• Ghana Praise: Tunes from Ghana, Africa and the World

    African churches have inherited a rich tradition of hymnody from the West, but for too long the musical heritage of Asia and even of Africa itself has been neglected. Ghana Praise is a first step towards correcting this situation.

    It contains 144 tunes by Ghanaian composers: 4 songs from Northern Ghana and 28 spirituals from Ghana’s Pentecostal churches. For the first time, the wealth of music by present and past generations of Ghanaian musicians is available in print for all to use; the geographical and denominational barriers which have discouraged the spread of hymn tunes in the past are breaking down.

    In addition, Ghana Praise brings you 19 tunes from the rest of Africa and 33 from other parts of the world.

    Ghana Praise is accompanied by a words book, Asempa Hymns, which contains words to fit the new tunes, as well as a selection of the most well-known Western hymns.

  • Asempa Hymns (Words)

    Asempa is the Twi word meaning “Good News”. Here is an English language hymn book with a difference. It not only includes 200 of the most popular British, German and American hymns, but it also brings together a similar number of compositions from Africa, Asia, and the rest of the world.

    Produced in Ghana, Asempa Hymns contains some 90 items from that country including 28 “Ghana spirituals” traditionally sung by the Pentecostals but now gaining popularity in all churches. In many of these, there is a distinctive Ghanaian flavour, which this book and the companion music collection Ghana Praise make available for the first time to Christians in other lands.

    The Western tradition of hymnody has served Africa well for many years, but the rich traditions of other countries have failed to spread, held up by barriers of language, denomination and communication. The appearance of Asempa Hymns, with its wide choice of hymns, from nearly all the continents, will help brothers and sisters in Christ in many lands to realise a new fellowship in song and will shorten the distances that divide us.

  • Letters To My Future Wife

    The content of this book is not different from the title. It is a collection of letters – letters to Serwaa. They are intriguing love letters from a young man to a young woman with whom he intends to spend the rest of his life. She is his wife-to-be, but certain issues must be settled before they take the irrevocable oath.

    The topics are on serious issues that can bind or break relationships. The letters are mainly the products of the writer’s creative mind. Some are triggered by real life situations. But the reader will find it difficult to distinguish between the two. The reason is not difficult to find. A reader who has been in a relationship or marriage can identify with almost every situation in those letters.

    Manasseh uses the simple and conversational tone to convey deep messages. He has not failed to spice them with witty African proverbs that give readers the mature flavour that must accompany the thought-provoking pieces. Those who are still battling with what to look out for in a lasting relationship will find a helpful guide in this book. It will be of help to the man whose mother still decides how he should relate with his future wife. The lady who is yet to discover that good boyfriends do not often make good husbands will find useful lessons in Letters to My Future Wife. The couple whose marriage is yet to be blessed with a child will find something comforting in this book. And those who find pleasure in reading for relaxation will find this book therapeutic.

  • Sister Nommo the Saviour

    Age Range: 6 – 8 years

    Paa Nao wanted his wife to give him a baby boy who would become a lawyer, doctor or an engineer. Nommo was the first child, though Maa Kuu later had boys. Paa Nao educated the boys but not Nommo his daughter, insisting that a girl’s place is in the kitchen. When disaster struck and Maa Kuu’s life was at stake, it was Nommo who, through her cleverness, saves her mother from death at the hands of a strange little man, after her professionally trained brothers have failed.
  • No Sweetness Here and Other Stories (African Writers Series)

    In this collection, Ama Aita Aidoo explores postcolonial life in Ghana with her characteristic honesty and humor. Tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture. True to the tradition of African storytelling, the characters come to life through their distinct voices and speech. If there is no sweetness, there is the salt essential to life, even if it comes from tears, and the strength that comes from a history of endurance.

  • A Squatter’s Tale (African Writers Series)

    Young financier Obi enjoys life in the fast lane in 1990’s Lagos. He walks tall in designer suits with his girlfriend at his side enjoying the envy of those with empty purses.

    When his finance company collapses Obi’s decadent lifestyle comes to an abrupt end and he is forced to flee to the United States. There he has to live on the margins of society. Obi wants money, he wants a woman, and he wants to live the good life.

    This face-paced novel, by turns comic and moving, reveals what success and failure mean for the young Nigerian at home and in exile. Ike Oguine explores the alienation experienced by today’s economic refugees under the cover of light-hearted comedy.

  • Arrows of Rain (African Writers Series)

    This debut novel from the author of the powerful, universally acclaimed Foreign Gods, Inc. looks at a woman’s drowning and the ensuing investigation in an emerging African nation.

    In the country of Madia (based in part on Ndibe’s native Nigeria) a young prostitute runs into the sea and drowns. The last man who spoke to her, the “madman” Bukuru, is asked to account for her last moments. When his testimony implicates the Madian armed forces, Bukuru is arrested and charged with her death. At the first day of trial, Bukuru, acting as his own attorney, counters these charges with allegations of his own, speaking not only of government complicity in a series of violent assaults and killings, but telling the court that the president of Madia himself is guilty of rape and murder. The incident is hushed up, and Bukuru is sent back to prison, where he will likely meet his end. But a young journalist manages to visit him, and together they journey through decades of history that illuminate Bukuru’s life, and that of the entire nation.

    A brave and powerful work of fiction, Arrows of Rain is a brilliant dramatization of the complex factors behind the near-collapse of a nation from one of the most exciting novelists writing today.
  • The New Tribe (African Writers Series)

    When a baby girl is abandoned at birth, Reverend Arlington and his wife Ginny are only too happy to adopt her. The media cover this moving story, and a Nigerian woman living in England takes more than a passing interest in the Arlingtons. She decides that they world provide the right Christian home for her own baby, Chester. Shortly afterwards, Chester is delivered to social services with a letter explaining that the Arlingtons should be his new parents. So young Chester enters the vicarage of the sleepy seaside village of St Simon. He is the only black child for miles around.

    The New Tribe tells the story of Chester’s long search for his true identity, and the challenges he faces as a black child in a white family.

  • Stones Tell Stories at Osu

    Stones Tell Story at Osu is a creative biographical account of the Slave Trade at Osu, one of the leading slave trading centres off the West African Coast.

    Wellington employs a metaphorical device through the voice of the narrator, Ataa Forkoye, to provoke discussion, dissolve the shame and confusion associated with the slave trade and to persuade the current generation of Africans to abandon the taboo of not speaking about it.

    Wellington, an architect by profession, does this by rummaging through the remaining physical ruins of the slave trade, picks up the stones one by one to construct a compelling narrative through the amalgam of values, conflicting colonial hegemony, layers of economic syncretism and the collision of cultures to bring to life the force of the relationship between the Europeans and their African counterparts.

    Stones Tell Story at Osu has brought together the untold “fragmented” pieces of the story of the slave trade this side of the Atlantic and serves as the missing puzzle to those who seek answers.

    Wellington’s rich narrative style still shines in this long-awaited second edition, a book that will tug at the curiosity of historians, anthropologists and students of English and Literature in high schools and universities alike and an engaging traveling companion that resists being laid down.

  • Leadership Stripped Bare

    Suitable for academics, practitioners, senior to lower-level leaders, and positional non-leaders.

    Provides some good theoretical foundation for leading, and leadership in all contexts and at every level, emphasising the centrality of leadership and the crucial nature of leadership action.

    Differentiates management from leadership, provides guidance on how to strengthen one’s leadership power, and also how to lead oneself as a foundation for leading others.

    Examines leadership in a corporate context and sheds light on the role of the leader in a team environment, using the framework of functional leadership.

    Ideal for personal leadership development, and as a leadership development text for for-profit corporates, public sector and government leaders, politicians as well as religious leaders.

  • Arrow of God (African Writers Series, AWS16)

    Set in the Igbo heartland of eastern Nigeria, one of Africa’s best-known writers describes the conflict between old and new in its most poignant aspect: the personal struggle between father and son.

    Ezeulu, the headstrong chief priest of the god Ulu, is worshipped by the six villages of Umuaro. But his authority is increasingly under threat—from rivals within his tribe, from functionaries of the colonial government, and even from his own family members. Yet he believes himself to be untouchable: surely he is an arrow in the bow of his God? Armed with this belief, he is prepared to lead his people, even if it is towards their own destruction. But his people will not be dominated so easily.

    Spare and powerful, Arrow of God is an unforgettable portrayal of the loss of faith, and the downfall of a man in a society forever altered by colonialism.

  • Weep Not, Child (African Writers Series, AWS7)

    A powerful, moving story that details the effects of the infamous Mau Mau war, the African nationalist revolt against colonial oppression in Kenya, on the lives of ordinary men and women, and on one family in particular. Two brothers, Njoroge and Kamau, stand on a rubbish heap and look into their futures. Njoroge is excited; his family has decided that he will attend school, while Kamau will train to be a carpenter. Together they will serve their country – the teacher and the craftsman.

    But this is Kenya and the times are against them. In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up.

  • A Cowrie of Hope (African Writers Series)

    “These were the nineties,” reflects the narrator of A Cowrie of Hope, and for the young widow Nasula they are years of relentless economic hardship and privation. She dreams of a better life for her beautiful daughter, Sula, free from poverty and independent of marriage. But when Nasula finds herself unable to pay for Sula’s education, her hopes seem to have been extinguished – until a friend advised her to go to Lusaka and sell her last sack of highly sought-after Mbala beans. Nasula makes the journey, but in the city she finds herself exposed to new, and predatory, dangers.

    In A Cowrie of Hope Binwell Sinyangwe captures the rhythms of a people whose poverty has not diminished their dignity, where hope can only be accompanied by small acts of courage, and where friendship has not lost its value.

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