• Daughters of Zelophehad

    Through this book, you will be introduced to a little-known Bible story about five remarkable women– the Daughters of Zelophehad. The story resonates with women who are destined for greatness because it reveals so many truths about women’s leadership and presents an example for any women aspiring to influence her society today. Women of Africa are at a unique crossroad. For too long, the stories told about us have been stories of death, disease, and vulnerability. Yet, there is so much potential. There are big ideas planted in the hearts of women and girls across this continent and the world is waiting for this greatness to manifest. By seeing yourself through the lens of the Daughters of Zelophehad, be prepared to be spurred to live a life of inspired, purposeful leadership predicated on the wisdom of God.

  • DNA: Origins

    In DNA: ORIGINS, the life of a biologist and his wife an archaeologist are set into utter mayhem and panic when they both receive debilitating news about an onslaught against their children that had been averted in an arcane way. This situation sets the premise for the novel, as it spins the couple (the man and his wife) on a journey to discover the cause of their genetic mutation that has endowed them and their children with paranormal abilities.

    DNA: Origins

    85.00
  • Even When Your Voice Shakes

    Age Range: 12 years and above

    A young girl speaks out against her wealthy abuser in this riveting YA novel from one of Ghana’s most celebrated children’s book authors.

    When Amerley is offered a job working for one of her mother’s distant relatives, she knows he has to accept. Her wages will feed her family, help her sisters stay in school, and ensure that her mother won’t have to worry about them. Amerley’s move to Accra isn’t easy, but she soon settles into her new life away from her small town- until an unfortunate incident.

    Through the life of an ordinary girl, Even When Your Voice Shakes exposes the damage wrought by institutionalized misogyny and poverty and reveals how even those who are most disadvantaged are never without their own power.

  • From Dar es Salaam to Bongoland: Urban Mutations in Tanzania

    The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is ‘haven of peace’ resulting from a mix-up of the Arabic words “dar” (house) and “bandar” (harbour). Named in 1867 by the Sultan of Zanzibar, the town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort to the socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, for the Tanzanian, the town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means ‘brain’ in Kiswahili). Far from being an anecdote, this slide into toponomy records the mutations that affect the links that Tanzanians maintain with their principal city and the manner in which it represents them.

    This book takes into account the changes by departing from the hypothesis that they reveal a process of territorialisation. What are the processes – envisaged as spatial investments – which, by producing exclusivity, demarcations and exclusions, fragment the urban space and its social fabric? Do the practices and discussions of the urban dwellers construct limited spaces, appropriated, identified and managed by communities (in other words, territories)? Dar es Salaam is often described as a diversified, relatively homogenous and integrating place. However, is it not more appropriate to describe it as fragmented?

    As territorialisation can only occur through frequenting, management and localised investment, it is therefore through certain places – first shelter and residential area, then the school, daladala station, the fire hydrant and the quays – that the town is observed. This led to broach the question in the geographical sense of urban policy carried out since German colonisation to date. At the same time, the analysis of these developments allows for an evaluation of the role of the urban crisis and the responses it brings.

    In sum, the aim of this approach is to measure the impact of the uniqueness of the place on the current changes. On one hand, this is linked to its long-term insertion in the Swahili civilisation, and on the other, to its colonisation by Germany and later Britain and finally, to the singularity of the post-colonial path. This latter is marked by an alternation of Ujamaa with Structural Adjustment Plans applied since 1987. How does this remarkable political culture take part in the emerging city today?

    This book is a translation of De Dar es Salaam à Bongoland: Mutations urbaines en Tanzanie, published by Karthala, Paris in 2006.

  • Highest Lows, Scattered Peaks

    I have been told by many that I have managed to put into words, things they have only managed to feel. Never express in words.

    This book is to let you know that it is okay to feel negative emotions strongly. It is okay to be confused, angry, sad and just plain old upset with life. But don’t stay negative. Don’t stay upset. Get it all out, and then move again.

    My goal was that after writing this, even if you cannot relate to them all, you will find one piece that is yours. You will find one piece that sounds like it was written just for you.

  • In the Company of Men

    Harper’s Bazaar: Best Book of the Year
    Boston Globe: Best Book of the Year
    Ms. Magazine: Best Feminist Book of the Year
    Words Without Borders: Best Translated Book of the Year

    Drawing on real accounts of the Ebola outbreak that devastated West Africa, this poignant, timely fable reflects on both the strength and the fragility of life and humanity’s place in the world.

    Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee, and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer’s potions nor the medical team’s treatments could cure. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly, and the boys’ father is barely able to send his eldest daughter away for a chance at survival.

    In a series of moving snapshots, Véronique Tadjo illustrates the terrible extent of the Ebola epidemic, through the eyes of those affected in myriad ways: the doctor who tirelessly treats patients day after day in a sweltering tent, protected from the virus only by a plastic suit; the student who volunteers to work as a gravedigger while universities are closed, helping the teams overwhelmed by the sheer number of bodies; the grandmother who agrees to take in an orphaned boy cast out of his village for fear of infection. And watching over them all is the ancient and wise Baobab tree, mourning the dire state of the earth yet providing a sense of hope for the future.

    Acutely relevant to our times in light of the coronavirus pandemic, In the Company of Men explores critical questions about how we cope with a global crisis and how we can combat fear and prejudice.

  • Infinite Roots

    “I must tell you my history,” Baba would roar, “the history you learn at school is not better than that which I have to tell you. My history concerns you directly, it is who you are, what you are, and what you’re going to become.”

    “…woven in an unbroken thread of prose…in a complex, digressive narrative that is like a set of Chinese boxes (or those Russian Matryoshka dolls), one laid inside another.” — Literary Review

    Infinite Roots follows the multi-generational story of a Ghanaian military family, composed through the eyes of a young daughter learning about her history and culture through the many stories of her parents and elders. This autobiographical novel spreads out across the 60s and 80s Ghana as the military family journeys from Wa to Tamale to Accra to Kumasi to Takoradi to Ho and more. As the young girl grows, she also begins to share her own re-tellings as her elders once did.

    “…it is an incredible survey of Ghanaian traditions, customs, superstitions and beliefs, as well as social and political history and the emergence of female education.” — Lee Oliver

    Infinite Roots

    80.00100.00
  • It Takes A Woman: A Life Shaped by Heritage, Leadership and the Women Who Defined Hope

    It Takes a Woman retraces the early life of Agyeman‐Rawlings who rose to prominence as the First Lady of the Republic of Ghana (1982-2000). She redefined the privilege of serving a nation, and sought every platform to champion the causes of underserved citizenry and women. While her husband, former President Jerry John Rawlings, embarked on a relentless pursuit of transforming Ghana into a model of African democracy, Mrs. Agyeman-Rawlings founded the 31st December Women’s Movement (the 31st DWM), an organisation which played a pivotal role in the empowerment of women, and in addressing issues of systemic gender inequality, not only in Ghana but across the African region.

    Born in an era when women were overtly marginalised, Nana Konadu Agyeman-Rawlings’ strong relationship with her father, mother and family elders formed the core of much of her formative years. Fortified by her unique family history, she was raised to never accept the notion that there were some things she could not do, simply because she was a woman.”

    The narrative captures the family history of a spirited little girl, and as she walks us through the refreshingly detailed scenes from her childhood, we are transported to a hopeful and quintessential Ghana, where a sense of national pride resounded powerfully at the time of independence. But as she recalls Ghana’s struggles post-independence, we are also confronted face to face with her juxtaposed emotions of elation and frustration, hurt and joy, certainty and dread. She was not to know that her personal life being upended early one morning in 1979 would also become a turning point in the nation’s history and would thrust her into the glare of international publicity.

    It Takes a Woman, written with unflinching candour, is an absorbing portrait of a life devoted to public service and shaped by heritage. Above all, it is an account of resilience. The voices of the women who stood tall will forever inspire Agyeman-Rawlings to stand for many more whose voices may not be loud enough to stand on their own.

  • Jungle Dance

    Jungle Dance is a euphemism for a myriad of issues, roles, relationships and routes. It is a picture of what the corporate world is – challenging but rewarding also. It captures feelings of despondency, rejection and confusion interlaced with the triumphs, friendships and love that two women experience in their corporate journeys.

    “Steeped in realism, yet fictional, emotional pet detached, almost biographical but not exactly that, a mishmash yet lucid – that’s what you get when you get an astute and observant corporate person doing a foray into fiction. You get real life drama in an imaginative narrative. Come let’s dance in this jungle of words.” – Nana Awere Damoah, Writer/Engineer

    “Petra takes on an uncommon theme like the corporate world and tells a story from the lenses of her own experiences. This is a fictional work that ends up being real, motivational and romantic!” – Ama Pratt, Broadcast Journalist

    “Riveting and gripping. A complete story about life in the corporate world and its vicissitudes — told with the sense of African love for family. A quintessential modern African story.” – Yaw Ofosu Larbi, Broadcast Journalist

    Jungle Dance

    55.00
  • Louisa

    01

    Louisa’s dream of attending the best senior high school in the country materializes when she gains admission to St. Nicolas. Her assertiveness leads her into a confrontation with Paul, the class bully which nearly gets her killed.

    The events following this incident further portray the protagonist’s will to achieve her goals no matter what.

    Louisa

    75.00
  • Màmá, It’s a Girl

    Available from 4th September, 2023

    For years, the people of KAMINWANAGA have lived by specific rules and traditions, but the birth of a feisty, determined and resilient young girl would shake up the whole village.

    Her curiosity about the world beyond KAMINWANAGA and determination not to be a statistic leads to a series of life-altering events that causes her to grow into the woman who would change the course of history for her people.

  • Men Across Time: Contesting Masculinities in Ghanaian Fiction and Film

    Men Across Time: Contesting Masculinities in Ghanaian Fiction and Film examines the various constructions and manifestations of masculinities from precolonial, colonial, independent and post-independent Ghana as portrayed in selected Ghanaian fiction, film and music videos. Two main questions are engaged here:

    • What predominant masculine images are present in Ghanaian texts?
    • In what ways has the passage of time affected the subversion of dominant masculine images, contested hegemony and created room for the presence of alternative masculinities?

    This book submits that in questioning the various masculine modes of behaviours portrayed in these texts, and negotiating their own masculine identities, the male characters showcase the mutations that are taking place within masculine representations over time and aver that other models of masculine expression are possible.

    This study’s engagement with the theory of hegemonic masculinity represents an important contribution to the discourse in gender studies in Ghana and Africa. In addition, it is well researched and presents a cutting-edge analysis of masculinity across genres. I cannot think of any other study in Ghanaian literary and cultural studies that provides such a broad historical background context and the book is certainly original in its approach.” — Professor Mansah Prah, Department of Sociology and Anthropology, University of Cape Coast, Ghana

    “The book’s major strength is in adding significantly to an area of study that is currently under theorised. This has the potential to make a robust and important contribution to the field of knowledge on representation of masculinities in African and specifically Ghanaian popular culture.” — Associate Professor Nicky Falkof, Media Studies, University of the Witwatersrand, South Africa

  • Mma Ayara Atampugre: A Tale of Success Against the Odds

    This book tells the story of an unlettered woman in a harsh patriarchal setting who, with resilience and grit, managed to successfully overcome daunting life challenges and succeeded against the odds.

    It looks at the life of Mma Ayara Atampugre’s early as an orphan, when she became a wife, a mother, a wisdom and her life philosophies that became the pillars of her success in life. So much to learn from how Mma Ayara navigated through life inspite of her daunting life challenges. 

  • New Currency: A Historical Novella

    New Currency: A Historical Novella celebrates Akan social norms and values, particularly the “wonderful feeling of togetherness” and communal living, uniquely associated with the extended family system and invites the reader to be culturally sensitive and to worry about the Ghanaian culture degradation.

    Apart from capturing the chilling, historical realities of the 1979 demonetisation, it successfully regains and celebrates the otherwise fading, but precious extended family values.

    In the book, the seasoned author chronicles some aspects of the harrowing military rule of 1979, and narrates the ordeal of a woman about to lose an entire lifetime savings. Specifically, it recounts the widespread commotion and hardships associated with the introduction of a new monetary currency in Ghana from March 13–26, 1979.

    The historical novella, set in Sunyani, the Brong-Ahafo regional capital in the same year, captures the widespread public despondency and turbulence associated with the exercise.

    The book provides some insight into the period of the country’s history for adults who lived through the turbulence of 1979 as a necessary reminder; and to the present-day youth some awareness of the happenings then.

    The thrilling lime green-looking book with yellow and white title inscription on the cover, and thinly opaque adinkra symbols – Mpatapo (knot of reconciliation) and Sesa wo suban (change or transform your life), reflects the theme of the book published by Smartline Publishers.

  • No Be From Hia

    A homecoming tale of a family brought together by migration and torn apart by tragedy and secrets. In a search for identity, love and acceptance – two ordinary girls travel from London to Lusaka to Lagos in order to save their family and discover their destiny.

    Meet the Ayomides and the Kombes – Zambian-Nigerian-Jamaican powerhouse families brought together during the post-colonial migration of the 1960’s to the UK – and later separated by death, divorce and betrayal. Scattered between London, Lusaka, and Lagos, only the new generation can save this family.

    Maggie Ayomide and Bupe Kombe are cousins on either side of the world who couldn’t be more different. Zambian-Nigerian and Zambian-Jamaican, both yearn for their disbanded family to reunite. When Bupe leaves Brixton to go to secondary school in Zambia, she brings light and disorder to Maggie’s world. However, the girls are hindered by dark family secrets such as the mysterious death of their late grandmother, and Maggie’s missing Nigerian father.

    From the blazing streets of Brixton riots to multi-party elections in Zambia to glitzy Independence Day celebration and adventurous nightclubs in Lagos, this heartwarming story breathes life into the modern-day result of postcolonial Africa and 20th Century migration as it follows two ordinary girls trying to find their identity and reunite their family.

    No Be From Hia

    185.00

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