• Beyond the Horizon (African Writers Series)

    Gazing at her naked body in the mirror, Mara reflects on her transformation from naive Ghanaian village girl into a prostitute in a German brothel. Mara has been deceived by her husband, Akobi, into coming to Europe to find a “paradise,” but, as the truth about Akobi and her new life unfolds, she realizes she is trapped. The expectations of her family in Africa force her to remain, living a lie. As she fights back, she finds the revenge she takes can in no way compensate for her loss of innocence and lifetime exile from her homeland.This is a natural storyteller’s compelling and sobering account of the ruthless exploitation of women in Africa and Europe.

    Amma Darko was born in Tamale, Ghana, and grew up in Accra. After living in Germany, she returned to Ghana. Beyond the Horizon, first published in German, is Amma Darko’s first novel.

  • So Long a Letter (African Writers Series)

    Written by award-winning African novelist Mariama Ba and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences—some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined.Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country.

    Winner of the prestigious Noma Award for Publishing in Africa.

  • The Beautyful Ones Are Not Yet Born (African Writers Series, AWS43)

    01
    A railway freight clerk in Ghana attempts to hold out against the pressures that impel him toward corruption in both his family and his country. The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.
  • The Girl Who Can (African Writers Series)

    In The Girl Who Can, the irrepressible Ama Ata Aidoo looks at the roles and rules, and the games people find themselves playing, often unwillingly. She analyses African women’s struggle to find their rightful place in society. Her stories raise issues of choice and conflict, teasing about the issues with disarming frankness. How do people behave in cross-cultural relationships? In the modern world, where a plastic label identifies us, what is our identity? Will African women be in the driving seat in the twenty-first century? With the zest and humour, Aidoo raises these questions and provides some challenging answers.

    In this collection of short stories, Aidoo elevates the mundane in women’s lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society. Written from a child’s perspective, Aidoo subverts the traditional beliefs and assumptions about the child’s voice. Her inimitable sense of style and eloquence, explores love, marriage and relationships with all the issues they throw up for the contemporary African woman. In doing so, she manages to capture the very essence of womanhood.

  • The Concubine (African Writers Series, AWS25)

    Ihuoma, a beautiful young widow, has the admiration of the entire community in which she lives, and especially of the hunter Ekwueme. Obedient to the expectations of the traditional society they belong to, they forswear their love so that Ekwueme can marry the girl to whom he had been betrothed since birth. But their passion is fated and jealousy, a love potion and the closeness of the spirit world lift this simple tale on to a tragic plane.
  • Mine Boy (African Writers Series, AWS6)

    When Xuma move to Johannesburg he is a naive country boy, but the impact of harsh city life awakens him to the new ways and values of  radically different world. His vision of a ‘man without colour’, a raceless society, is shattered by the realities of his underprivileged existence.
    First published in 1946, this novel was one of the first books to expose universally the condition of black South Africans under a white regime. Abrahams’ forceful but restrained images of discrimination in the gold mines, the appalling housing and Xuma’s simple, humanitarian act of defiance, struck a chord around the world. Mine Boy has remained a central influence on South African fiction for over fifty years.
  • A Man of the People (African Writers Series, AWS31)

    As Minister for Culture, the Honourable M. A. Nanga is ‘a man of the people’, as cynical as he is charming, and a roguish opportunist. At first, the contrast between Nanga and Odili, a former pupil who is visiting the ministry, appears huge. But in the ‘eat-and-let-eat’ atmosphere, Odili’s idealism soon collides with his lusts – and the two men’s personal and political tauntings threaten to send their country into chaos. Published, prophetically, just days before Nigeria’s first attempted coup in 1966, A Man of the People is an essential part of his body of work dealing with modern African history.

  • The Housemaid (African Writers Series)

    A dead baby and bloodstained clothes are discovered near a small village. Everyone is ready to comment on the likely story behind the abandoned infant. The men have one opinion, the women another. As the story rapidly unfolds it becomes clear that seven different women played their part in the drama. All of them are caught in a web of superstition, ignorance, greed and corruption.

  • FaceOff With The International ‘MP’

    Face-Off With the International ‘MP’ is a compilation of short stories, drama, different purposed letters, and jest, all garnished with an unusual but perfect mix of satire, wit and logic. The book walks readers through the experiences of the only ‘Member of Parliament’ representing a virtual constituency. The book brings to life issues in politics, romance, educational and career experiences both home and abroad, and short memos – files that the International ‘MP’ deals with 24/7. The right dose of laughter, the fluidity of Nkrumah-Boateng’s unmatched imagery, the apt description of everything Ghanaian plus the solitary enjoyment of his entitlement as the only untenured MP combine to make this book a must-read.

    “I introduce to you a reverently irreverent writer who pulls no punches, wears no kids’ gloves, bars no holds and suffers no fools gladly. There is not a topic that Rodney is shy to address, and frontally and bluntly too.” — Anan Anan Ankomah, Managing Partner, Bentsi-Enchill, Letsa & Ankomah

    “Rodney glides you along on a momentum of choleric rhetoric and suddenly explodes your mind into an amusement park of satire, laced with intelligent and exciting lines of literary mischief.” — Jason Tutu, Research & Development Expert

    “Nkrumah-Boateng uniquely mixes truth and poetic satire: his wit, crisp humour, eloquence and fluid writing style, and the heretical elegance with which he makes his points, made you want to kick something…Little wonder a major radio station mistook his satirical narrative as fact, and serialized it on radio!” — Kofi Bentil, Lawyer/Vice President, IMANI

    “Rodney’s writing always leaves me wanting more.” — Dr. Victor Bampoe, Former Deputy Minister for Health

  • Going to Town

    Professor Paul Archibald Vianney Ansah (1938-1993), Ex-Director of the School of Communication Studies, University of Ghana; reputed scholar, communicator, journalist, critic; a devout Christian, an uncompromising advocate of democracy, freedom and justice; generous, humorous, pedantic, but also defiant and choleric. Close associates called him “Uncle Paul”; his students made an acronym of him: PAVA. The world knows him as P.A.V. Ansah. His death on 14th June, 1993, created a big void in journalism, and dented the writer’s crusade against oppression and dictatorship in Africa.
    From 1968 when he assumed the editorial seat of The Legon Observer until his death, the name Paul Ansah became perhaps the most revered epitome of incisive journalism in Ghana. By 14th June, 1993 when he died, P.A.V. Ansah, over a quarter of a century had succeeded in perfecting a paradigm in Ghana’s journalistic tradition. Write-and-be damned was its hallmark, and Going-to-Town its colloquial shibboleth. Avid readers of Paul Ansah’s column in The Ghanaian Chronicle weekly, for which he wrote in his last years, eventually got used to the ominous prelude of his weekly sojourns to town.
    In this book, the editors put together a selection of the newspaper contributions of Paul Ansah from 1991 till his death in June 1993. The articles were mostly published in his column in the Ghanaian Chronicle, but also include his contributions in the Free Press, Independent, and the Standard.
    His writings, reflecting a broad range of themes, have been grouped under four overlapping headings: Media, Politics, Society, and International.

    Going to Town

    90.00
  • Growing Up

    Many years ago, there were rites of passage in the African communities. These were important initiations that consciously prepared young people in their transitions through life. These days, however, young people are left to figure out their maturity by themselves. This situation has plunged many young people into frustration and despair because they made mistakes on the journey. Some others have handled it quite well and are reaping the benefits.

    This book contains real life experiences of young people who are growing up. With the youngest contributor being 21 and the oldest being 40, everyone can relate to the contents of the book. The lessons in the books are captured through the fear, disappointment, failures, successes and accomplishments of the contributors. It also speaks to diverse sub-topics that influence a growing young person such as parenting, broken homes, death, faith, and education.

    Our hope is that reading the stories in the book will give you an awakening to the fact that you need to set your own growing path and walk through it. Definitely, you too can share your story about Growing Up with us and others. You will be helping them just as this book is helping you.

    Growing Up

    25.00
  • I Rise to Inspire

    I Rise to Inspire is a collection of poems that focus on themes related to love, marriage, perseverance, faith, and friendship.

    I Rise to Inspire will challenge you to persevere in your daily struggles, it will sooth and uplift you, bring a smile to your face and ignite hope in you daily. It is your story, my story our song and our Journey.

    The poems on perseverance convict readers that there is a staying power in every soul. Readers are, therefore, encouraged not to be content with mediocrity but to strive hard and transcend every negative situation that comes their way. Furthermore, men, women and children are called on to discover their unique potentials and roles in society and are inspired to answer to the call of duty in society when called on. Readers are also impressed on to love unconditionally and forgive.

  • The Boy In Love

    In what could’ve been love or infatuation, his life rose and sunk from as early as 6 years old. His life from that point on was about who loved him and who he loved: to study, eat, dream, make friends, to excel.

    Yes, why would he eat, study or excel at anything when he has had a broken heart or is deeply satisfied with an affection for a certain girl?

    30 years on and looking at Rebecca now, he can finally and clearly tell what he felt then to now. He sees beyond feelings. He sees his capacity to provide for a woman; to understand them and care for them; to reason with them and plan a life worthwhile. And he sees it not in gruesome years of waiting (amidst the impatience) but just a decision away.

    The joy to finally marry in love and with the loved was abounding. But his fear of the emotional turmoil of his past made him doubt his capacity to love and cherish this woman so.

    Only if he had had patience…

    Only if he had waited…

    Only if he had talked to someone…

    The Boy In Love

    20.00
  • Courtesy for Boys and Girls

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    Age Range: 9 years and above

    Most of us were trained with this as a guidebook. Fundamental rules of courtesy for young people, rules on behaviour; much more needed today!

    This book is adapted from up-to-date fundamental rules of courtesy as they apply to young people of today and list for the guidance of parents and teachers 165 rules on a gracious refinement of behaviour.

  • The Wizard of Asamang

    In The Wizard of Asamang, Asare Konadu presents a lasting picture of Ghanian society in the rural area welded together by love, humored innocence and gaiety. The strange events and places in the hero’s young mind are recorded realistically combining inventive imagination with technical sills.

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