• Abusua Pa Jigsaw Puzzle: Local Beads (216 Puzzle Pieces) – Pre-Order

    Local beads in Ghana hold immense cultural significance as they represent social status, ethnicity and heritage. They serve as visual language, conveying messages and symbolizing various meanings such as fertility, wealth, spirituality and social hierachy. Beads are integral to traditional ceremonies and rituals, bringing blessings and enhancing spiritual connections.

    They also contribute to Ghana’s economy through artisanal production and trade. Local beads have found a place in contemporary fashion while preserving Ghana’s cultural heritage and promoting cultural preservation. Overall, Ghanaian beads are an essential part of the country’s identity and play a vital role in communication, cultural expression and economic activities.

  • Abusua Pa Jigsaw Puzzle: Elmina Castle (140/216 Puzzle Pieces) - Pre-OrderHot

    Abusua Pa Jigsaw Puzzle: Elmina Castle (140/216 Puzzle Pieces) – Pre-Order

    Elmina Castle, also known as St. George’s Castle, is a historic fortress located in the town of Elmina in the Central Region of Ghana. It was built by the Portuguese in 1482 and is recognized as the oldest European-built structure in sub-Saharan Africa.

    The castle was originally constructed as a trading post for the Portuguese to establish and maintain their presence in the region. It served as a major hub for the transatlantic slave trade, with thousands of enslaved Africans passing through its doors on their way to the Americas.

    Elmina Castle played a significant role in the colonial history of Ghana. It changed hands several times, with the Dutch capturing it from the Portuguese in 1637, and later the British taking control in 1872.

    Today, Elmina Castle is a UNESCO World Heritage site and a powerful symbol of the transatlantic slave trade. It attracts visitors from around the world who come to explore its dungeons, learn about its history, and reflect on the profound impact of slavery on Africa and the African diaspora. Guided tours are available to provide insights into the castle’s dark past and the harsh realities faced by those who were held captive within its walls.

    450.00
  • Abusua Pa Jigsaw Puzzle: Fort William (216 Puzzle Pieces) – Pre-Order

    Fort William, originally known as Fort Anomabo, is a historic fortress located in Central Region of Ghana. During the 19th century, under the command of Brodie Cruickshank, the fortress was renamed Fort William in honour of King Charles II.

    Constructed primariily using local resources, this remarkable stronghold earned the reputation of being one of the most splendidly designed and sturdily built fortresses along the coast.

    Throughout its existence, it served diverse purposes. Initially functioning as a rest house and a post office, Fort William underwent a transformation and was repurposed as a state prison, a role it fulfilled until 2001. Today, the fort has undergone another metamorphosis and currently serves as a community library, enriching the lives of the people of Anomabu. This conversation not only preserves its historical significance but also stands a a beacon of knowledge and learning within the local community.

  • Abusua Pa Jigsaw Puzzle: Fort Amsterdam (216 Puzzle Pieces) – Pre-Order

    Fort Amsterdam is a historic fort located in the town of Abandze in the Central Region of Ghana. It was built by the Dutch in 1638 as a trading post for gold and ivory, and later served as a slave trading station.

    The fort was strategically located on a hill overlooking the Atlantic Ocean, allowing the Dutch to have a clear view of incoming ships. It was also built with stone walls and cannons to protect against attacks from rival European powers and indigenous groups.

    During its occupation by the Dutch, Fort Amsterdam was an important center for the transatlantic slave trade, with thousands of Africans passing through its gates before being shipped off to the Americas.

    Today, the fort is a popular tourist attraction and a reminder of Ghana’s colonial past. Visitors can tour the grounds and learn about the fort’s history through exhibits and guided tours.

  • Abusua Pa Jigsaw Puzzle: Chief Dancing (140/216 Puzzle Pieces) - Pre-OrderHot

    Abusua Pa Jigsaw Puzzle: Chief Dancing (140/216 Puzzle Pieces) – Pre-Order

    A Chief’s Dance in Ghana holds great cultural significance as a symbol of the chief’s authority, heritage and community unity. It preserves Ghanaian traditions and passes down ancestral knowledge. The dance has ritual and spiritual elements and honours ancestors and historical lineage.

    It showcases cultural identity and attracts tourists, promoting cultural pride and understanding. The Chief’s Dance plays a vital role in Ghanaian society, connecting the past with the present and ensuring the continuity of cultural heritage.

    450.00
  • Abusua Pa Jigsaw Puzzle: The Black Star Square (216 Puzzle Pieces) – Pre-Order

    Independence Square, also known as Black Star Square, is a landmark in Accra, Ghana, with historical and cultural significance. It serves as the venue for Ghana’s Independence Day celebrations and features symbolic elements like the Independence Arch and the Independence Square Monument. The square is one of the world’s largest and can accommodate large gatherings. It has surrounding landmarks and is open to the public for recreational activities. Independence Square holds historical significance as the site where Ghana proclaimed its independence from British colonial rule in 1957. It stands as a symbol of national pride and hosts events that commemorate Ghana’s freedom.

    The soldier facing the Independence Arch in Ghana symbolizes the country’s struggle for independence and its emergence as the first sub-Saharan African nation to gain freedom from British colonial rule. The soldier represents the Ghanaian military’s dedication to protecting the nation’s sovereignty and symbolizes the courage and sacrifice of the people in their fight for self-rule. It serves as a reminder of Ghana’s commitment to preserve its independence, uphold values of freedom and democracy, and promote national unity. Overall, the soldier facing the Independence Arch represents the historical significance of Ghana’s independence, the contributions of the military, and the ongoing commitment to safeguard the nation’s sovereignty.

  • Falls in Ghana: Unified Guide Book (Chasing Waterfalls with Steve Ababio & Gina Arthur)

    This is a guide based on our experience – designed to help you get out and go have your waterfall adventure. This book details our experiences on and off the road, encounters, processes, ease of access and what sight awaits you.

    This guide will help reduce the unknown variables and provide some structure in terms of what to expect and what approaches to take on your journey as you interact with different communities.

    The stories and experiences shares should also help boost your confidence and encourage you to make a plan and embark on a waterfall chase of your own!

  • Baffour Osei Akoto: A Royal Patriot and the Making of Ghana (Hardcover)

    Foreword by President John Agyekum Kufuor

    This book is primarily composed of speeches presented at the 16th edition of the annual Re-Akoto Memorial Lectures held at the Kwame Nkrumah University of Science and Technology in Kumasi. The Re Akoto Memorial Lectures, instituted by His Majesty Otumfuo Osei Tutu II, life patron of the Students’ Representative Council (SRC) of the Ghana School of Law, seeks, amongst other things, to promote research, study and educate the citizenry on the development of Ghana’s constitutional democracy and human rights. Over the years, it has been presented by a good number of eminent Ghanaians and through which they have illuminated various spheres of life, especially issues regarding law and fundamental human rights, which are the key components that form the genesis of the famous Re-Akoto Case.

    The presenters included Kwame Pianim, one of Ghana’s eminent economists; Maxwell Opoku-Agyemang, then-acting Director of the Ghana School of Law; Chief Justice Kwasi Anim Yeboah and Attorney-General Godfred Dame. Prof Mike Aaron Oquaye, a veritable political scientist and accomplished politician, knitted the strains together to discuss how Baffour’s strides and successes reaffirmed the liberal democratic political philosophy of the New Patriotic Party (NPP). He indicated that human beings have a dignity that must be protected and that dictatorial tendencies must not be accepted. Finally, provided a historical trajectory of Ghana’s stint with an authoritarian regime focusing on the country’s post-independence one-party political system.

    “Baffour excelled in this career as an Asante diplomat, a valuable repository of Asante and Ghanaian social, cultural and political history, and a defender of the power of traditional leadership in the face of the onslaught of modern post-colonial politics in Ghana.” – His Majesty Otumfuo Osei Tutu II, Asantehene

  • Beyond the Political Spider: Critical Issues in African Humanities (African Humanities Series)

    Beyond the Political Spider: Critical Issues in African Humanities by Kwesi Yankah is the first title in the newly established African Humanities Association (AHA) publication series.

    By integrating his own biography into a critique of the global politics of knowledge production, Yankah, through a collection of essays, interrogates critical issues confronting the Humanities that spawn intellectual hegemonies and muffle African voices. Using the example of Ghana, he brings under scrutiny, amongst others, endemic issues of academic freedom, gender inequities, the unequal global academic order, and linguistic imperialism in language policies in governance.

    In the face of these challenges, the author deftly navigates the complex terrain of indigenous knowledge and language in the context of democratic politics, demonstrating that agency can be liberatory when emphasising indigenous knowledge, especially expressed through the idiom of local languages and symbols, including Ananse, the protean spider, folk hero in Ghana and most parts of the pan-African world.

    “Fascinating snapshots from an engaged scholarly life in Africa, valuable as an archival resource for the understanding of this period of higher education in Africa.” – John Higgins, Arderne Chair in Literature, Department of English Literary Studies, University of Cape Town

    “This book is unique and gives a powerful rendition of the state of the Humanities in Africa (with Ghana as a case in point). It grapples with some of the pertinent issues dogging the Humanities in Africa. It comments on the Humanities scholarship in Africa, and subtly throws a challenge for future scholarship. It draws on African traditions, communal heritage, and governance in discussing the role and place of the Humanities in Africa. It also brings into the analysis the ever-changing imperatives and modernity in re-configuring African Humanities.” – Mark Benge Okot, Head of Department, Literature, Makerere University, Uganda

    “Beyond the Political Spider’ effectively draws, in a unique fashion, from literature, history, linguistics and other cognate disciplines in the African Humanities.” – Sati Umaru Fwatshak, Department of History, University of Jos, Nigeria

  • Men Across Time: Contesting Masculinities in Ghanaian Fiction and Film

    Men Across Time: Contesting Masculinities in Ghanaian Fiction and Film examines the various constructions and manifestations of masculinities from precolonial, colonial, independent and post-independent Ghana as portrayed in selected Ghanaian fiction, film and music videos. Two main questions are engaged here:

    • What predominant masculine images are present in Ghanaian texts?
    • In what ways has the passage of time affected the subversion of dominant masculine images, contested hegemony and created room for the presence of alternative masculinities?

    This book submits that in questioning the various masculine modes of behaviours portrayed in these texts, and negotiating their own masculine identities, the male characters showcase the mutations that are taking place within masculine representations over time and aver that other models of masculine expression are possible.

    This study’s engagement with the theory of hegemonic masculinity represents an important contribution to the discourse in gender studies in Ghana and Africa. In addition, it is well researched and presents a cutting-edge analysis of masculinity across genres. I cannot think of any other study in Ghanaian literary and cultural studies that provides such a broad historical background context and the book is certainly original in its approach.” — Professor Mansah Prah, Department of Sociology and Anthropology, University of Cape Coast, Ghana

    “The book’s major strength is in adding significantly to an area of study that is currently under theorised. This has the potential to make a robust and important contribution to the field of knowledge on representation of masculinities in African and specifically Ghanaian popular culture.” — Associate Professor Nicky Falkof, Media Studies, University of the Witwatersrand, South Africa

  • The Riddle of The Oil Thief

    It is the untold story of several decades of oil and gas exploitation in the Niger Delta of Nigeria. It x-rays the root causes of insecurity in Nigeria and presents the recipe for the restoration of peace in Nigeria and the entire West African Sub-region.

  • The Pen at Risk: Spilling My Little Beans

    “The Pen at Risk is more than a memoir. It is a piece of authentic, ungarnished history by a writer and public intellectual who is too modest to accept the title of a historian, but who witnessed and chronicled the most intriguing epochs of Ghana’s national life. Laced with the innate Fante humour, this book is a piece of deep but entertaining non-fiction that is told with the demystified simplicity of one of Ghana’s greatest academics and writers. Kwesi Yankah is a gift to humanity, and this memoir is a greater gift to an unfortunate generation like mine that did not live in the era of the incisive writings of the great Kwatriot.” – Manasseh Azure Awuni, Editor-in-Chief, The Fourth Estate

    “When a citizen who has spent his whole life scrutinising society, turns the spotlight on himself, the risks include this epic engagement that spares no one, him included. In this bare-it-all memoir, the Yankah enigma is fully bared, warts and all.  As it turns out, Yankah has had more than his fair share of privileged roles, ultimately impacting the national narrative. The richness of ethnography here, is as riveting as his urban-savvy accounts of the intrigues of university and national politics. While we watch him weave his wizardry of words, we are also awed by the totality of his humanity. The Pen at Risk is a hilarious package of eruditions. It is about the exalted gossips of our Motherland. The narratives are so sweet they hurt. If this isn’t the best book you have read in years, call me illiterate.” – Kofi Akpabli, Scholar, Author, Journalist

    “In this memoir, Kwesi Yankah  delivers a sparkling tableau of key aspects of his life, tabling his charmed childhood and amazing trajectory as an academic. He then rolls out his long stint as an audacious social commentator and columnist for leading papers (which may have put his pen at risk). With a penmanship characterized by a keen eye for detail, this autobiography is an entertaining and captivating book that should be read by all interested in media and social history as well as autobiography as a literary genre.” – Professor Mansah Prah, University of Cape Coast

    “Intriguing, revealing, and brilliant. The Pen at Risk is unvarnished introspection beautifully strung together with anecdotes in a way that is vibrant and colorful. Kwesi Yankah’s work is a refreshingly modest invitation to see life through a different lens, even for a fleeting moment.” – Dr Obeng Amoako Edmonds, University of Southern California, Los Angeles, California

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