• Lady Chatterley’s Lover

    What happens when a cultured bohemian feels stifled in a sexless marriage to her invalid husband?

    She takes on a lover…

    Constance Chatterley, the wife of Clifford Chatterley, finds herself trapped in a loveless and lifeless marriage. When her husband urges her to have a liaison with someone from their own class, Constance gets attracted to a man from the working class instead– an Oliver Mellors who is her husband’s gamekeeper– and takes him as her lover.

    Ina  society that reveres class difference, will an aristocrat woman be allowed her torrid love affair with a lowly man?

    A novel notorious for being pornographic and way ahead of its time, Lady Chatterley’s Lover brewed up quite a controversy when it was first published in 1928. It was only decades later, in 1960, that its unexpurgated edition could be openly published in the UK.

    Lady Chatterley’s Lover

    38.0040.00
  • Siddhartha: An Indian Tale

    This is the spiritual journey of a boy who follows his heart and goes through various lives to finally understand what it means to be enlightened. He experiences life as a pious brahmin, a Samana, a rich merchant, a lover, and an ordinary ferryman, to a father. Nether a practitioner nor a devotee, Siddhartha comes to blend in with the world, resonating with the rhythms of nature, bending the reader’s ear down to hear answers from the river…

    Siddhartha: An Indian Tale

    75.0080.00
  • The Son of Umbele: A Play in Three Acts

    “…the contents of the play revealed a brilliant mind at work in an attempt to deal with some basic ambiguities of human existence,” wrote Julius S. Scott Jnr. of Spelma College-Atlanta, when he saw an American production of The Son of Umbele.

    Indeed, this Ghana National Book Award winner has endeared itself to theatre enthusiasts as well as scholars since its premier at the Ghana Drama studio in 1972.

    Bill Marshall’s sensitivity to realities of the human existence and the conflicts of the mind is eloquently manifest in his writing, be it a novel, a TV Drama or a Stage play.

    The author appeared on the Ghanaian Arts scene in 1966 when he joined GBC-TV and helped to establish the Drama Department of the Television Station. He worked with the Corporation for several years, writing, production and directing plays for Television, He subsequently left for the private sector, working for Lintas Ghana Limited and in his own company, Studio Africain. In 1984, he was appointed the Director of the National Film and Television Institute (NAFTI) in Ghana.

    Other published works by the author are Novels: Bukom, Brother Man, The Oyster Man, Uncle Blanko’s Chair; Plays: Shadows of an Eagle, Stranger to Innocence Asana, The Crows and Other plays.

  • The Scarlet Letter (FingerPrint! Classics)

    “Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart!”

    In the seventeenth-century Puritan community of Boston, Hester Prynne is trapped, first into a loveless marriage and then into adultery.

    With the scarlet letter ‘A’—signifying an adulteress—fixed on her bosom, she is brought out of the prison and made to stand on the scaffold with her infant.

    What happens when Hester, in spite of being
    publicly shamed by the crowd and repeatedly
    urged by a young priest, refuses to reveal
    the identity of her daughter’s father?

    A tale of sin, punishment and atonement, Nathaniel Hawthorne’s The Scarlet Letter exposes the moral rigidity and double standards of the society. One of the first mass-produced books in America, it became an instant bestseller on its first publication in 1850. it continues to remain Hawthorne’s masterwork.

  • The Importance of Being Earnest & Other Plays (Macmillan Popular Classics)

    Around the World in Eighty Days, one of his most popular books, was first serialized in late 1872 in a French newspaper. An instant success, the novel details the round-the-world adventures of the affluent Englishman Phileas Fogg who, accompanied by his French valet Passepartout, sets out on an impossible journey for a wager of £20,000. This groundbreaking novel has since been adapted numerous times for the theatre, television, radio and cinema.

  • Esio Trot (Roald Dahl)

    Age Range: 7 – 11  years

    “A true genius . . . Roald Dahl is my hero” David Walliams

    Phizzwhizzing new cover look and branding for the World’s NUMBER ONE Storyteller!

    This is the wonderful and warm-hearted Roald Dahl classic, Esio Trot.

    Mr Hoppy really loves his neighbour Mrs Silver, and Mrs Silver really loves her tortoise, Alfie. One day Mrs Silver asks Mr Hoppy how to make Alfie grow, and suddenly Mr Hoppy knows the way to win her heart. With the help of a magical spell and some cabbage leaves, can Mr Hoppy be happy at last?

  • More About Boy (Roald Dahl)

    Age Range: 7 – 11  years

    “A true genius . . . Roald Dahl is my hero” David Walliams

    MORE ABOUT BOY contains a wealth of new photos, facts and writings about Roald Dahl and his childhood, together with the original text and illustrations from his much-loved memoir.

    As a boy, all sorts of unusual things happened to Roald Dahl.

    There was the time he and four school friends got their revenge on beastly Mrs Prachett in her sweet shop.

    There are stories of holidays in fishing boats, African adventures and the days of tasting chocolate for Cadbury’s.

    You’ll hear tales of horrible school bullies and the car accident when Roald’s nose was nearly sliced clean off . . Now you can discover even more about Roald Dahl’s childhood, including some secrets he left out. Some are painful, some are funny, but all of them are TRUE.

  • Boy (Roald Dahl)

    Age Range: 7 – 11  years

    “A true genius . . . Roald Dahl is my hero” David Walliams

    Phizzwhizzing new cover look and branding for the World’s NUMBER ONE Storyteller!

    BOY, Roald Dahl’s bestselling autobiography, is full of hilarious anecdotes about his childhood and school days, illustrated by Quentin Blake.

    As a boy, all sorts of unusual things happened to Roald Dahl. There was the time he and four school friends got their revenge on beastly Mrs Prachett in her sweet shop.

    There are stories of holidays in fishing boats, African adventures and the days of tasting chocolate for Cadbury’s.

    You’ll hear tales of horrible school bullies and the motor-car accident when Roald’s nose was nearly sliced clean off . . .

    Roald Dahl vividly shares his memories; some are funny. Some are painful. Some are unpleasant. All are true.

  • Boy and Going Solo (Roald Dahl)

    Age Range: 7 – 11  years

    Boy and Going Solo is the whole of Roald Dahl’s extraordinary autobiography in one volume.

    Reissued in the exciting new Roald Dahl branding.

    Roald Dahl wasn’t always a writer. Once he was just a schoolboy. Have you ever wondered what he was like growing up?
    In BOY you’ll find out why he and his friends took revenge on the beastly Mrs Pratchett who ran the sweet shop. He remembers what it was like taste-testing chocolate for Cadbury’s and he even reveals how his nose was nearly sliced off.

    Then in GOING SOLO you’ll read stories of whizzing through the air in a Tiger Moth Plane, encounters with hungry lions, and the terrible crash that led him to storytelling.

    Roald Dahl tells his story in his own words – and it’s all TRUE.

  • Stranger to Innocence – A Play

    Stranger to Innocence is an intriguing short play, which treats the daily motions, frustrations, joys and aspirations of an African priestly family. This is the house where a stranger, Tawa, who has been fleeing from his own sins, seeks to find refuge. In the end, lessons of remorse and forgiveness are yet to be fully understood especially by young minds like Alaba, daughter of the priest.

    The play exhibits the author’s artistic simplicity in the use of dramatic language, which has endeared this play to wide theatre audiences.

    It is not surprising that it is popular among many drama groups and schools in the country.

    Stranger to Innocence is one of Bill Marshall’s early plays, from which a lot of inspiration is drawn.

  • Shadow of An Eagle – A Play

    “Hope and Desire alone have no virtue. It is the fulfilment of our aspirations that brings satisfaction.”

    This quote from the play, Shadow of An Eagle, evidently reveals Bill Marshall’s depth as a playwright.

    The play depicts the lifestyle of an African family in peculiar circumstances in a rural setting. It explores the tension and feeble frustrations, which can occur in a family.

    Being one of the earlier plays of Bill Marshall, which were widely patronized by schools and colleges and broadcast on the BBC African Theatre, Shadow of An Eagle uses the symbolism of the eagle in Ghanaian mythology to highlight the need for the youth to aspire to higher heights.

    Just like the hero who refuses to relapse into degeneration, which he finds at home on his return from his foreign exploits, Bimpo hopes that members of his family would shed their past frustrations, brace themselves up and take to the sky like eagles.

  • Edufa – A Play

    “Ask the town. They know who Edufa is and what he’s worth. They can count you out my value in the houses that eat because I live. They rise in deference from their chairs when they say my name. And can a man allow himself to lose grip on that?”

    Edufa’s obsession with maintaining his position of privilege leads him to barter his wife’s life against loss of prestige.

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including The Marriage of Anansewa.

  • The Marriage of Anansewa – A Play

    Anansewa: As for some old chief with fifty wives, that won’t do at all.

    Ananse (with cunning): Supposing it isn’t some old chief but the finely built, glowing black, large-eyed, handsome as anything, courageous and famous Chief-Who-is-Chief?

    Ananse the cunning spider man is the hero of countless Ghanaian legends. But this Ananse gets entangled in his own web of deceit when his scheme to get rick quick backfires, and disaster stares him in the face. The only way out is for his daughter to die…

    Efua T. Sutherland did a great deal to encourage the theatre in Ghana. She began the Ghana Experimental Theatre and the Ghana Drama Studio, and wrote many plays for adults and children, including Edufa.

  • The Night Manager (Penguin Readers Level 5)

    Age Range: 12 – 17  years

    Jonathan Pine is the Night Manager of a hotel in Egypt. When he is shown some secret information, he passes it to a man in the British government. But things go wrong and the woman he loves dies. Pine is very angry and agrees to work with others to catch Roger Roper – the “worst man in the world”.

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    The Night Manager, a Level 5 Reader, is B1 in the CEFR framework. The text is made up of sentences with up to four clauses, introducing present perfect continuous, past perfect, reported speech and second conditional. It is well supported by illustrations, which appear regularly.

  • The Kissing Booth (Penguin Readers Level 4)

    Age Range: 12 – 17  years

    Elle has one more year of high school left and she has never been kissed. When she decides to make a kissing booth for the school carnival, she kisses Noah, her best friend Lee’s brother, and her life changes. But Noah is older than Elle, and Lee will not be happy. Will Elle listen to her head or her heart?

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    The Kissing Booth, a Level 4 Reader, is A2+ in the CEFR framework. The text is made up of sentences with up to three clauses, introducing more complex uses of present perfect simple, passives, phrasal verbs and simple relative clauses. It is well supported by illustrations, which appear regularly.

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