• Where’d You Go?

    Where’d You Go? is a collection of short stories about terrorism in Northern Nigeria. From Captain Shola and his men who are ambushed by killer herdsmen while on patrol, and need to hold their ground; to a retired Special Forces officer who leads his men to protect his village and its environs from killer herdsmen; to Lieutenant Colonel Abel whose team had to extend their tour by two days to escort the Senate President’s daughter to an IDP Camp and then wait out an assault by Boko Haram insurgents; to Kunle Pierce who is a CIA operative, but comes to avenge the murder of his brother-in-law by the Boko Haram sect; to the Corps members caught in a post-election violence and fight back; and then there is Halima, an abducted girl from Chibok who suffers from Stockholm syndrome, and tries to settle down to normalcy after her release with some other girls.

     The stories are action-packed, depicting loss, justice, vengeance, bravery, courage under fire, sacrifice and patriotism.

  • Tales from Different Tails

    If anyone can paint a vivid image with words, breathe life into a collection of alphabets, create a vivid imagination in one’s mind with intricately and well woven tales brewed in the Ghanaian soot-coated aluminium cooking pot, then it is Nana Awere Damoah.
    This collection of short stories is an embodiment of class, style, humor, sarcasm, truth, knowledge, religion, self-realization and inspiration.
    Tales from Different Tails is a must-have book for every literature addict, anyone looking for a new lease of life in African literature and the general reading populace.
  • More About Boy (Roald Dahl)

    Age Range: 7 – 11  years

    “A true genius . . . Roald Dahl is my hero” David Walliams

    MORE ABOUT BOY contains a wealth of new photos, facts and writings about Roald Dahl and his childhood, together with the original text and illustrations from his much-loved memoir.

    As a boy, all sorts of unusual things happened to Roald Dahl.

    There was the time he and four school friends got their revenge on beastly Mrs Prachett in her sweet shop.

    There are stories of holidays in fishing boats, African adventures and the days of tasting chocolate for Cadbury’s.

    You’ll hear tales of horrible school bullies and the car accident when Roald’s nose was nearly sliced clean off . . Now you can discover even more about Roald Dahl’s childhood, including some secrets he left out. Some are painful, some are funny, but all of them are TRUE.

  • Groovy Dee

    Age Range: 5 – 10 years 

    This captivating book is destined to spark delightful discussions between children and their parents. Its vibrant pages are adorned with enchanting illustrations that bring to life a remarkable cast of characters. Within these pages lie invaluable lessons waiting to be discovered.

    Groovy Dee

    65.00
  • The Secret of the Purple Lake

    The Secret of the Purple Lake is a collection of five interlinked stories that take us from Ghana to Orkney, and from Spain to Norway and Thailand. As a minor character from one story assumes a major role in the next, we meet a fascinating cast, including Imoro the magic elephant, the Walrus Prince, and the Wild Princesses of Rousay. The protagonist of the opening tale, The Fisherman’s Daughter, has to retrieve her dead father’s bones from the bottom of the sea, in order to bring harmony back to her seaside village. In fulfilling her task, she must evade the clutches of The Fish-man of the Purple Lake. The Fish-man, a monstrous creature with the body of a man and the head of a fish, was once a beautiful boy from the Sahel, and has his own story about how he became the Fish-man.

  • The Law Is An Ass: A Collection of Short Stories

    “They say fiction is an extension of the factual. Niran Adedokun’s The Law is an Ass, features nine short stories that seem like fictional manifestations of the concerns in his second book, The Danfo Driver in All of Us. In this collection, Niran continues his jeremiad about Nigeria, with stories about sexual shenanigans (both real and imagined), corruption, poverty and deprivation as well as a heady cocktail of other problems that beset a third world country like Nigeria. These stories, told in simple but gripping prose, will hold you in thrall like the tale of the Ancient Mariner.” – Toni Kan, author, The Carnivorous City

    “These stories have tricky plots, appearing simple and linear in design with seductive and elegant prose. Line after line, paragraph after  paragraph, we grow to love the protagonists.” – Jahman Anikulapo, former Arts Editor and Editor  of The Guardian on Sunday

    “The author leads you from randomness to some unexpected cataclysmic event in his stories. One minute you are innocently traipsing through the gullies of life and the next thing, Nigeria happens to you. The stories are like short films, vivid and captivating.” – Mildred Okwo, filmmaker and writer

    “Niran’s stories are populated by characters who are our neighbours, our friends, our colleagues and members of our family. He offers us  an entertaining and educative read that is vivid,  engaging and throbbing.” – Olukorede Yisha, author, In The Name of our Father and Secret Vaults

  • Love Is Power, or Something Like That: Stories

    When it comes to love, things are not always what they seem. In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidante. Men and women can be objects of fantasy, the subject of beery soliloquies. They can be trophies or status symbols. Or they can be overwhelming in their need.
    In the wide-ranging stories in Love Is Power, or Something Like That, A. Igoni Barrett roams the streets with people from all stations of life. A man with acute halitosis navigates the chaos of the Lagos bus system. A minor policeman, full of the authority and corruption of his uniform, beats his wife. A family’s fortunes fall from love and wealth to infidelity and poverty as poor choices unfurl over three generations. With humor and tenderness, Barrett introduces us to an utterly modern Nigeria, where desire is a means to an end, and love is a power as real as money.
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • The Enemy of the State and Other Stories

    Set in the fictional African country of Ghaspata, a country a bit too suspiciously like Ghana, these eleven short stories hinge on themes of identity, violence, love and cruelty, fear, desperation, and man’s search for happiness and meaning.

    Adolika Nenah Sowah’s quirky imagination produces an oddly familiar world, laced with bolts of striking new realities that the author weaves into her stories – a teacher strangled by the very trees whose branches he uses to cane children, and a mysterious okro plying the skies of Ghaspata.

    Compelling, ironic, bizarre, and immensely humorous, The Enemy of the State and Other Stories is sure to leave readers highly entertained.

  • Voice of America

    Set in Nigeria and America, Voice of America moves from boys and girls in villages and refugee camps to the disillusionment and confusion of young married couples living in America, and back to bustling Lagos. It is the story of two countries and the frayed bonds between them.

    In ‘Waiting’, two young refugees make their way through another day, fighting for meals and hoping for a miracle that will carry them out of the camp; in ‘A Simple Case’, the boyfriend of a prostitute gets rounded up by the local police and must charm his fellow prisoners for protection and survival; and in ‘Miracle Baby’, the trials of pregnancy and mothers-in-law are laid bare in a woman’s return to her homeland.

    Written with exhilarating energy and warmth, the stories in Voice of America are full of humour, pathos and wisdom, marking the debut of an immensely talented new voice.

  • The Whispering Trees

    The magical tales in The Whispering Trees capture the essence of life, death and coincidence in Northern Nigeria. Myth and reality intertwine in stories featuring cat-eyed English witches, political agitators, newly-wedded widows, and the tormented whirlwind, Kyakkyawa. The two medicine men of Mazade battle against their egos, an epidemic and an enigmatic witch. And who is Okhiwo, whose arrival is heralded by a pair of little white butterflies?

  • Safe House: Explorations in Creative Nonfiction

    In a collection of creative essays that ranges from travel writing and memoir to reportage, Ellah Wakatama Allfrey brings together some of the most talented writers of creative nonfiction from across Africa.

    A Ghanaian explores the increasing influence of China across the region; a Kenyan student activist writes of exile in Kampala; a Liberian scientist shares her diary of the Ebola crisis; a Nigerian writer travels to the north to meet a community at risk; a Kenyan travels to Senegal to interview a gay rights activist and a South African writer recounts a tale of family discord and murder in a remote seaside town.

    This anthology contains a range of unforgettable stories by authors from across Africa and presents personal views of contemporary issues in an accessible and thought-provoking manner.

  • The Daughters of Nandi

    As she took her dying breath, Nandi Mhlongo, mother of Shaka kaSenzangakhona, cursed the house of Zulu and her family, the Mhlongos, for the disrespect she endured at their hands. In the ancestral realm, Nandi worries that her malediction may have been rash and too dangerous for the descendants of the two houses. The curse can be undone but it will need a human medium to convey the message to the progeny.

    Through three historical periods, three women who are extraordinary in their different ways will seek to get restitution for Nani. Gentle Keeya, a Motswana woman of the House of Moagi who marries one of Nandi’s descendants as the English, the Boers and the Zulu go to the war in the 19th century; Uju, a spirited married woman who carves a space for herself in history during the forced removals of Sophiatown in the 20th century; and in the 21st century Amangwe, who reluctantly joins her fellow students as they speak up against a meaningless freedom during the #FeesMustFall protests.

    Will any of these three women manage to ensure Nandi Mhlongo is appeased and if not, what shall be the consequences to the Houses of Mhlongo and Zulu and to the three Daughters of Nandi themselves?

    An engaging debut which seamlessly weaves fact, fiction and spiritualities while subverting the way the reader perceives history.

  • The Days of Silence

    Osasé has a secret she cannot share.

    Not even with her two sisters and mother, as they all battle to cope with the complexities of sisterhood, the fragile balances in mother-daughter relationships, and the deep scars of marriages gone awry. The story traces Osasé’s girl-to-woman journey of self-discovery from Kano, to Abuja, to Grenoble, and her fight for survival as her life slowly comes undone at the seams. The heart-warming narrative is reminiscent of Little Women but modern, urban, and with a blindsiding twist in the tale.

     The Days of Silence is a poignant coming-of-age story about identity, the unbreakable bonds of family, displacement, survival, and the triumph of a woman’s spirit.

  • Between the Generations: An Anthology for Ama Ata Aidoo at 80

    Ama Ata Aidoo, multiple award-winning Ghanaian novelist, poet, playwright and author of the critically acclaimed play, Dilemma of a Ghost, turned 80 in March, 2020. And as part of efforts to celebrate her – the first female African playwright – Between Generations: An Anthology for Ama Ata Aidoo at 80 was released.
    Described by Editor Ivor Agyeman-Duah, as ‘international affairs through fiction’, the 230-page collection tackles wealth and inequality, immigration, sisterhood, love lost and regained and other contemporary issues in Africa and the world.
    Opening with Aleppo by Ama Ata Aidoo, the anthology includes stories by eleven other contemporary African writers: Nigerian novelists, Sefi Atta, Ogochukwu Promise; South African novelist, Njabulo S. Ndebele; Senegalese novelist Boubacar Boris Diop, Ghanaian novelists, Ayesha Haruna Attah, Bisi Adjapon, writers Martin Egblewogbe, and Gheysika Adombire Agambila; Rwandan writer, Louise Umutoni and Cameroonian writer Ray Ndebi.

Main Menu