• Night Dancer

    Night Dancer is set in Nigeria and tells the story of Mma and her stubborn mother, Ezi. Ezi’s unexpected death leads Mma to learn about her mother’s past and rethink the resentment and contempt she has held for her mother her whole life. Mma resents her mother who likes to say things twice like ‘dance-dance’and ‘happy-happy’ and won’t let Mma know wnaything about her father.

    Written in three parts, Chika Unigwe tells a beautiful story about what happens, why it happens and why everything is the way it is, and what happens thereafter.

    Night Dancer

    56.00
  • A-Files

    Nita’s (almost) perfect world has just been turned on its slightly ruffled but otherwise happy head. Now, not only does she have to endure living with Adesuwa, the world’s most overbearing sister, she has to go to school with her as well!

    Will Nita succeed at finding a place for herself at her new school or will she be totally blotted out by Adesuwa’s (totally ridiculous) popularity?

    A-Files is the first in a series of middle-grade children’s books by Victoria Afe Inegbedion. It follows the lives of teen sisters Nita and Adesuwa as they navigate life, school and family.

    A-Files

    55.00
  • Jungle Dance

    Jungle Dance is a euphemism for a myriad of issues, roles, relationships and routes. It is a picture of what the corporate world is – challenging but rewarding also. It captures feelings of despondency, rejection and confusion interlaced with the triumphs, friendships and love that two women experience in their corporate journeys.

    “Steeped in realism, yet fictional, emotional pet detached, almost biographical but not exactly that, a mishmash yet lucid – that’s what you get when you get an astute and observant corporate person doing a foray into fiction. You get real life drama in an imaginative narrative. Come let’s dance in this jungle of words.” – Nana Awere Damoah, Writer/Engineer

    “Petra takes on an uncommon theme like the corporate world and tells a story from the lenses of her own experiences. This is a fictional work that ends up being real, motivational and romantic!” – Ama Pratt, Broadcast Journalist

    “Riveting and gripping. A complete story about life in the corporate world and its vicissitudes — told with the sense of African love for family. A quintessential modern African story.” – Yaw Ofosu Larbi, Broadcast Journalist

    Jungle Dance

    55.00
  • Secrets Of The Bending Grove

    SHIKA AMENYO, a sensitive, inhibited woman from a respectable family, discovers that her cousin, SEFA GAMELI, has been keeping a terrible secret that is killing him. She embarks with him on a journey that is replete with shocking family scandals, betrayal and deep loss, but also restitution. Shika’s friends — MIYO, a fragile, unreachable soul, and SWEETIE, a shrewd spitfire on a mission — buttress her with much-needed support.

    The resilience of these three women comes from mastering the survival traits of the grove. They are bound by painful secrets from childhood that drive their relationships with the men in their lives: a pragmatist whose generosity will touch many women; a traitor hiding behind a priest’s collar; an ambitious man living a lie in order to secure his career; and a green-eyed wanderer who must allow himself to be tamed if he is to obtain the one thing he desires from this foreign land.

  • Scarlet

    For many generations, uncertainty and tension have pervaded both the people of Under The Sky and the wraiths of Kiriyanga, but they trudge on, while holding on to the little streaks of light at the end of this seemingly-never-ending tunnel – a prophecy that order would be restored on the Day of Scarlet. This imminent respite however, comes with stringent conditions: “ … until a woman drinks from the confluence of two rivers that do not mix, the Day of Scarlet will not come.”
    Scarlet is an inquiry into the absurdity of possessing absolute power or its pursuit thereof. With strong allusions to the Grecian myth of Zeun and Hades, and Yoruba myths of love triangles among gods as told of Osun, Ogun, and Sango, or Yemoja, Obatala, and Ogun, woven into and set in tales from Kikuyu lore, Alexander Emmanuel Ochogwu lends his voice to the conversations around politics and power-grabbing in Nigeria, Africa, and beyond

    Scarlet

    55.00
  • The Last Carver

    Ositadimma Amakeze has been heralded as the modern-day Achebe. In The Last Carver, he narrates the story of a community, their culture, and the need to always keep tradition alive.

    The Last Carver narrates the musings of the historian Mgbirimgba Atuegwu on the recent death of one of the most respected men in his community, the Omenka. From Mgbirimgba’s eyes, we are allowed to see the cultural practices of Umuokwe and the Igbos of South Eastern Nigeria in the early colonial period.

    “I knew Ositadimma Amakeze as a poet of unusual ability. The effect of that flair on his creative story is so evident from the beginning to the end of this amazing novel.” — Dr P-J Ezeh, Anthropological Linguist and Literary Critic, University of Nigeria, Nsukka

    “It is a brilliant, multi-layered story that encompasses a tale of ingenious portrayal of a culture on the threshold of extinction. A gazetteer of good backgrounds with a soupcon of nostalgic traditions, Amakeze joins the league of modern African cultural writers with a bang!” — Ijoma Onuorah-Anyakwo, Journalist

    The Last Carver is reliving Our Cultural Heritage to impact on the modern and future generation an everlasting knowledge of their identity. A very good ‘sociolinguihistoric’ masterpiece.” — Madubuko Ego Charity FCAI, Ph.D, Assistant Director FCT Education Resource Centre, Abuja

    “…an ideal for writers of African literature, with an excellent juxtaposition of the ‘Oyibo’ (English) and Igbo languages. He gives a different perspective to the Igbo scenario of “those days” with so much clarity that I feel as though I were present. It’s a must-read!” — Anastasia O. Chukwulete

    The Last Carver

    55.00
  • The Black Hermit (African Writers Series, AWS51)

    In this play, Remi, the first of his tribe to go to university, ponders whether or not he should return to his people. Or should he continue to be a black hermit in the town? Amidst the backdrop of a politically torn country, Remi himself is torn between his sense of tribalism and nationalism. This struggle runs deep, as he finds it at the heart of his afflictions between himself, his marriage and familial relations, and his greater sense of obligations to his people and the country. The overwhelming nature of these problems drives him into isolation as a black hermit. His self-imposed exile into the city leads him to find contentment in the Jane, his new lover, and nightly clubbing. However, after he is lobbied to return to the tribe, he must now confront the demons of his past.

    The Black Hermit was the first published East African play in English. The play was published in a small edition by Makerere University Press in 1963, and republished in Heinemann’s African Writers Series in 1968.

  • No Longer at Ease (African Writers Series, AWS3)

    Obi Okonkwo is an idealistic young man who, thanks to the privileges of an education in Britain, has now returned to Nigeria for a job in the civil service. However in his new role he finds that the way of government seems to be backhanders and corruption. Obi manages to resist the bribes that are offered to him, but when he falls in love with an unsuitable girl – to the disapproval of his parents – he sinks further into emotional and financial turmoil. The lure of easy money becomes harder to refuse, and Obi becomes caught in a trap he cannot escape.

    Showing a man lost in cultural limbo, and a Nigeria entering a new age of disillusionment, No Longer at Ease concludes Achebe’s remarkable trilogy charting three generations of an African community under the impact of colonialism, the first two volumes of which are Things Fall Apart and Arrow of God.

  • The Lovers (African Writers Series)

    The Lovers collects Head’s short fiction of the 1960s and 70s, written mainly in Serowe, Botswana, and depicting the lives and loves of African village people pre- and post-independence.

    An earlier selection called Tales of Tenderness and Power was published in the Heinemann African Writers Series in 1990, but this expanded and updated volume adds many previously unavailable stories collected here for the first time. Anthology favourites like her breakthrough The Woman from America and The Prisoner who Wore Glasses are included, leading up to the first complete text of her much translated title story.

  • A Grain of Wheat (African Writers Series, AWS36)

    Barack Obama, via Facebook: “A compelling story of how the transformative events of history weigh on individual lives and relationships.”

    The Nobel Prize–nominated Kenyan writer’s best-known novel

    Set in the wake of the Mau Mau rebellion and on the cusp of Kenya’s independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency. At the center of it all is the reticent Mugo, the village’s chosen hero and a man haunted by a terrible secret. As we learn of the villagers’ tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.

  • Every Man Is A Race (African Writers Series)

    ‘A man’s story is always badly told. That’s because a person never stops being born. Nobody leads one sole life, we are all multiplied into different and ever-changeable men.’ So it is with all the stories in this collection, which never make a definitive judgement on the individual life, but only suggest its possibilities.Set in Mozambique, the stories reflect the legacy of Portuguese colonialism and the tragedy of the subsequent civil war.Mia Couto’s first collection, Voices Made Night, was described as ‘lyrical’, ‘magical’ and ‘compassionate’ by the reviewers, who were unanimous in identifying a significant new talent from the continent. This volume confirms that judgement.

  • Money Galore (African Writers Series, AWS161)

    01

    This witty, extravagant but seriously intended satire marks the arrival of Ghana’s answer to T.M. Aluko. Abraham Kofi Kafu finds teaching a hard grind and lacking in rewards. He stands for the Liberation Party, the party of businessmen, landlords, smallholders and taxi drivers. As Minister of Internal Welfare, Kafu pursues his political career with a lively devotion to women, drink, gambling and skulduggery of various kinds and an almost total aversion to work unless it is devoted to some personal end. He is supported by a large cast: a crooked  but amiable contractor, Anson Berko; a less amiable and even more crooked contractor, Nee Otu Lartey; the Permanent Secretary, Mr Vuga, an ineffably dreary civil servant who strives to manipulate Kafu as he has manipulated previous Ministers but also turns out to be as crooked and so is subject to blackmail; the slimy Reverend Dan Opia Sese, who takes over as headmaster from Benjy Baisi and seduces Kafu’s maid. But even Kafu cannot get away with it for ever.

  • Mind Catcher – Hardcover

    Newsday called John Darnton’s Neanderthal “hair-raisingly believable” and The New York Times called The Experiment “complex and original [and] wholly engaging . . . a world where fiction pales before the unbelievable truth.” Now the Pulitzer Prize-winning journalist and author has done it again, in a story almost beyond imagining.

    New York City: A thirteen-year-old boy named Tyler lies in a hospital, his brain damaged in a tragic accident. By his bedside, his father stands helplessly, as two very different scientists take charge of the boy’s fate. One is a neurosurgeon, whose unorthodox experiments use computers to control a patient’s physical responses during surgery. The other is a researcher with experiments of his own, experiments so secret he can breathe them to nobody: his attempts to find the spark of human consciousness…and capture it forever.

    Together, they will produce a result beyond anything they could have conceived, sending Tyler far beyond the frontiers of medical science into an astonishing netherworld–a place no living person has gone before and from which one desperate person will try to bring him back….

    A spellbinding novel of science, technology, and the very stuff that makes us human, Mind Catcher is an unforgettable journey into the possibilities of the mind of man…and his soul.

  • Voices Made Night (African Writers Series)

    In this collection of stories, the Mozambican poet, Mia Couto, expresses, through striking poetic metaphors, the emptiness and absurdity of lives bound by poverty and subject to arbitrary incursions of extreme violence. The frustrated longing of the lipless snake catcher who surrounds his lady’s house with snakes; or the man who fears his wife is a witch and scalds her with boiling water, are caught in dual tension. In Voices Made Night, an African cosmology portrays a surreal world defined by its contradictions, set against a background of political instability.

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