The Creative Potential of African Art Music in Ghana: A Personal Testimony (Companion Booklet to ICAMD CD Recordings)

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This booklet on the Creative Potential of African Music in Ghana: A Personal Testimony is dedicated to the memory of Professor Albert Mawere Opoku for his unique contribution to Dance Theatre in Ghana, his close collaboration with colleagues in artistic research projects, and his enthusiastic and encouraging interest in the creative work of artists in cognate fields. Nothing would have pleased him more than to be part of the launch of the four volumes of CD recordings of a selection of my musical works, for he was always making cassette dubbings of my music for his friends. I believe that this Companion Booklet will be of interest not only to his circle of friends but also to other music lovers, students and the general public.

With this readership in mind, the scope of the booklet has been limited to a few personal observations. It does not tell the complete story of African Art Music in Ghana or Africa in general, something I hope our younger scholars will work on as scores and other sources of data become available. It is simply the story of an individual composer and his works, his reflections and comments on his experience as an African composer, which he presents in conjunction with the CD recordings of his works as testimonies of the creative potential of African art music. For a fuller and more objective account of my life and work, I would like to refer readers to Eric Akrofi: Sharing Knowledge and Experience: A Profile of J. H. Kwabena Nketia (Afram Publications 2003) and Akin Euba: Creative Musicology: A Study of J. H. Kwabena Nketia, Centre for Intercultural Studies, Berkeley.

Additional information

Weight 0.25 kg
ISBN

9964 70 350 3

Year Published

2004

Pages

53

Format

Paperback

Author Picture

J. H. Kwabena Nketia

Emeritus Prof. J.H. Kwabena Nketia was born on June 22, 1921 at Mampong Asante. He was a composer, ethnomusicologist, and a writer. He had over 200 publications and more than 80 musical compositions to his credit.

He was Acting Principal, Presbyterian Training College, AkropongAkuapem, First African Director, Institute of African Studies, University of Ghana, Professor of Music, University of Ghana, Professor of Music at UCLA, Horatio Appleton Lamb Visiting Professor at Harvard University, Visiting Cornell Professor at Swarthmore College, Distinguished Hannah Professor of Integrative Studies at Michigan State University, East Lansing, Visiting Professor at the University of Brisbane in Australia, Visiting Professor at the China Conservatory of Music, Beijing, Andrew Mellon Professor of Music at the University of Pittsburgh, and Langston Hughes Professor at the University of Kansas, Lawrence.

He was the Chancellor, Akrofi-Christallor Institute of Theology, Mission and Culture, Akropong-Akuapem, a Foundation Fellow of the Ghana Academy of Arts & Sciences, Honorary Fellow of the Royal Anthropological Society of Great Britain, and Ireland, Honorary Member of the International Music Council (IMC-UNESCO), Honorary Fellow Of the Pennsylvania Chapter of Phi Beta Kappa, Honorary Member of the Pan-African Writers Association (PAWA), Member of the International Jury for the Proclamation by UNESCO of Masterpieces of Oral and Intangible Heritage of Humanity, and Board Member of the National Commission on Culture, Republic of Ghana.

His numerous Awards included Cowell Award of the African Music Society, Companion of the Order of Star of Ghana, Grand Medal of the Government of Ghana (Civil Division), Ghana Book Award, ECRAG Special Honour Award (1987), Ghana Gospel Music Special Award (2003), ACRAG Flagstar Award (1993), ASCAP Deems Taylor Award for his book on the Music of Africa, IMC-UNESCO Music Prize for Distinguished Service to Music, Prince Claus 1997 Award for Distinguished Service to Culture & Development, the Year 2000 Distinguished Africanist Award of the African Studies Association of the USA for Life-long Devotion to African Studies, and DLitt(Honoris Causa) of the University of Ghana.

He passed away in 2019.

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The Creative Potential of African Art Music in Ghana: A Personal Testimony (Companion Booklet to ICAMD CD Recordings)

The Creative Potential of African Art Music in Ghana: A Personal Testimony (Companion Booklet to ICAMD CD Recordings)

25.00

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