• Gathering Seaweed: African Prison Writing (African Writers Series)

    This anthology introduces the African literature of incarceration to the general reader, the scholar, the activist and the student. The visions and prison cries of the few African nationalists imprisoned by colonialists, who later became leaders of their independent dictatorships and in turn imprisoned their own writers and other radicals, are brought into sharper focus, thereby critically exposing the ironies of varied generations of the efforts of freedom fighters.

    Extracts of prose, poetry and plays are grouped into themes such as arrest, interrogation, torture, survival, release and truth and reconciliation.

    Contributors include: Kunle Ajibade, Obafemi Awolowo, Steve Biko, Breyten Breytenbach, Dennis Brutus, Nawal El Saadawi, M J Kariuki, Kenneth Kaunda, Caesarina Kona Makhoere, Nelson Mandela, Emma Mashinini, Felix Mnthali, Augustino Nato, Ngugi wa Thiong’o, Kwame Nkrumah, Abe Sachs, Ken Saro Wiwa, Wole Soyinka, and Koigi wa Wamwere.

    Although an often harrowing indictment of the history, culture and politics of the African continent and the societies from which this literature comes, the anthology presents excellent prose, poetry and drama, which stands up in its own right as serious literature to be cherished, read and studied.

  • The Trouble with Nigeria (African Writers Series)

    The eminent African novelist and critic, here addresses Nigeria’s problems, aiming to challenge the resignation of Nigerians and inspire them to reject old habits which inhibit Nigeria from becoming a modern and attractive country. In this famous book now reprinted, he professes that the only trouble with Nigeria is the failure of leadership, because with good leaders Nigeria could resolve its inherent problems such as tribalism; lack of patriotism; social injustice and the cult of mediocrity; indiscipline; and corruption.

  • Can We Talk And Other Stories (African Writers Series)

    Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe’s foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity.

    The first stories, ‘Hoffman Street’ and ‘The Man who Hanged Himself’ capture the bewildered innocence of a child’s view of the adult world, where behaviour is often puzzling and contradictory; stories such as ‘Going to See Mr B.V.’ provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. ‘Among the Dead’ and ‘Brothers and Sisters’ look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while ‘Playing your Cards’, ‘The Waterfall’, ‘Strays’ and ‘Bramson’ introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in ‘Can we Talk’ we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. ‘Can we Talk’ is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.

  • No Sweetness Here and Other Stories (African Writers Series)

    In this collection, Ama Aita Aidoo explores postcolonial life in Ghana with her characteristic honesty and humor. Tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture. True to the tradition of African storytelling, the characters come to life through their distinct voices and speech. If there is no sweetness, there is the salt essential to life, even if it comes from tears, and the strength that comes from a history of endurance.

  • A Squatter’s Tale (African Writers Series)

    Young financier Obi enjoys life in the fast lane in 1990’s Lagos. He walks tall in designer suits with his girlfriend at his side enjoying the envy of those with empty purses.

    When his finance company collapses Obi’s decadent lifestyle comes to an abrupt end and he is forced to flee to the United States. There he has to live on the margins of society. Obi wants money, he wants a woman, and he wants to live the good life.

    This face-paced novel, by turns comic and moving, reveals what success and failure mean for the young Nigerian at home and in exile. Ike Oguine explores the alienation experienced by today’s economic refugees under the cover of light-hearted comedy.

  • Arrows of Rain (African Writers Series)

    This debut novel from the author of the powerful, universally acclaimed Foreign Gods, Inc. looks at a woman’s drowning and the ensuing investigation in an emerging African nation.

    In the country of Madia (based in part on Ndibe’s native Nigeria) a young prostitute runs into the sea and drowns. The last man who spoke to her, the “madman” Bukuru, is asked to account for her last moments. When his testimony implicates the Madian armed forces, Bukuru is arrested and charged with her death. At the first day of trial, Bukuru, acting as his own attorney, counters these charges with allegations of his own, speaking not only of government complicity in a series of violent assaults and killings, but telling the court that the president of Madia himself is guilty of rape and murder. The incident is hushed up, and Bukuru is sent back to prison, where he will likely meet his end. But a young journalist manages to visit him, and together they journey through decades of history that illuminate Bukuru’s life, and that of the entire nation.

    A brave and powerful work of fiction, Arrows of Rain is a brilliant dramatization of the complex factors behind the near-collapse of a nation from one of the most exciting novelists writing today.
  • The New Tribe (African Writers Series)

    When a baby girl is abandoned at birth, Reverend Arlington and his wife Ginny are only too happy to adopt her. The media cover this moving story, and a Nigerian woman living in England takes more than a passing interest in the Arlingtons. She decides that they world provide the right Christian home for her own baby, Chester. Shortly afterwards, Chester is delivered to social services with a letter explaining that the Arlingtons should be his new parents. So young Chester enters the vicarage of the sleepy seaside village of St Simon. He is the only black child for miles around.

    The New Tribe tells the story of Chester’s long search for his true identity, and the challenges he faces as a black child in a white family.

  • Arrow of God (African Writers Series, AWS16)

    Set in the Igbo heartland of eastern Nigeria, one of Africa’s best-known writers describes the conflict between old and new in its most poignant aspect: the personal struggle between father and son.

    Ezeulu, the headstrong chief priest of the god Ulu, is worshipped by the six villages of Umuaro. But his authority is increasingly under threat—from rivals within his tribe, from functionaries of the colonial government, and even from his own family members. Yet he believes himself to be untouchable: surely he is an arrow in the bow of his God? Armed with this belief, he is prepared to lead his people, even if it is towards their own destruction. But his people will not be dominated so easily.

    Spare and powerful, Arrow of God is an unforgettable portrayal of the loss of faith, and the downfall of a man in a society forever altered by colonialism.

  • Weep Not, Child (African Writers Series, AWS7)

    A powerful, moving story that details the effects of the infamous Mau Mau war, the African nationalist revolt against colonial oppression in Kenya, on the lives of ordinary men and women, and on one family in particular. Two brothers, Njoroge and Kamau, stand on a rubbish heap and look into their futures. Njoroge is excited; his family has decided that he will attend school, while Kamau will train to be a carpenter. Together they will serve their country – the teacher and the craftsman.

    But this is Kenya and the times are against them. In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up.

  • David Copperfield (Bestselling Illustrated Classics)

    Growing Up!

    Young David Copperfield, orphaned as a child, abandoned by a vicious stepfather, must learn to make a life for himself. In Charles Dickens’ brilliant novel, we learn of David’s early harsh years. . . his adoption by his eccentric aunt. . . his betrayal by a childhood friend. . . the pressures of starting a career. . . immature, young love. . . and finally career success and personal happiness.

    Charles Dickens’ sensitive portrayal of David’s early years has made David Copperfield one of the world’s most beloved novels.

  • The ‘Coup’ Makers

    Engaging, moving, and very effective, this is the diary of a thirty seven year old widow whose record of the coups through thirty years of independence remains as fresh and immediate as when the author first experienced them. Usually frank, it represents a vivid and convincing picture of the day to day suffering of the people in coups and recaptures the grim atmosphere of the hard and bitter struggle.
  • The Return of the Falcon

    Drobonso stands at the crossroads. The paramountcy and the chief priest, custodian of the traditional and cultural customs of the state are entangled.

    The emerging Christian churches misconstrue the reasons for enactment and consolidation of these ancestral relics.

    In the ensuing struggle, the writer presents an exposition on the rather “Primitive” values of our tradition and the effect of modernization on our society.

    The narrator explores memories and engages the reader in dialogue.

  • Anthills of the Savannah (African Writers Series)

    Chris, Ikem and Beatrice are like-minded friends working under the military regime of His Excellency, the Sandhurst-educated President of Kangan. In the pressurized atmosphere of oppression and intimidation they are simply trying to live and love – and remain friends. But in a world where each day brings a new betrayal, hope is hard to cling on to.

    Anthills of the Savannah (1987), Achebe’s candid vision of contemporary African politics, is a powerful fusion of angry voices. It continues the journey that Achebe began with his earlier novels, tracing the history of modern Africa through colonialism and beyond, and is a work ultimately filled with hope.

  • Things Fall Apart (African Writers Series, AWS1)

    Okonkwo is the greatest warrior alive, famous throughout West Africa. But when he accidentally kills a clansman, things begin to fall apart. Then Okonkwo returns from exile to find missionaries and colonial governors have arrived in the village. With his world thrown radically off-balance he can only hurtle towards tragedy.

    Chinua Achebe’s stark novel reshaped both African and world literature. This arresting parable of a proud but powerless man witnessing the ruin of his people begins Achebe’s landmark trilogy of works chronicling the fate of one African community, continued in Arrow of God and No Longer at Ease.

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