SeedTime: Selected Poems I

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In memory of all the Ancestral Voices who prepared the field for our SeedTime…

SeedTime I brings together Selected Poems from Kofi Anyidoho’s first five collections, beginning in reverse order with poems from AncestralLogic & CaribbeanBlues (1993), A Harvest of Our Dreams (1984), EarthChild (1985), Elegy for the Revolution (1978), and BrainSurgery (1985). BrainSurgery, the earliest of these collections, was never published as a collection until it came out together with EarthChild (Woeli Publishing Services, 1985), even though several of the poems had appeared in various journals, magazines and anthologies.

SeedTime: Selected Poems I is a backward glance to those magical years of birth waters flowing across a landscape filled at once with danger and hope, with dying and rebirth in the mystery and miracle of new beginnings so soon after countless brushfires. But the doubt returns again so close behind the hope as we offer trembling prayers in new poems from an old loom: See What They’ve Done To Our SunRise. Yet, somehow, we must open our minds and souls to the Forever Promise of New SeedTimes. This world cannot, must not crumble under our watch.

“Quintessential Anyidoho…a harvest of the master craftman’s gems across time and space. SeedTime brings a refreshing newness to old songs, and, for new ones, a touch of creative genius we have come to associate with the poet’s pedigree; a timeless legacy of a poet-laureate, whose voice waxes even stronger in his twilight years.” − Mawuli Adjei, author, poet and literary scholar

“A collection of haunting poems in which we SEE the turbulent variety of our history, and HEAR the English language teased to express the many rhythms of the African’s eternal homesickness.” − Prof. A. N. Mensah, Department of English, University of Ghana

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Weight 0.42 kg
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Kofi Anyidoho

For the distinguished Ghanaian poet, scholar and educator, Kofi Anyidoho, 'poetry is no longer a textual art bound to the written/printed page. It is fully liberated from the distancing effect of print technology.' His direct involvement with the production of poetry as 'full drama' began when the Ghana National Commission on Children, chaired by the well-known dramatist Efua Sutherland, invited me to plan and direct an appropriate literary- dramatic program for children from selected schools in Accra as part of a flag-raising ceremony at the O.A.U Monument in 1984 to mark O.A.U. Day in the Ghanaian capital. From then on, Anyidoho has gone on to produce and perfect a performance mode that is returning written African poetry to its dramatic oral roots.

Kofi Anyidoho has written and performed an impressive number of poems. In addition, he has published extensively on issues related to recent critical debate on African Literature. He teaches at the University of Ghana, Legon.

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SeedTime: Selected Poems I

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