• You Are Dearly Loved

    When mama loses her only child to suicide, she is overcome with grief and depression. Knowing she needs all the help she can get, Maame is introduced to a support group where she meets parents who share the same fate as her. They share their stories as they embark on a path of healing from their losses.

    What could have made these young ones take their lives? Is suicide really the easy way out of hardships life throws at us?

    Follow the story of Maame who battles the prejudice of a Ghanaian society who blame parents for the suicide of their children and the grief that makes her suicidal.

    This book is for those who battle the abyss of depression and need a way out. It is for those who forget that suicide destroys not just the life taken but also the lives of the people left behind.

  • Tamara’s Forgiveness

    Home is supposed to be haven, home is supposed to be safety. When even a mission house does not hold peace, even sinners would wonder. Why did a sixteen-year old Preacher’s daughter have to bear her father’s weight every night only to be dressed up as a princess every Sunday morning? When a mother turned punching bag cannot even save her own daughter from the grips of a devil in God’s robe, the child takes matters into her own hands. She would not take it anymore; leaving home was her only option.

    With one destination in mind — the city — Tamara could live her life anew. What she was not told was the abundance of men like her father even in the civilized big city. Without Sister Mary, could she have held it altogether?

    Follow Tamara’s story in this page turner as she battles her devils, seeks revenge and finally finds forgiveness and freedom for her soul.

  • Sosu’s Call (Upgraded Version)

    Age Range: 12+ years

    Sosu’s Call, won the 1999 UNESCO 1st prize for Children’s and Young People’s Literature in the Service of Tolerance. It is listed as one of the top twelve titles of Africa’s 100 Best Books; and has been named an Honor Book for Young Children by the African Studies Association’s Children’s Africana Book Committee, as a contribution to accurate and balanced material on Africa for children.

    Beautifully illustrated, the story tells of Sosu, a young disabled boy who cannot walk. Sosu misses going to school and all the activities of the other children. His village is on a lagoon, and one day when everyone is away fishing, working in the fields or at school, he raises the alarm with his drumming, and saves the village from total destruction by the sea. His heroism is rewarded when a wheelchair is donated and at last he can go to school.

  • A Time to Part

    Age Range: 13+ years

    The Ayi Kwei Armah Novel 1st Prize” Award Winner, GAW Awards 2018 
    She’s chasing shadows, running from the past. He’ll be there to catch her when she falls.
    Seven years ago, Jasmine left everything she knew behind. Her mother was dead, her father was terminally ill, and she had broken Hagan, the only man who ever loved her. It was the perfect time to start over. Except she never left any of it behind. When an echo from the past and the search for a killer pull her back into the chaos, she’ll have to decide if letting go is too high a price to pay for her life.
    This is a story of second chances, of love that survives the worst, and the fight to hold on to the light, in the face of darkness.

    A Time to Part

    30.00
  • No Vengeance

    Age Range: 13+ years

    Colonel Barlow had cheated death many years back. He had been forced into exile by the man who had wanted him dead at the time of the uprising. He is back and must meet his adversary. He has returned with his son Kit, a battle tested soldier.

    Why does Sonday refuse to meet him face to face? Does he fear reprisal? And what is the cause of his nightmares? Meanwhile where is the blue diamond ring?

    No Vengeance

    40.00
  • The Side We Choose to See

    This book gives a breathtakingly vivid account of twelve stories of women who are incarcerated in Ghana, West Africa. The narration combines real life stories with a tinge of fiction to keep the reader continuously engaged to the point of falling off their seat, in shock. Each narration is unique with regards to the story line and draws out intricate details of how the crimes were perpetuated by the imprisoned women some of who still profess their innocence. Based on the stories beautifully narrated, relevant thoughts and lessons are drawn out based on the Author’s perspective. The reader is also given an opportunity to make judgements for themselves after immersing themselves into a particular story. The stories are different yet they are interwoven by one theme: Crime.
  • Infinite Roots

    “I must tell you my history,” Baba would roar, “the history you learn at school is not better than that which I have to tell you. My history concerns you directly, it is who you are, what you are, and what you’re going to become.”

    “…woven in an unbroken thread of prose…in a complex, digressive narrative that is like a set of Chinese boxes (or those Russian Matryoshka dolls), one laid inside another.” — Literary Review

    Infinite Roots follows the multi-generational story of a Ghanaian military family, composed through the eyes of a young daughter learning about her history and culture through the many stories of her parents and elders. This autobiographical novel spreads out across the 60s and 80s Ghana as the military family journeys from Wa to Tamale to Accra to Kumasi to Takoradi to Ho and more. As the young girl grows, she also begins to share her own re-tellings as her elders once did.

    “…it is an incredible survey of Ghanaian traditions, customs, superstitions and beliefs, as well as social and political history and the emergence of female education.” — Lee Oliver

    Infinite Roots

    80.00100.00
  • Prince of Monkeys

    Growing up in middle-class Lagos, Nigeria during the late 1980s and early 1990s, Ihechi forms a band of close friends in his neighbourhood. They discover Lagos together as teenagers whose differing ideologies come to the fore over everything from film to football, Fela Kuti to God, sex to politics. They remain close-knit until Ihechi’s girlfriend, is killed in an anti-government riot.

    Exiled by his concerned mother, Ihechi moves in with his uncle’s family, where he struggles to find himself outside his former circle of friends. Ihechi eventually finds success by leveraging his connection with a notorious prostitution linchpin and political heavyweight, and earning favour among the ruling elite.

    But just as Ihechi is about to make his final ascent into the elite political class, he encounters his childhood friends and experiences a crisis of conscience that forces him to question his motives and who he wants to be. Nnamdi Ehirim’s debut novel, Prince of Monkeys is a lyrical, reflective glimpse into Nigerian life, religion, and politics at the end of the twentieth century.

  • At Long Last

    *Available from 25 March, 2022

    Despite the challenges, Papa Koto and Mma Asibi take the hard decision. The move takes a wrong turn and Neri is forced to flee with his mother. With the family now apart, the future becomes uncertain. What will be the outcome?

    At Long Last

    50.00
  • Lagos to London

    A tale of two Nigerian students Remi Coker and Nnamdi Okonkwo from different backgrounds who leave the shores of Nigeria full of hope to further their education abroad. Remi from the prestigious Coker family is expected to return home after her law degree to run the family law firm and Nnamdi, frustrated by the federal university strikes plans to escape Nigeria and never return.

    The story follows their journey of newfound freedom, self-discovery, hope, unexpected turns, lessons, and the realities of life in the United Kingdom.

    Lagos to London

    85.00
  • The Madhouse

    A house brings two unique people together by the unlikeliest of chances. In their union, that of an almost priest and a prodigal daughter, two brothers whose bond transcend the laws of nature are born.

    André and Max have a seemingly blissful life until the boys start sharing dreams and their lives begin to unravel. Murderous thoughts, manic dreams, and their somewhat unbreakable wandering between reality and reverie, would lead them down unknown paths that threaten to severe their family ties.

    In this exhilarating and dreamy narration set against the backdrop of a tumultuous era of military rule in Nigeria, TJ Benson weaves a spellbinding tale about the clashes between cultures, the impact of fragile political situations on everyday people, and the lengths we are willing to go in order to save our loved ones. 

    The Madhouse

    135.00
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • The Shrinking Bowl

    Young girls in Ghana confront a challenging socio-economic environment. This novel is the story of one such girl’s life-journey, from childhood to middle-age, and the lessons of this journey. It is a sequel to the author’s first novel, Journey.

    “A delightful lifeworld weighted with history and almost untouched in African fiction…a world whose veneer of simplicity belies its tangled dark underbelly. The novel deftly combines the solace of familiarity with a mystery of memory and intimacy…quirky and endearing.” – Professor Helen A. Yitah, Dean, School of Languages, University of Ghana (UG) and Honourary Secretary, Ghana Academy of Arts and Sciences; former Head, Department of English, UG

    “This book is a tour de force of its genre; a journey of discovery through a cultural landscape in a fascinating part of Ghana. Difficult to put down even at the end.” – Nana Kwasi Gyan Apenteng, Communications Consultant; former President, Ghana Association of Writers

  • Maame

    In Aakonu, a small village on the coast of Ghana, life is a constant tussle between the reality of the mundane and the superstitions presided over by the local priestess. In this setup, girls in their puberty can only look forward to marriage—often to men old enough to be their fathers and already with other wives. Ahu, a young widow of eighteen, has no choice but to marry an older relative. What she does will change girls in her lineage forever. Through these beautifully told, lyrical stories about herself, her daughter Bomo, the beautiful but tragic Ebela, and the childless Aso, and others, Ahu introduces us to her community, and the beliefs and customs that keep its families together but in the end also stifles its girls futures.

    Maame

    38.00
  • Danger Express (Pacesetters)

    Where was he now? he (Ishmael) wondered…

    Gradually his mind began to clear…Slowly he started to put the shattering events of the recent past into place.

    There was something important he had to do. Had to…

    The lives of several important heads of state, VIPs and many others including children and the loveable Tom are in the balance. And time is running out for Ishmael.

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