• Ghana: An African Portrait Revisited (Photo Book, Hardcover)

    Ghana: An African Portrait by the American photographer Paul Strand was published in 1963 at the request of Kwame Nkrumah. It became a classic but is now out of print. Over 40 years after that landmark work, and coinciding with the 50th anniversary celebrations of Ghana’s independence, the country is documented again as it enters the 21st century.

    With more than 150 photographs, this book presents Ghana at a historic moment in time remembering its past and tradition, while looking ahead to a bright future. Six photographers with six points of view of working present a unique portrait of the country, through these photographs. From Accra to Bolatanga, and Elmina to Aflao, these are images of a country that is changing yet still retains much of its traditional character.

    There are photographs of bead makers, wood carvers, kente weavers and coffin makers; and of Ghana’s unique fishing industry, its historic slave forts, outdoor markets, and the diverse religious community. And at the same time, a country poised to compete in world markets is seen through Accra’s rising skyline buildings and Tema’s modern port facilities. Abena Busia’s essay provides a capsule history of the country.

  • Ghana: The Autobiography of Kwame Nkrumah (Hardcover)

    The moving, human story of Kwame Nkrumah’s life from childhood to his dynamic leadership of the liberation struggle and the attainment of Ghana’s independence in 1957.

    A personal account of the African liberation struggle, this book was first published on March 6, 1957, to mark the day of Ghana’s Independence, a day which signalled the launching of the wider Pan-African struggle for the liberation of the entire African continent. As the leader of the movement for independence, Nkrumah provides an illuminating discussion of the problems and conflicts along the way to political freedom, and the new prospects beyond.

    This book is essential for understanding the genesis of the African Revolution and the maturing of one of its outstanding leaders.

  • Ghana’s 2012 Presidential Election Petition

    The story of the presidential election petition as it unfolded outside and inside the courtroom is graphically retold by the author of this book in a straightforward and memorable manner. If you were not among the audience in the courtroom or if you were not a constant watcher of the TV during the hearing of the petition, or if your understanding of the legal process is limited, this book is your best story teller of all that happened.

    The author, although a lawyer of many years standing, and a very well-known politician, has not written  book on law or politics. His several books deal with history, chieftaincy, culture and conflict in Dagbon. This is his first time of venturing into the politico-legal field. And he has done it well.

    Even though the book is intended to tell the story of Ghana’s 2012 presidential election petition, it equally deals with the politics of Ghana and the country’s electoral laws. The book is therefore recommended not only for people who want to know the story of the election petition, but also to politicians and first year law students as well as people interested in law. The book will inspire them.

  • God Bless Our Homeland Ghana: Understanding, Appreciating and Living by the Principles of Our National Anthem

    The school prefect stood straight before his mates and gave a simple command. At once, like the eruption of thunder, the students began to sing: God Bless Our Homeland Ghana … and they sang it religiously.

    This ritual is repeated throughout the country routinely-in schools, at conferences, on soccer pitches, at durbars, on radio and television, and even as caller-tunes. But what does the national anthem really mean? What role does it play on our national psyche?

    The author shows how relevant the national anthem is to us. He believes that it evokes patriotism and fellow-feeling, but it also tests our words and actions.

    In his down-to-earth manner of writing, the author invites you to journey with him along the poetic phrases and lines of all three stanzas of the Ghana National Anthem. Enjoy this literary-style exposition and commentary, the hidden meanings and implications of the anthem, and their links to certain sacred songs of the land such as the national pledge.

  • Heritage Pack: Ghana Our Motherland (6 books)

    Age Range: 8 years and above

    A set of five books for young ones and anyone looking for a quick and easy appreciation about the country Ghana: its history, culture, traditional systems, languages, people, food and more!

    These books provides basic education about Ghanaian history, cultural practices and heritage for the Ghanaian child. Though they will prove useful for every Ghanaian (as well as non-Ghanaians), they are especially beneficial for parents who are keen on educating the Ghanaian child in the diaspora.

    These books give a foundation of Ghanaian history and cultural practices to enable readers understand and appreciate Ghanaian heritage.

    There is a bonus book that talks about Africa!

  • Highlife Time 3

    Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.

    The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
    The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.

    The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.

    There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.

    Highlife Time 3

    250.00
  • Hijacked: 1000 Days’ Harrowing Experience in the Hands of Somali Pirates

    Six months into a 10-month contract with Azal Shipping & Cargo, LLC, Dubai, on March 29, 2010, Jewel Ahiable and 23 other crew members aboard MV Iceberg 1 were hijacked by Somali pirates and held captive for 1000 days. The vessel ran aground. Food, water, medical supplies—all ran out. A crew member lost his life and another went missing. All attempts to get a ransom failed the captors. But their brute determination to amass fortune deafened their ears to the cry of innocent humans and the poor.

    HIJACKED! recounts the torturous ordeal and near-death experiences during the captivity until the intervention of the Puntland Maritime Police Force secured their release on December 23, 2012.

    It is the story of one of the longest held piracy victims. It is the story of piracy victims abandoned by their employer, respective countries and the world community. It is the story of the miraculous intervention of Divinity in the affairs of hopeless men.

  • Hilla Limann: Scholar, Diplomat, Statesman – A Biography

    Prof Ivan Addae-Mensah’s biography of Dr. Hilla Limann is a masterpiece.  It comprehensively fills a gap in a period of our history that not much has been written on. For those scholars, students, politicians, researchers, interested in the governance, political history, economic development and international relations of Ghana, this is a must read. — His Excellency D.K. Osei (Former Ghana Ambassador to Denmark and the Scandinavian Countries, Former Secretary to Ex- President J.A. Kufuor and Diplomat in Residence, Legon Centre for International Affairs and Diplomacy) 

    The greatest value of this biography lies in the fact that this is a contribution by a person who was first and foremost a friend, and also worked closely with him before, during and after his presidency. Addae-Mensah’s Hilla Limann validates the ancestral saying that: “life is lived but understood backwards.” It contributes toward finding leadership and governance in Africa. To be African is to derive pain from this biography. It shocks and traumatizes. Who are we? Was independence worth it? What was the struggle about and for? Reading this biography shows the urgent need for an energizing vision to get rid of the demons of despair and redeem the worth of Africa for Africans. — Nana Kobina Nketsia V (Senior Lecturer in History, University of Cape Coast and Omanhen of Essikado Traditional Area) 

    We should honour those who have laboured hard for Ghana and not for self. It is no use preaching against corruption when those who are not corrupt have nothing but penury to show when they leave office. The example of Dr Limann would be of no avail unless it strengthens our will to establish an appropriate pension for retired presidents. — Ambassador K.B. Asante (Public Servant, Diplomat, Educationist, Politician)

  • History of Ashanti by Otumfuo, Nana Osei Agyeman Prempeh II (Hardcover)

    History of Ashanti is unusual, perhaps unique, in that it provides a long historical account of the great West African forest kingdom of Asante by a ruler of that society. Thus, it is African history written by an African king and his assistants. This is, without a doubt, a very important document for historians of Africa. It has too a much wider resonance at the present time: here the Asante ‘voice’ is speaking directly to all those across the globe who claim ancestral links to the African continent, and who are still engaged in the struggle to define, to strengthen and to assert their identities in a world that long discounted the value, or even the existence, of their historical experience.

  • History of the Gold Coast and Asante

    First published in 1889, this history became an out-of-print classic, and is now brought back into print. The work has been used as an authority in the Law Courts of Ghana, where customs and their usages are relevant to interpretation of the law. The author (1834-1917) stated his purpose as the need for such a history by a Ghanaian, conscious of the customs and tradition of the people. He himself, a distinguished medical practitioner, was a key actor in some of the pre-colonial wars.

    Twenty-nine chapters are arranged chronologically. Chapter 1 covers a short description of the Gold Coast; the Kingdom of Guinea; expeditions sent by Pharaoh Necho and the Carthiginians; F. Romber’s reference to the Kingdom of Benin; traditional accounts of emigration to the coast; tribes assumed to have been the aboriginal races on the coast, and their conquest. The period covers BC600-750 and AD1400-1700.

    Chapter 29 covers 1851-1856: administration of justice according to English law & its effects; imposition & collection methods of a poll tax, and conspiracy to refuse payment; bombardment of Christiansborg, Labadi and Teshi; peace and the rebuilding of Christiansborg.

  • I Am Still With You

    “Epic and intimate.” – Margo Jefferson, Author of Negroland

    Emmanuel Iduma never met his uncle, his father’s favourite brother and the man for whom he is named. The elder Emmanuel left home in 1967 to fight in the Biafran War and was not seen again. The war lasted for three years, with young Igbo men volunteering to fight for a breakaway republic in the chaotic wake of British decolonization. Around one hundred thousand others who fought in the war shared similar fates to Emmanuel’s uncle, though there are no official records of these losses. The tensions that gave rise to the conflict remain, threatening sometimes to bubble over. In this landscape, there are no monuments or graves. Instead, a collective remembering remains, for the most part, silent.

    I Am Still With You sees a young Nigerian return to his country of birth. Travelling the route of the war, Iduma explores both a national history and the mysteries of his own family, finding both somewhat scarred and haunted, the memories warped by time and the darkest parts left for decades unspoken.

  • I Speak of Freedom

    A selection from the speeches of Kwame Nkrumah up to 1960, linked by narrative.

    The main theme is Ghana’s independence, political freedom preparing the way for a socialist programme of economic and social development, and an intensification of the struggle for the total liberation and unification of the African continent.

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