• Abusua Pa Jigsaw Puzzle: Elmina Castle (140/216 Puzzle Pieces) – Pre-Order

    Elmina Castle, also known as St. George’s Castle, is a historic fortress located in the town of Elmina in the Central Region of Ghana. It was built by the Portuguese in 1482 and is recognized as the oldest European-built structure in sub-Saharan Africa.

    The castle was originally constructed as a trading post for the Portuguese to establish and maintain their presence in the region. It served as a major hub for the transatlantic slave trade, with thousands of enslaved Africans passing through its doors on their way to the Americas.

    Elmina Castle played a significant role in the colonial history of Ghana. It changed hands several times, with the Dutch capturing it from the Portuguese in 1637, and later the British taking control in 1872.

    Today, Elmina Castle is a UNESCO World Heritage site and a powerful symbol of the transatlantic slave trade. It attracts visitors from around the world who come to explore its dungeons, learn about its history, and reflect on the profound impact of slavery on Africa and the African diaspora. Guided tours are available to provide insights into the castle’s dark past and the harsh realities faced by those who were held captive within its walls.

  • Abusua Pa Jigsaw Puzzle: Fort William (216 Puzzle Pieces) – Pre-Order

    Fort William, originally known as Fort Anomabo, is a historic fortress located in Central Region of Ghana. During the 19th century, under the command of Brodie Cruickshank, the fortress was renamed Fort William in honour of King Charles II.

    Constructed primariily using local resources, this remarkable stronghold earned the reputation of being one of the most splendidly designed and sturdily built fortresses along the coast.

    Throughout its existence, it served diverse purposes. Initially functioning as a rest house and a post office, Fort William underwent a transformation and was repurposed as a state prison, a role it fulfilled until 2001. Today, the fort has undergone another metamorphosis and currently serves as a community library, enriching the lives of the people of Anomabu. This conversation not only preserves its historical significance but also stands a a beacon of knowledge and learning within the local community.

  • Abusua Pa Jigsaw Puzzle: Fort Amsterdam (216 Puzzle Pieces) – Pre-Order

    Fort Amsterdam is a historic fort located in the town of Abandze in the Central Region of Ghana. It was built by the Dutch in 1638 as a trading post for gold and ivory, and later served as a slave trading station.

    The fort was strategically located on a hill overlooking the Atlantic Ocean, allowing the Dutch to have a clear view of incoming ships. It was also built with stone walls and cannons to protect against attacks from rival European powers and indigenous groups.

    During its occupation by the Dutch, Fort Amsterdam was an important center for the transatlantic slave trade, with thousands of Africans passing through its gates before being shipped off to the Americas.

    Today, the fort is a popular tourist attraction and a reminder of Ghana’s colonial past. Visitors can tour the grounds and learn about the fort’s history through exhibits and guided tours.

  • Abusua Pa Jigsaw Puzzle: Chief Dancing (140/216 Puzzle Pieces) – Pre-Order

    A Chief’s Dance in Ghana holds great cultural significance as a symbol of the chief’s authority, heritage and community unity. It preserves Ghanaian traditions and passes down ancestral knowledge. The dance has ritual and spiritual elements and honours ancestors and historical lineage.

    It showcases cultural identity and attracts tourists, promoting cultural pride and understanding. The Chief’s Dance plays a vital role in Ghanaian society, connecting the past with the present and ensuring the continuity of cultural heritage.

  • Abusua Pa Jigsaw Puzzle: The Black Star Square (216 Puzzle Pieces) – Pre-Order

    Independence Square, also known as Black Star Square, is a landmark in Accra, Ghana, with historical and cultural significance. It serves as the venue for Ghana’s Independence Day celebrations and features symbolic elements like the Independence Arch and the Independence Square Monument. The square is one of the world’s largest and can accommodate large gatherings. It has surrounding landmarks and is open to the public for recreational activities. Independence Square holds historical significance as the site where Ghana proclaimed its independence from British colonial rule in 1957. It stands as a symbol of national pride and hosts events that commemorate Ghana’s freedom.

    The soldier facing the Independence Arch in Ghana symbolizes the country’s struggle for independence and its emergence as the first sub-Saharan African nation to gain freedom from British colonial rule. The soldier represents the Ghanaian military’s dedication to protecting the nation’s sovereignty and symbolizes the courage and sacrifice of the people in their fight for self-rule. It serves as a reminder of Ghana’s commitment to preserve its independence, uphold values of freedom and democracy, and promote national unity. Overall, the soldier facing the Independence Arch represents the historical significance of Ghana’s independence, the contributions of the military, and the ongoing commitment to safeguard the nation’s sovereignty.

  • Falls in Ghana: Unified Guide Book (Chasing Waterfalls with Steve Ababio & Gina Arthur)

    This is a guide based on our experience – designed to help you get out and go have your waterfall adventure. This book details our experiences on and off the road, encounters, processes, ease of access and what sight awaits you.

    This guide will help reduce the unknown variables and provide some structure in terms of what to expect and what approaches to take on your journey as you interact with different communities.

    The stories and experiences shares should also help boost your confidence and encourage you to make a plan and embark on a waterfall chase of your own!

  • Baffour Osei Akoto: A Royal Patriot and the Making of Ghana (Hardcover)

    Foreword by President John Agyekum Kufuor

    This book is primarily composed of speeches presented at the 16th edition of the annual Re-Akoto Memorial Lectures held at the Kwame Nkrumah University of Science and Technology in Kumasi. The Re Akoto Memorial Lectures, instituted by His Majesty Otumfuo Osei Tutu II, life patron of the Students’ Representative Council (SRC) of the Ghana School of Law, seeks, amongst other things, to promote research, study and educate the citizenry on the development of Ghana’s constitutional democracy and human rights. Over the years, it has been presented by a good number of eminent Ghanaians and through which they have illuminated various spheres of life, especially issues regarding law and fundamental human rights, which are the key components that form the genesis of the famous Re-Akoto Case.

    The presenters included Kwame Pianim, one of Ghana’s eminent economists; Maxwell Opoku-Agyemang, then-acting Director of the Ghana School of Law; Chief Justice Kwasi Anim Yeboah and Attorney-General Godfred Dame. Prof Mike Aaron Oquaye, a veritable political scientist and accomplished politician, knitted the strains together to discuss how Baffour’s strides and successes reaffirmed the liberal democratic political philosophy of the New Patriotic Party (NPP). He indicated that human beings have a dignity that must be protected and that dictatorial tendencies must not be accepted. Finally, provided a historical trajectory of Ghana’s stint with an authoritarian regime focusing on the country’s post-independence one-party political system.

    “Baffour excelled in this career as an Asante diplomat, a valuable repository of Asante and Ghanaian social, cultural and political history, and a defender of the power of traditional leadership in the face of the onslaught of modern post-colonial politics in Ghana.” – His Majesty Otumfuo Osei Tutu II, Asantehene

  • Beyond the Political Spider: Critical Issues in African Humanities (African Humanities Series)

    Beyond the Political Spider: Critical Issues in African Humanities by Kwesi Yankah is the first title in the newly established African Humanities Association (AHA) publication series.

    By integrating his own biography into a critique of the global politics of knowledge production, Yankah, through a collection of essays, interrogates critical issues confronting the Humanities that spawn intellectual hegemonies and muffle African voices. Using the example of Ghana, he brings under scrutiny, amongst others, endemic issues of academic freedom, gender inequities, the unequal global academic order, and linguistic imperialism in language policies in governance.

    In the face of these challenges, the author deftly navigates the complex terrain of indigenous knowledge and language in the context of democratic politics, demonstrating that agency can be liberatory when emphasising indigenous knowledge, especially expressed through the idiom of local languages and symbols, including Ananse, the protean spider, folk hero in Ghana and most parts of the pan-African world.

    “Fascinating snapshots from an engaged scholarly life in Africa, valuable as an archival resource for the understanding of this period of higher education in Africa.” – John Higgins, Arderne Chair in Literature, Department of English Literary Studies, University of Cape Town

    “This book is unique and gives a powerful rendition of the state of the Humanities in Africa (with Ghana as a case in point). It grapples with some of the pertinent issues dogging the Humanities in Africa. It comments on the Humanities scholarship in Africa, and subtly throws a challenge for future scholarship. It draws on African traditions, communal heritage, and governance in discussing the role and place of the Humanities in Africa. It also brings into the analysis the ever-changing imperatives and modernity in re-configuring African Humanities.” – Mark Benge Okot, Head of Department, Literature, Makerere University, Uganda

    “Beyond the Political Spider’ effectively draws, in a unique fashion, from literature, history, linguistics and other cognate disciplines in the African Humanities.” – Sati Umaru Fwatshak, Department of History, University of Jos, Nigeria

  • ‘The History of Ashanti Kings and the Whole Country Itself’ and Other Writings

    The History of Ashanti Kings and the Whole Country Itself is a key text for understanding the history of the great West African kingdom of Asante (now in Ghana). It is also an early–and perhaps the earliest–example of history writing in English by an African ruler and his amanuenses. It was begun in 1907 in the Seychelles on the instructions of the Asantehene Agyeman Prempeh I, who had been in British captivity with his family since 1896, during which time he had acquired proficiency in English.

    The chief source of information was his mother the Asantehemaa Yaa Kyaa, who possessed an encyclopaedic knowledge of the oral history of her own lineage, which was also the royal dynasty of Asante. The result is an indispensably detailed document that charts the history of the Asante monarchy from the seventeenth to the nineteenth centuries. Context is provided by the inclusion of other writings by or about Agyeman Prempeh, together with four introductory essays by the world’s leading scholars of Asante history.

    This fascinating volume evokes the rich historical experience of a renowned kingdom, and is of compelling interest to all concerned with the production of indigenous historical knowledge in Africa.

  • The Fall of The Asante Empire: The Hundred -Year War for Africa’s Gold Coast

    In 1817, the first British envoy to meet the king of the Asante of West Africa was dazzled by his reception. A group of 5,000 Asante soldiers, many wearing immense caps topped with three foot eagle feathers and gold ram’s horns, engulfed him with a “zeal bordering on phrensy,” shooting muskets into the air. The envoy was escorted, as no fewer than 100 bands played, to the Asante king’s palace and greeted by a tremendous throng of 30,000 noblemen and soldiers, bedecked with so much gold that his party had to avert their eyes to avoid the blinding glare. Some Asante elders wore gold ornaments so massive they had to be supported by attendants. But a criminal being lead to his execution – hands tied, ears severed, knives thrust through his cheeks and shoulder blades – was also paraded before them as a warning of what would befall malefactors. This first encounter set the stage for one of the longest and fiercest wars in all the European conquest of Africa. At its height, the Asante empire, on the Gold Coast of Africa in present-day Ghana, comprised three million people and had its own highly sophisticated social, political, and military institutions. Armed with European firearms, the tenacious and disciplined Asante army inflicted heavy casualties on advancing British troops, in some cases defeating them. They won the respect and admiration of British commanders, and displayed a unique willingness to adapt their traditional military tactics to counter superior British technology. Even well after a British fort had been established in Kumase, the Asante capital, the indigenous culture stubbornly resisted Europeanization, as long as the “golden stool,” the sacred repository of royal power, remained in Asante hands. It was only after an entire century of fighting that resistance ultimately ceased.

  • Men Across Time: Contesting Masculinities in Ghanaian Fiction and Film

    Men Across Time: Contesting Masculinities in Ghanaian Fiction and Film examines the various constructions and manifestations of masculinities from precolonial, colonial, independent and post-independent Ghana as portrayed in selected Ghanaian fiction, film and music videos. Two main questions are engaged here:

    • What predominant masculine images are present in Ghanaian texts?
    • In what ways has the passage of time affected the subversion of dominant masculine images, contested hegemony and created room for the presence of alternative masculinities?

    This book submits that in questioning the various masculine modes of behaviours portrayed in these texts, and negotiating their own masculine identities, the male characters showcase the mutations that are taking place within masculine representations over time and aver that other models of masculine expression are possible.

    This study’s engagement with the theory of hegemonic masculinity represents an important contribution to the discourse in gender studies in Ghana and Africa. In addition, it is well researched and presents a cutting-edge analysis of masculinity across genres. I cannot think of any other study in Ghanaian literary and cultural studies that provides such a broad historical background context and the book is certainly original in its approach.” — Professor Mansah Prah, Department of Sociology and Anthropology, University of Cape Coast, Ghana

    “The book’s major strength is in adding significantly to an area of study that is currently under theorised. This has the potential to make a robust and important contribution to the field of knowledge on representation of masculinities in African and specifically Ghanaian popular culture.” — Associate Professor Nicky Falkof, Media Studies, University of the Witwatersrand, South Africa

  • The Riddle of The Oil Thief

    It is the untold story of several decades of oil and gas exploitation in the Niger Delta of Nigeria. It x-rays the root causes of insecurity in Nigeria and presents the recipe for the restoration of peace in Nigeria and the entire West African Sub-region.

  • An Appraisal of Ghana’s Public Procurement Regime

    It is a “must-have” book that captures almost every relevant thematic area of Ghana’s public
    procurement regime under the current dispensation.
    The book aims to serve as a foundational guide for readers seeking to understand the fundamental principles, processes, and regulations governing public procurement in the country. The detailed exposition of the historical antecedent helps any student of procurement to understand how far Ghana has come as a country.
    The materials in the book are well-organized, presenting a clear and logical flow of information.
    It starts with an introduction to the concept of public procurement, followed by a detailed appraisal of Ghana’s specific regulatory framework.
    It is noteworthy that not many authors make an effort to trace history in this way, which makes the book a special reference for experts, practitioners, and students studying procurement.
    The incorporation of pertinent case studies augments the book’s relevance by helping readers to comprehend authentic instances of the obstacles and achievements in Ghana’s public procurement system.
    For readers who may not be familiar with the Public Procurement Act, 2003 (Act 663), as amended, a thorough analysis and appraisal of the Act has been provided.
    The legislative and regulatory structure governing public procurement in Ghana was reduced to the level of a university student.
    In Ghana, most lawyers and judges still grapple with the concept of procurement and the laws governing public procurement. The authors’ ability to break down the Act and the associated statutes in the way they did is highly advantageous to the reader.
    The authors took time to discuss the object of Act 663 as amended and expounded the
    concept of value-for-money in a very simplified manner.
    Therefore, we highly recommend the book to procurement students at all levels, lawyers, judges, Heads of Entities, Entity Tender Committee members, Directors of both public and private companies, and most importantly, procurement practitioners and decision-makers in Ghana.
    This book will come in handy for any professional in the industry.

  • The Pen at Risk: Spilling My Little Beans

    “The Pen at Risk is more than a memoir. It is a piece of authentic, ungarnished history by a writer and public intellectual who is too modest to accept the title of a historian, but who witnessed and chronicled the most intriguing epochs of Ghana’s national life. Laced with the innate Fante humour, this book is a piece of deep but entertaining non-fiction that is told with the demystified simplicity of one of Ghana’s greatest academics and writers. Kwesi Yankah is a gift to humanity, and this memoir is a greater gift to an unfortunate generation like mine that did not live in the era of the incisive writings of the great Kwatriot.” – Manasseh Azure Awuni, Editor-in-Chief, The Fourth Estate

    “When a citizen who has spent his whole life scrutinising society, turns the spotlight on himself, the risks include this epic engagement that spares no one, him included. In this bare-it-all memoir, the Yankah enigma is fully bared, warts and all.  As it turns out, Yankah has had more than his fair share of privileged roles, ultimately impacting the national narrative. The richness of ethnography here, is as riveting as his urban-savvy accounts of the intrigues of university and national politics. While we watch him weave his wizardry of words, we are also awed by the totality of his humanity. The Pen at Risk is a hilarious package of eruditions. It is about the exalted gossips of our Motherland. The narratives are so sweet they hurt. If this isn’t the best book you have read in years, call me illiterate.” – Kofi Akpabli, Scholar, Author, Journalist

    “In this memoir, Kwesi Yankah  delivers a sparkling tableau of key aspects of his life, tabling his charmed childhood and amazing trajectory as an academic. He then rolls out his long stint as an audacious social commentator and columnist for leading papers (which may have put his pen at risk). With a penmanship characterized by a keen eye for detail, this autobiography is an entertaining and captivating book that should be read by all interested in media and social history as well as autobiography as a literary genre.” – Professor Mansah Prah, University of Cape Coast

    “Intriguing, revealing, and brilliant. The Pen at Risk is unvarnished introspection beautifully strung together with anecdotes in a way that is vibrant and colorful. Kwesi Yankah’s work is a refreshingly modest invitation to see life through a different lens, even for a fleeting moment.” – Dr Obeng Amoako Edmonds, University of Southern California, Los Angeles, California

  • Ahafo and the Bono Regions of Ghana: Accomplishment & Honours of ‘Brilliant Achievers’ (Hardcover)

    This book is a one-of-a-kind compendium of profiles of some distinguished citizens from Ahafo and the Bono Regions of Ghana. The book contains nuggets of inspiring biographical information that brings to the fore some men and women who have dared the oddities of life to challenge the debilitating issues of human existence.

    The book is a guiding light for young people to emulate many successful Ghanaians, some of whom had humble beginnings but braced the odds to emerge as champions in their respective callings.

    In addition, it is a must-read for professionals desiring to excel in their chosen careers and parents who want to inbue their children with a higher sense of confidence, patriotism and hope.

    The first section of the book covers the profile of eminent natives of the Ahafo and the Bono regions who have contributed significantly to the development of the nation in all sectors, including chieftaincy, banking and finance, trade and industry, hospitality, diplomacy and farming, among others.

    The second section talks about non-natives who had over the years also made a tremendous contribution to the regions and the nation while section three is a photographic presentation containing pictures of people such as female educationists, lawyers, ministers of state, regional ministers, sports personalities and some significant activities and events.

    Additionally, the book contains photographs of all the chiefs and queen mothers of the former Brong Ahafo Region before it was carved into three regions.

    It also has a six-page epilogue which contains the authors’ thoughts and also features all ministers of state who hailed from the regions.

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