• TSOO BOI: The Voices That Protest

    Amidst the Black Lives Matter movement, the End Sars revolution and the Fix the Country demand, TSOO BOI digs deep into the legacy of protests in the history of black people, and the potency of hashtags as a protest tool in the modern and digital age. This collection of essays, short stories and poems wrestles with our present reality, fleshes out the regressive parts, and imagines a better future.

    Reflecting on the past, present and future, 17 contemporary Ghanaian writers speak on topics such as respectability politics, queerphobia, the Ghanaian dream, decolonization and climate change.

    TSOO BOI is a shout for action, attention and coordination.

    Contributing writers include Ivana Akotowaa Ofori, Fui Can-Tamakloe, Najat Seidu, Adjoa Kedea, Edem Azah, Fiifi Buabeng-Baiden, Priscilla Arthur, Eev, Nahaja Adam, Akuvi Aguedze, Ama Afrah Appiah, Gabriel Awuah Mainoo, Mighty Yaw Apasu, Henrietta Enam Quarshie, Grace Mensah-Fosu, Ago Serwaa and Henneh Kyereh Kwaku. With cover art by Afia Prempeh.

  • Chicken Wings at the Altar

    Chicken Wings at the Altar, seasoned with French translation, is a potpourri of well-seasoned verses recreating events in the now moment with vivid images. It underscores the festiveness in the eerie air of excitement of the Christmas season and beyond, viz New Year. You’ll find before you replay every single happenstances of Christmas including those beautiful sceneries you never thought could be attended to, all well captured in the pristine haiku and senryū forms. — Taofeek Ayeyemi, Editor, Idanre Haiku Review, Port Harcourt, Nigeria

    At times playful, at times painfully poignant, Chicken Wings at the Altar takes familiar images and themes of Christmas and subverts and represents them in ways that both startle and satisfy. The collection captures the contrasting moods and melancholia of the festive period, in sensitively observed, acutely expressed scenes. — Paul Chambers, Editor, Wales Haiku Journal, Newport, Wales

  • 60 Aces of Haiku

    In 60 Aces of Haiku, Gabriel Awuah Mainoo does the job of an ace sport photographer. However, Mainoo does not need a camera to create the beautiful images offered in the anthology, he conjures his images from the tip of his pen onto paper using words and makes them come alive in our mind eyes! Each poem in the anthology captures specific moments in court tennis game using a merger of tennis lexicon and images called up from nature.

    The sweet thing about these poems is that one may not need to rack one’s brain working out the mathematical equation of meaning in the poems, as the tennis lexicon that may pose a barrier to meaning are explained off in footnotes; these make the conceits become easily discernible, and they allow the reader enjoy the anthology as he is able to run through the poems with ease. The conceits conjured up in the poems are amazing and amusing at the same time; even when they capture moments of loss in the tennis game.

    Ubaji Isiaka Abubakar Eazy, Memorilla Review, Somaliland

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