• The Deliverer

    The Deliverer received a Burt Award for African Literature 2010

    “Drop the stone, young man!” he screamed.

    Osei dropped the stone gently on the ground when he realised that the man had no arms and his garments were torn to shreds. He was a frightful sight to behold. With his chest still heaving up and down with rage he turned to find his friends standing around looking ashamed. “When you are born to kill an elephant, you don’t go bruising your knees chasing rats!” the strange man said.

    The style used in The Deliverer is an interesting way of capturing history in fiction. Set in the Ashanti Kingdom, read about how a handicapped boy grows up to become a hero and the deliverer of his people. High in suspense and a page turner.

    The Deliverer

    35.00
  • No Sweetness Here and Other Stories (African Writers Series)

    In this collection, Ama Aita Aidoo explores postcolonial life in Ghana with her characteristic honesty and humor. Tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture. True to the tradition of African storytelling, the characters come to life through their distinct voices and speech. If there is no sweetness, there is the salt essential to life, even if it comes from tears, and the strength that comes from a history of endurance.

  • Money Galore (African Writers Series, AWS161)

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    This witty, extravagant but seriously intended satire marks the arrival of Ghana’s answer to T.M. Aluko. Abraham Kofi Kafu finds teaching a hard grind and lacking in rewards. He stands for the Liberation Party, the party of businessmen, landlords, smallholders and taxi drivers. As Minister of Internal Welfare, Kafu pursues his political career with a lively devotion to women, drink, gambling and skulduggery of various kinds and an almost total aversion to work unless it is devoted to some personal end. He is supported by a large cast: a crooked  but amiable contractor, Anson Berko; a less amiable and even more crooked contractor, Nee Otu Lartey; the Permanent Secretary, Mr Vuga, an ineffably dreary civil servant who strives to manipulate Kafu as he has manipulated previous Ministers but also turns out to be as crooked and so is subject to blackmail; the slimy Reverend Dan Opia Sese, who takes over as headmaster from Benjy Baisi and seduces Kafu’s maid. But even Kafu cannot get away with it for ever.

  • Anthills of the Savannah (African Writers Series)

    Chris, Ikem and Beatrice are like-minded friends working under the military regime of His Excellency, the Sandhurst-educated President of Kangan. In the pressurized atmosphere of oppression and intimidation they are simply trying to live and love – and remain friends. But in a world where each day brings a new betrayal, hope is hard to cling on to.

    Anthills of the Savannah (1987), Achebe’s candid vision of contemporary African politics, is a powerful fusion of angry voices. It continues the journey that Achebe began with his earlier novels, tracing the history of modern Africa through colonialism and beyond, and is a work ultimately filled with hope.

  • The Housemaid (African Writers Series)

    A dead baby and bloodstained clothes are discovered near a small village. Everyone is ready to comment on the likely story behind the abandoned infant. The men have one opinion, the women another. As the story rapidly unfolds it becomes clear that seven different women played their part in the drama. All of them are caught in a web of superstition, ignorance, greed and corruption.

  • Edufa – A Play

    “Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”

    Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.

  • The Trouble with Nigeria (African Writers Series)

    The eminent African novelist and critic, here addresses Nigeria’s problems, aiming to challenge the resignation of Nigerians and inspire them to reject old habits which inhibit Nigeria from becoming a modern and attractive country. In this famous book now reprinted, he professes that the only trouble with Nigeria is the failure of leadership, because with good leaders Nigeria could resolve its inherent problems such as tribalism; lack of patriotism; social injustice and the cult of mediocrity; indiscipline; and corruption.

  • The Clothes of Nakedness (African Writers Series)

     Winner of The Commonwealth Writers Prize 1999 and The Commonwealth Writer’s Prize Best First Book Africa 1999.
    Gabriel Bukari is an out-of-work taxi driver living from hand-to-mouth in a poor suburb of Accra: honest, kind-hearted, and faithful to his wife. When he meets Mystique Mysterious, the ‘big man’ who can get him a job, he is exposed to temptations he has never faced before.
    In this lively portrait of relations between rich and poor in urban Ghana, Benjamin Kwakye explores the seductive power of corruption and shows how ordinary people can be manipulated to make choices which threaten their community life.
  • Murder in the Interest of the Church

    The Revd Dr Denis M’Passou was an Anglican minister in the Republic of Malawi who worked in the field of Christian Communication for a considerable number of years. He was an editor of several magazines and the author of a number of works of both fiction and non-fiction.

    In this book, Dr M’Passou draws on his vast experience to tell a vivid story which highlights the problem of unconfessed sin. The protagonist, the Revd Chuma, finds himself in circumstances which necessitate saving his reputation and that of the church by any means, fair or foul. The reader is compelled to read on to find how far Mr Chuma’s clever intrigues could take him.

    This is a thought-provoking book which must be read by anyone who cares for the reputation of the church.

  • When Rain Clouds Gather (African Writers Series, AWS247)

    In the heart of rural Botswana, the poverty stricken village of Golema Mmidi is a haven to exiles from far and wide. A South African political refugee and an Englishman join forces to revolutionise the villagers traditional farming methods, but their task is fraught with hazards as the pressures of tradition, opposition from the local chief and the unrelenting climate threaten to divide and devastate the fragile community.
  • The Prince and the Slave – A Play

    This historic, award-winning play is set in Wakumey, a kingdom on the West African Coast in the late 18th century. The drama explores the internal tensions and disruptions that rock a community in an era when dealing in live human cargo was the order of the day“How can there be a kingdom without slaves?” is the mantra for King Dogali and his council of elders. However, when romance sneaks in through a most inappropriate quarter, the very centre of royal power comes face-to-face with the visceral effects of the Transatlantic Slave Trade.
    The Prince and the Slave reveals not only the inner workings of the practice but also the psychology of both the slave raider and the enslaved.
    The Prince and the Slave has been performed at Accra, Cape Coast, Kumasi and a few universities and secondary schools across Ghana.
  • The New Tribe (African Writers Series)

    When a baby girl is abandoned at birth, Reverend Arlington and his wife Ginny are only too happy to adopt her. The media cover this moving story, and a Nigerian woman living in England takes more than a passing interest in the Arlingtons. She decides that they world provide the right Christian home for her own baby, Chester. Shortly afterwards, Chester is delivered to social services with a letter explaining that the Arlingtons should be his new parents. So young Chester enters the vicarage of the sleepy seaside village of St Simon. He is the only black child for miles around.

    The New Tribe tells the story of Chester’s long search for his true identity, and the challenges he faces as a black child in a white family.

  • A Grain of Wheat (African Writers Series, AWS36)

    Barack Obama, via Facebook: “A compelling story of how the transformative events of history weigh on individual lives and relationships.”

    The Nobel Prize–nominated Kenyan writer’s best-known novel

    Set in the wake of the Mau Mau rebellion and on the cusp of Kenya’s independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency. At the center of it all is the reticent Mugo, the village’s chosen hero and a man haunted by a terrible secret. As we learn of the villagers’ tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.

  • A Cowrie of Hope (African Writers Series)

    “These were the nineties,” reflects the narrator of A Cowrie of Hope, and for the young widow Nasula they are years of relentless economic hardship and privation. She dreams of a better life for her beautiful daughter, Sula, free from poverty and independent of marriage. But when Nasula finds herself unable to pay for Sula’s education, her hopes seem to have been extinguished – until a friend advised her to go to Lusaka and sell her last sack of highly sought-after Mbala beans. Nasula makes the journey, but in the city she finds herself exposed to new, and predatory, dangers.

    In A Cowrie of Hope Binwell Sinyangwe captures the rhythms of a people whose poverty has not diminished their dignity, where hope can only be accompanied by small acts of courage, and where friendship has not lost its value.

  • Mine Boy (African Writers Series, AWS6)

    When Xuma move to Johannesburg he is a naive country boy, but the impact of harsh city life awakens him to the new ways and values of  radically different world. His vision of a ‘man without colour’, a raceless society, is shattered by the realities of his underprivileged existence.
    First published in 1946, this novel was one of the first books to expose universally the condition of black South Africans under a white regime. Abrahams’ forceful but restrained images of discrimination in the gold mines, the appalling housing and Xuma’s simple, humanitarian act of defiance, struck a chord around the world. Mine Boy has remained a central influence on South African fiction for over fifty years.

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