’, the telling of history and manipulation of time and the ancestral spirts of two women – her own grandmother and Mbuya Nehanda, the grandmother of the nation.

    Chigumadzi successfully nests the intimate charge of her poignant personal story in the sweeping historical account and mythology of Zimbabwe. – Brian Chikwava, author of Harare North

    Chigumadzi’s exploration of personal, family and national history reincarnates in stark, vivid images, many of those interred in the shadows of her country’s ‘Big Men’. – Tsitsi Dangarembga, author of Nervous Conditions

  • The Law Is An Ass: A Collection of Short Stories

    “They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria. These stories, told in simple but gripping prose, will hold you in thrall like the tale of the Ancient Mariner.” – Toni Kan, author, The Carnivorous City

    “These stories have tricky plots, appearing simple and linear in design with seductive and elegant prose. Line after line, paragraph after  paragraph, we grow to love the protagonists.” – Jahman Anikulapo, former Arts Editor and Editor  of The Guardian on Sunday

    “The author leads you from randomness to some unexpected cataclysmic event in his stories. One minute you are innocently traipsing through the gullies of life and the next thing, Nigeria happens to you. The stories are like short films, vivid and captivating.” – Mildred Okwo, filmmaker and writer

    “Niran’s stories are populated by characters who are our neighbours, our friends, our colleagues and members of our family. He offers us  an entertaining and educative read that is vivid,  engaging and throbbing.” – Olukorede Yisha, author, In The Name of our Father and Secret Vaults

  • Infinite Roots

    “I must tell you my history,” Baba would roar, “the history you learn at school is not better than that which I have to tell you. My history concerns you directly, it is who you are, what you are, and what you’re going to become.”

    “…woven in an unbroken thread of prose…in a complex, digressive narrative that is like a set of Chinese boxes (or those Russian Matryoshka dolls), one laid inside another.” — Literary Review

    Infinite Roots follows the multi-generational story of a Ghanaian military family, composed through the eyes of a young daughter learning about her history and culture through the many stories of her parents and elders. This autobiographical novel spreads out across the 60s and 80s Ghana as the military family journeys from Wa to Tamale to Accra to Kumasi to Takoradi to Ho and more. As the young girl grows, she also begins to share her own re-tellings as her elders once did.

    “…it is an incredible survey of Ghanaian traditions, customs, superstitions and beliefs, as well as social and political history and the emergence of female education.” — Lee Oliver

    Infinite Roots

    80.00100.00
  • Conversations About Race: Humanity Chats

    This book is for all of us.
    Introductory yet meaningful, civil, and non-political conversations about our humanity.

    Conversations about Race is a follow-up to the race-related conversations on the Humanity Chats podcast.
    May these conversations help us broaden our lens.

    The Human Oath

    We are humans
    Descendants of one species
    Connected in ways we cannot comprehend

    We are humans
    From all around the world
    One kind only
    And that is humankind

    – The Shimmigrant, 2019

  • Love Is Power, or Something Like That: Stories

    When it comes to love, things are not always what they seem. In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidante. Men and women can be objects of fantasy, the subject of beery soliloquies. They can be trophies or status symbols. Or they can be overwhelming in their need.
    In the wide-ranging stories in Love Is Power, or Something Like That, A. Igoni Barrett roams the streets with people from all stations of life. A man with acute halitosis navigates the chaos of the Lagos bus system. A minor policeman, full of the authority and corruption of his uniform, beats his wife. A family’s fortunes fall from love and wealth to infidelity and poverty as poor choices unfurl over three generations. With humor and tenderness, Barrett introduces us to an utterly modern Nigeria, where desire is a means to an end, and love is a power as real as money.
  • Sweet Crude Odyssey

    In the international market, they call it sweet crude – low-sulphur crude oil. It is targeted by oil thieves in the Niger Delta, who siphon it from the pipelines and sell to the highest bidder. This brutal black market is a web connecting rich barons in gleaming cities to savage militants in the creeks. This is the world Bruce Telema is lured into. But even as he outruns poverty and gains a fearsome reputation in the oil cabal, death, karma and the law stay close on his heels.

  • Imminent River

    A DEATH-DEFYING CONTEST FOR A LIFE-RESTORING FORMULA…

    Far deeper than the story of a traditional healer and her feuding children’s search for her ‘life’ formula, Imminent River seamlessly melds a delectably gorgeous love story into a historical family saga, one reminiscent of Alex Haley’s R-o-o-t-s, but in which the search is in the opposite direction, for the ‘shoots’ rather than ‘roots’. This epic spans half a world – from the fetid swamps of West Africa, Europe and North America and Back. The result: an intricate build-up, a breath-taking denouement, a hair-raising resolution. If bookshelves were anthills, they’d rise in standing ovation.

    Imminent River

    85.00
  • The Contractor

    For your eyes only.

    A jihadist group in the Middle East teams up with rogue Russian generals to take out a sitting United States president whose policies threaten a major shift in global nuclear power. They must stop him, even if that means assassinating the president and destroying that symbolic edifice of American power, the White House.

    They send in a specialist, Nabil Hamdoon, a.k.a. The Contractor. He has a 100% mission success rate.

    NSA, DHS and the FBI pick up chatter but are clueless in the mad scramble to locate and neutralize the Contractor as he spreads mayhem and death across Illinois, Maryland and the District of Columbia. He looks set to accomplish his mission as an increasingly desperate FBI and Secret Service dog his heels.

    Could one woman stop him?

    The Contractor

    85.00
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • Lagos to London

    A tale of two Nigerian students Remi Coker and Nnamdi Okonkwo from different backgrounds who leave the shores of Nigeria full of hope to further their education abroad. Remi from the prestigious Coker family is expected to return home after her law degree to run the family law firm and Nnamdi, frustrated by the federal university strikes plans to escape Nigeria and never return.

    The story follows their journey of newfound freedom, self-discovery, hope, unexpected turns, lessons, and the realities of life in the United Kingdom.

    Lagos to London

    85.00
  • In the Company of Men

    Harper’s Bazaar: Best Book of the Year
    Boston Globe: Best Book of the Year
    Ms. Magazine: Best Feminist Book of the Year
    Words Without Borders: Best Translated Book of the Year

    Drawing on real accounts of the Ebola outbreak that devastated West Africa, this poignant, timely fable reflects on both the strength and the fragility of life and humanity’s place in the world.

    Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee, and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer’s potions nor the medical team’s treatments could cure. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly, and the boys’ father is barely able to send his eldest daughter away for a chance at survival.

    In a series of moving snapshots, Véronique Tadjo illustrates the terrible extent of the Ebola epidemic, through the eyes of those affected in myriad ways: the doctor who tirelessly treats patients day after day in a sweltering tent, protected from the virus only by a plastic suit; the student who volunteers to work as a gravedigger while universities are closed, helping the teams overwhelmed by the sheer number of bodies; the grandmother who agrees to take in an orphaned boy cast out of his village for fear of infection. And watching over them all is the ancient and wise Baobab tree, mourning the dire state of the earth yet providing a sense of hope for the future.

    Acutely relevant to our times in light of the coronavirus pandemic, In the Company of Men explores critical questions about how we cope with a global crisis and how we can combat fear and prejudice.

  • Voice of America

    Set in Nigeria and America, Voice of America moves from boys and girls in villages and refugee camps to the disillusionment and confusion of young married couples living in America, and back to bustling Lagos. It is the story of two countries and the frayed bonds between them.

    In ‘Waiting’, two young refugees make their way through another day, fighting for meals and hoping for a miracle that will carry them out of the camp; in ‘A Simple Case’, the boyfriend of a prostitute gets rounded up by the local police and must charm his fellow prisoners for protection and survival; and in ‘Miracle Baby’, the trials of pregnancy and mothers-in-law are laid bare in a woman’s return to her homeland.

    Written with exhilarating energy and warmth, the stories in Voice of America are full of humour, pathos and wisdom, marking the debut of an immensely talented new voice.

  • Ashawo Diaries: Tales of Adwoa Attaa

    A most intriguing intercourse of tragedy and sex

    The titillating intrigues of a good bad girl…delightful reading: sometimes light, sometimes dark; always with ponderous insights! – Koku Dotse

    Ashawo Diaries makes for engaging reading, and beyond connecting with earlier literary forebears, it is important to think about how such a novel enters the Ghanaian social landscape where sex is traditionally a public taboo. Ashawo Diaries is a text that challenges sanitized perspectives of Ghana. – Kwabena Opoku-Agyemang, Lecturer, Department of English, University of Ghana, Legon

    [The author] is zealous towards unearthing the ills of society. I describe her as the “perfect role model of today’s world”. I am not surprised she took this bold step to write this story. Though bold for our traditional society, l am of the view that she held the bull by the horn. The story…will surely leave readers scratching their heads with excitement. – Dr (Mrs.) Nana Ama Pokuaa Arthur, Lecturer, KNUST

    A thrilling page-turner. Amoafowaa is fluid in narration, and succinct in description. – Rebecca Obuobisa-Darko, Personnel Officer, Ga East Municipal Education Directorate

    Cecila’s Ashawo Diaries is storytelling meddled in art, obviously, science and a game of the protagonist. Daring diary entries with erotic sprinkles, gripping and sustaining, which depicts the struggles of a native daughter in contrast to Richard Wright’s native son, the zigzag turns of life and the map of love, friendship, pleasure, identity, re-identity as compasses at each turn. Poetically written and with a feminist undertone. – Grace Ihejiamaizu, Lecturer, University of Calabar, Founder of IKapture and Opportunity Desk, Nigeria

    Ashawo Diaries raises queries on why young girls should experience sexual suppression in a cultural context like Ghana where children are valued, moral standards are held high and sexual discussions silenced. – Dr. Georgina Yaa Oduro, Director, Centre for Gender Research, Advocacy and Documentation (CEGRAD), University of Cape Coast

  • London Capetown Joburg

    1994. The world is about to change. The first truly democratic election in South Africa’s history is about to unite Nelson Mandela’s rainbow nation at the ballot box. And, across the world, those in exile, those who could not return home, those who would not return home, wait. Watch and wait . . .

    London. Martin O’Malley isn’t one of those watching and waiting. He is too busy trying to figure out if Germaine Spencer really is the girl for him and why his best friend is intent on ruining every relationship he gets involved in. And then . . . And then Germaine is pregnant and suddenly the world really has changed for Martin O’Malley.

    South Africa. A land of opportunity. A place where a young black man with an MSc from the London School of Economics could have it all, would have it all. But what does Martin O’Malley, London born and bred with an Irish surname, really know about his mother’s country? His motherland. A land he has never seen.

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