• Notes on Amma Darko’s Faceless

    This book, Notes on Faceless, is intended as a study guide for students of Amma Darko’s novel, Faceless. Readers of Faceless go back again and again to this novel because it makes them feel and think about many issues in the book that relate to what happens around them. A good work of fiction allows us to imaginatively participate in what it means to be part of human society. Fiction “holds up a mirror” to us about life. It is therefore important to be able to understand and explain, as well as becomes more alert to how literature works. This book aims to help you do so, focusing on Faceless.

    Notes on Faceless discusses what Darko does in Faceless and how she does it: the plot of the story, its setting, characterization, theme and style. Like every other field of study, literature has a special vocabulary that is used by all good students of the subject. Therefore, while discussing the essential elements in Faceless (i.e. plot, setting, etc.), this book also introduces you to some of the important literary terms or technical vocabulary used in reading literature. The goal is to make you familiar with the right language for talking and writing about a work of literature and to teach you how to use this language in your own reading and writing.

    This book takes you further into your study of literature by guiding you to use suitable vocabulary to actually talk and write about a work of literature. After walking you through a discussion of each element, Notes on Faceless gives you practice in writing about Faceless in particular and literature in general.

  • The Teller of Secrets (Ouida Edition)

    In this stunning debut novel—a tale of self-discovery and feminist awakening—a feisty Nigerian-Ghanaian girl growing up amid the political upheaval of late 1960s postcolonial Ghana begins to question the hypocrisy of her patriarchal society, and the restrictions and unrealistic expectations placed on women.

    Young Esi Agyekum is the unofficial “secret keeper” of her family, as tight-lipped about her father’s adultery as she is about her half-sisters’ sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women’s secrets and men’s secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places.

    As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways.

    Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa’s most exciting literary talents.

  • Jungle Dance

    Jungle Dance is a euphemism for a myriad of issues, roles, relationships and routes. It is a picture of what the corporate world is – challenging but rewarding also. It captures feelings of despondency, rejection and confusion interlaced with the triumphs, friendships and love that two women experience in their corporate journeys.

    “Steeped in realism, yet fictional, emotional pet detached, almost biographical but not exactly that, a mishmash yet lucid – that’s what you get when you get an astute and observant corporate person doing a foray into fiction. You get real life drama in an imaginative narrative. Come let’s dance in this jungle of words.” – Nana Awere Damoah, Writer/Engineer

    “Petra takes on an uncommon theme like the corporate world and tells a story from the lenses of her own experiences. This is a fictional work that ends up being real, motivational and romantic!” – Ama Pratt, Broadcast Journalist

    “Riveting and gripping. A complete story about life in the corporate world and its vicissitudes — told with the sense of African love for family. A quintessential modern African story.” – Yaw Ofosu Larbi, Broadcast Journalist

    Jungle Dance

    55.00
  • 24 and Gnashing

    I don’t know about you, but growing up is scary, confusing and it doesn’t get any better especially if you’re gnashing.

    Actually, it is both funny and depressing like forcing a little kid to dance.

    But we move on despite the pain, the joy, and rejections towards whatever end.

    24 and Gnashing is a journey through the mind of a 24-year-old striding through the defining decade.

    It talks about heartbreaks, faith, fear, the joy of friends and family, and maybe hope.

    24 and Gnashing

    20.00
  • Daughters of Zelophehad

    Through this book, you will be introduced to a little-known Bible story about five remarkable women– the Daughters of Zelophehad. The story resonates with women who are destined for greatness because it reveals so many truths about women’s leadership and presents an example for any women aspiring to influence her society today. Women of Africa are at a unique crossroad. For too long, the stories told about us have been stories of death, disease, and vulnerability. Yet, there is so much potential. There are big ideas planted in the hearts of women and girls across this continent and the world is waiting for this greatness to manifest. By seeing yourself through the lens of the Daughters of Zelophehad, be prepared to be spurred to live a life of inspired, purposeful leadership predicated on the wisdom of God.

  • Safe House: Explorations in Creative Nonfiction

    In a collection of creative essays that ranges from travel writing and memoir to reportage, Ellah Wakatama Allfrey brings together some of the most talented writers of creative nonfiction from across Africa.

    A Ghanaian explores the increasing influence of China across the region; a Kenyan student activist writes of exile in Kampala; a Liberian scientist shares her diary of the Ebola crisis; a Nigerian writer travels to the north to meet a community at risk; a Kenyan travels to Senegal to interview a gay rights activist and a South African writer recounts a tale of family discord and murder in a remote seaside town.

    This anthology contains a range of unforgettable stories by authors from across Africa and presents personal views of contemporary issues in an accessible and thought-provoking manner.

  • Ashawo Diaries: Tales of Adwoa Attaa

    A most intriguing intercourse of tragedy and sex

    The titillating intrigues of a good bad girl…delightful reading: sometimes light, sometimes dark; always with ponderous insights! – Koku Dotse

    Ashawo Diaries makes for engaging reading, and beyond connecting with earlier literary forebears, it is important to think about how such a novel enters the Ghanaian social landscape where sex is traditionally a public taboo. Ashawo Diaries is a text that challenges sanitized perspectives of Ghana. – Kwabena Opoku-Agyemang, Lecturer, Department of English, University of Ghana, Legon

    [The author] is zealous towards unearthing the ills of society. I describe her as the “perfect role model of today’s world”. I am not surprised she took this bold step to write this story. Though bold for our traditional society, l am of the view that she held the bull by the horn. The story…will surely leave readers scratching their heads with excitement. – Dr (Mrs.) Nana Ama Pokuaa Arthur, Lecturer, KNUST

    A thrilling page-turner. Amoafowaa is fluid in narration, and succinct in description. – Rebecca Obuobisa-Darko, Personnel Officer, Ga East Municipal Education Directorate

    Cecila’s Ashawo Diaries is storytelling meddled in art, obviously, science and a game of the protagonist. Daring diary entries with erotic sprinkles, gripping and sustaining, which depicts the struggles of a native daughter in contrast to Richard Wright’s native son, the zigzag turns of life and the map of love, friendship, pleasure, identity, re-identity as compasses at each turn. Poetically written and with a feminist undertone. – Grace Ihejiamaizu, Lecturer, University of Calabar, Founder of IKapture and Opportunity Desk, Nigeria

    Ashawo Diaries raises queries on why young girls should experience sexual suppression in a cultural context like Ghana where children are valued, moral standards are held high and sexual discussions silenced. – Dr. Georgina Yaa Oduro, Director, Centre for Gender Research, Advocacy and Documentation (CEGRAD), University of Cape Coast

  • A Bit of Me

    A powerful, motivational and uplifting book by Oheneyere Gifty Anti. A Bit of Me inspires readers to be the best version of themselves.

    Oheneyere Gifty Anti, CEO of GDA Media shares nuggets about overcoming life’s struggles.

    “A Bit of Me is too much of somebody’s life on open display for everyone to benefit from. The greatest treasures on earth are the stories of people’s lives which they generously share to encourage, warn and bless others. Reading A Bit of Me will transform and translate you to a higher level. This book simply says if I am alive and moving, you can also make it.” — Rev. Eastwood Anaba

    Oheneyere is a multiple award-winning broadcast journalist and a well-respected motivational speaker in Africa and around the world. A proud product of Mfantsiman Girls Secondary School, she holds a Diploma in Journalism from the Ghana Institute of Journalism and a Masters Degree in International Journalism from City University, London. Oheneyere is the President and founder of the Girl in Need Foundation and the Awo Dansoa Reading Project. She is married to Nana Ansah Kwao IV, Chief of Akwamu Adumasa. She is a woman of crazy super faith.

    A Bit of Me

    45.00
  • Aya

    Okornore is a sorceress of words. And in the worlds she has created in this work, the reader is roller-coastered across places and spaces much deeper than the footprints she had splashed across cultures. The issues she scopes out are scheduled in a time capsule of infinite temporalities.

    Soul! is what screams at you when you journey through page after page of this delicious collection. From the heavenly to the banal, from the questions of our time to the quest of ages, Aya provides a sounding board for what it means to be human. These sweet verses, minted from the heart of a cosmopolitan citizen, secrete mystery and creativity

    Sometimes sassy, sometimes philosophical, Okornore nourishes the desire to read on and connect with a soulful source of erudition.

    Aya is a harvest of possibilities.

    Aya

    60.00
  • Same Elephants

    Marjy Marj’s anticipated follow-up to The Shimmigrant is an enlightening, introspective, heartwarming novel about four friends from diverse backgrounds. Sasha Badu is an immigrant in search of a better life. After meeting Rakiya Muhammad, Jane Taylor and Aviva Schwartz at a political event, the four become fast friends. When Sasha and Rakiya are mistaken for trespassers, the friends embark on a quest to educate their community about the dangers of stereotyping.

    Same Elephants explores everyday relationships, the presumptuous nature of society and the ability to rise above prejudice.

    Same Elephants

    70.0085.00
  • Scarlet

    For many generations, uncertainty and tension have pervaded both the people of Under The Sky and the wraiths of Kiriyanga, but they trudge on, while holding on to the little streaks of light at the end of this seemingly-never-ending tunnel – a prophecy that order would be restored on the Day of Scarlet. This imminent respite however, comes with stringent conditions: “ … until a woman drinks from the confluence of two rivers that do not mix, the Day of Scarlet will not come.”
    Scarlet is an inquiry into the absurdity of possessing absolute power or its pursuit thereof. With strong allusions to the Grecian myth of Zeun and Hades, and Yoruba myths of love triangles among gods as told of Osun, Ogun, and Sango, or Yemoja, Obatala, and Ogun, woven into and set in tales from Kikuyu lore, Alexander Emmanuel Ochogwu lends his voice to the conversations around politics and power-grabbing in Nigeria, Africa, and beyond

    Scarlet

    55.00
  • Louisa

    01

    Louisa’s dream of attending the best senior high school in the country materializes when she gains admission to St. Nicolas. Her assertiveness leads her into a confrontation with Paul, the class bully which nearly gets her killed.

    The events following this incident further portray the protagonist’s will to achieve her goals no matter what.

    Louisa

    75.00
  • The Matriarch’s Verse

    I am a mongrel; a mixed breed of Ga, Ewe, Akuapem, English, Middle-Eastern and American cultures; I am a Third Culture Kid.

    Apiorkor’s socio-cultural experiences are interesting and might appear to be unique. But the truth is that there are several other Ghanaians who are secret sharers of her life. Such people lack access to platforms that would allow them to tell their collective story, so that their societies and communities can re-think all of the things that affect them.

    Happily, Apiorkor is an artist over matter and over emotions. She possesses a mastery over words and over the essences of life. Many Ghanaian men, women and children are like her.

    And her voice represents their voices.

    In this sensational collection, The Matriarch seeks to celebrate, shock, tickle, challenge and highlight our Ghanaian-ness in the 21st Century. The author peppers our imagination with the following:

    What does it mean to be Ghanaian?

    How have we progressed?

    Why do we stand for the things we stand for?

    Who really is the modern Ghanaian woman?

    Where is the global place for the urban Ghanaian space?

  • Unspoken

    The debut collection of poetry and prose by Abena Amoah. Reading as a personal journal, Unspoken is divided into a three-chapter journey: Uncovering, Unburied, and Uncaged delivering a moving collection unearthing memory and unveiling abuse and trauma and its complexity in the mind of a woman.

    There is a pain, loss, love, and surviving on these pages. Abena tells of it all with such fierceness and care.

    Unspoken

    54.00
  • It Takes A Woman: A Life Shaped by Heritage, Leadership and the Women Who Defined Hope

    It Takes a Woman retraces the early life of Agyeman‐Rawlings who rose to prominence as the First Lady of the Republic of Ghana (1982-2000). She redefined the privilege of serving a nation, and sought every platform to champion the causes of underserved citizenry and women. While her husband, former President Jerry John Rawlings, embarked on a relentless pursuit of transforming Ghana into a model of African democracy, Mrs. Agyeman-Rawlings founded the 31st December Women’s Movement (the 31st DWM), an organisation which played a pivotal role in the empowerment of women, and in addressing issues of systemic gender inequality, not only in Ghana but across the African region.

    Born in an era when women were overtly marginalised, Nana Konadu Agyeman-Rawlings’ strong relationship with her father, mother and family elders formed the core of much of her formative years. Fortified by her unique family history, she was raised to never accept the notion that there were some things she could not do, simply because she was a woman.”

    The narrative captures the family history of a spirited little girl, and as she walks us through the refreshingly detailed scenes from her childhood, we are transported to a hopeful and quintessential Ghana, where a sense of national pride resounded powerfully at the time of independence. But as she recalls Ghana’s struggles post-independence, we are also confronted face to face with her juxtaposed emotions of elation and frustration, hurt and joy, certainty and dread. She was not to know that her personal life being upended early one morning in 1979 would also become a turning point in the nation’s history and would thrust her into the glare of international publicity.

    It Takes a Woman, written with unflinching candour, is an absorbing portrait of a life devoted to public service and shaped by heritage. Above all, it is an account of resilience. The voices of the women who stood tall will forever inspire Agyeman-Rawlings to stand for many more whose voices may not be loud enough to stand on their own.

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