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  • Highlife Time 3

    Highlife is Ghana’s most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word ‘highlife’ was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa’s earliest popular music genres.

    The book traces the origins of highlife music to the present – and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife.
    The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana’s independence struggle and the country’s quest for a national – and indeed Pan-African – identity.

    The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana’s Francophone neighbours.

    There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.

    GHS 130.00

    Highlife Time 3

    GHS 130.00
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  • Che Guevara Reader: Writings on Politics and Revolution

    **Available mid February 2019**

    Recognized as one of Time Magazine’s ‘icons of the 20th century, Che Guevara became a legend in his own time and now has re-emerged as a symbol of a new generation of political activists. Far more than a guerrilla strategist, Che Guevara made a profound and lasting contribution to revolutionary theory and Marxist humanism as demonstrated in this best selling Reader.

     

    GHS 110.00
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  • Audience of One – MP3 (Pendrive)

    Tracks in this album:

    1. Prayer
    2. Worthy One
    3. Judah Dzata (Lion of Judah)
    4. Audience of One (God is Here)
    5. Shiwoonɔyeli Nyɔŋmo (Fɛɛ Mli)
    6. Wait
    7. Kosie Ansa
    8. Brɛbrɛ
    9. Mindaoshi (My Jubilee Song)

    Also includes Image cards of all the lyrics.

    GHS 100.00
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  • Fela: This Bitch of A Life

    **Available mid February 2019**

    “I’ve never met a more fearless, direct, activist, fiercely radical, rebel, courageous warrior, prolific, and gifted person like FELA. I admired his honesty, was often puzzled by his contradictory lifestyle, was in total awe of his musical genius, relished his outrageous sense of humour, deeply treasured his friendship and was absolutely inspired by his fathomless generosity. This Bitch of a Life illustrates an extremely heartbreaking phase in this incredibly gifted master musician’s experiences. It is filled with so many occasions of savage torture on FELA’s soul, being and psyche: trumped up criminal charges, military onslaught, seamless court appearances. Kangaroo-court convictions and imprisonment accompanied by a nauseating inhumanity that caused FELA unimaginable misery.” — Hugh Masekela, Musician and Friend

    African superstar, composer, singer, and musician, as well as mystic and political activist, Nigerian Fela Kuti, born in 1938, was controversy personified.

    He was swept to international celebrity on a wave of scandal and flamboyance, and when he died of AIDS in 1997, more than a million people attended his funeral. But what was he really like, this man who could as easily arouse violent hostility as he could unswerving loyalty?

    Carlos Moore’s unique biography, based on hours of conversation and told in Fela’s first-person vernacular, reveals the icon’s complex personality and tumultuous existence. Moore includes interviews with fifteen of his queens (wives); photos; and an updated discography.

    GHS 95.00
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  • Six Strings and a Note: Legendary Agya Koo Nimo in His Own Words

    Six Strings and a Note is a compelling and relevant portrait of the artistic life of Daniel Kwabena Boa Amponsah, known around the world by his stage name, Koo Nimo. Written with a curiosity, simplicity, and a keen memory for detail, the book takes us on a journey through Koo Nimo’s work as an artist, and also as a man with a deep affection for his culture.

    From the quiet Ghanaian village where he grew up, to the popular concert halls, leading international universities and renowned institutions, Koo Nimo’s life is nearly a century of extraordinary subplots to a story of hope, determination, and a boundless love for guitar music.

    Celebrated in his native Ghana for his infusion of traditional motifs into mainstream music, and his influence on the Addadam music styles and palm-wine guitar, Koo Nimo unveiled Asante culture to audiences all over the world.

    A fine blend of a vivid recollection of a memoir and an authenticity woven into a biography to give the reader a richer encounter with Koo Nimo’s life lessons, challenges, and successes through his life and work.

    A father, a poet, a folk musician, a teacher, and a philosopher, Koo Nimo would say, “I did not set out to become another [Andres] Segovia. All I have is my culture, my story and my song, and I have to do my best for the sake of a generation who will be listening and learning long after I am gone.”

    A must-read for all international music enthusiasts.

    GHS 80.00
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  • Highlife Giants: West African Dance Band Pioneers – Hardcover

    ‘Highlife is the only music in this country that has stood and will continue to stand the test of time.’ – Victor Olaiya

    As West Africa’s oldest form of popular music, highlife was the soundtrack of the independence era. Its influence still resonates today.

    Highlife Giants is an intimate portrait of the pioneering artistes of West Africa’s music scene from the 1920s onwards. It contains interviews with stars such as E.T Mensah, Kofi Ghanaba, King Bruce, Bobby Benson, Victor Uwaifo, and Ignace De Souza revealing priceless behind-the-scenes moments such as Louis Armstrong giving Eddie Okonta a trumpet with a golden mouthpiece after seeing him perform. Highlife Giants charts the development of this rich and varied popular form which is hugely influential on contemporary West African music from Afrobeat to hiplife.

    Blending European and African-American styles with traditional African patterns, highlife music contributed to the development of post-independence national identity in both Ghana and Nigeria. As such, highlife remains crucial in generating social commentary, protest and contributing to the formation of a pan-African musical identity.

    For those who lived through the era, Highlife Giants will be a compendium that invokes treasured memories. For their children and grandchildren, this book will inspire an interest in the rich musical history of West Africa.

    GHS 60.00
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  • The Whitney I Knew – Hardcover

    A virtual album of BeBe Winans’ treasured memories of his friend and “sister,” Whitney Houston.

    In the years between the first time BeBe Winans and Whitney Houston met in 1985, to the day he delivered the tribute that touched a watching nation at Houston’s funeral, a deep and unique friendship bloomed and thrived. They considered each other family in the truest sense of the word.

    Now this very personal collection of remembrances offers us a seat at the table during Whitney’s most unguarded moments. Here we see her in all her quirky, passionate, fiercely loyal glory though the eyes of her “brother”, BeBe.

    For most of her public life, Whitney Houston was a mystery. In The Whitney I Knew, Winans has given us a wonderful gift—the gift of understanding. From profoundly moving personal moments to eye-opening accounts of triumph to the heartbreaking realities that led to her ultimate defeat, the untold stories are intimately woven throughout this book—along with online video links to behind-the-scenes moments, highlights of her career, and never-before-seen video of Whitney. Also included is an extensive photo section from BeBe’s personal collection.

    GHS 50.00
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  • Ethnomusicology and African Music: Modes of inquiry and interpretation Vol 1

    The volume in hand deals with modes of inquiry and interpretation broadly organised into sections on theory, and historical and creative studies. The section on theoretical issues comprises papers on: the problem of meaning in African music; musicology and African music; the juncture of the social and the musical; integrating objectivity and experience in ethnomusicological studies; the aesthetic dimension in ethnomusicological studies; universal perspectives in ethnomusicology; and contextual strategies of inquiry and systematisation. The section on creative and historical topics covers the following: the history of music in African culture; history and the organization of music in West Africa; historical evidence in Ga religious music; processes of differentiation and interdependency in African music; African musical roots in the Americas; and developing contemporary idioms out of traditional music.

    GHS 25.00
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  • GOAT – Poetry Album (Audio CD)

    Tracks in this album:

    1. Sun & Son( prod. by BeKofi)
    2. N.E.R.D ( prod. by Jayphano)
    3. True Friend ( prod. by KayNie)
    4. My CV of Sin ( prod. by BeKofi)
    5. G.O.A.T ( prod. by George Sedzro)
    6. M’asem (My Story) ft MoQid (prod. by Snares Beat)
    7. Letter To My Unsung Music Heroes (prod. by KayNie)
    8. Amasaah Boateng ( prod. by Bonnie × Mix Master Garzy)
    9. Asamando Nkratoc(Letter from the Grave)(prod.by Mo Studios)
    10. Rolls Royce Phantom ( prod. by Mizter Okyere)
    11. Letter to the Church(prod. by ODB)
    12. Tie Me (Prayer of the sick)( prod. by Nii Soul)
    13. Passion Of The Christ(prod.by ODB)
    14. Polite & Ethical Parties (prod. by BeKofi)
    15. Rhyming Rants (prod. by George Sedzro)
    16. Valerie’s Handbag (prod. by Selorm)
    17. Made in Ghana (prod. by ODB)
    18. Ntamkese3 ( prod. by Jayphano)
    19. L.R.M.U ( prod. by Mizter Okyere)
    20. I Am Music ( prod. by Nii Soul)
    21. When I Was A Child (prod. by Bonny)
    22. Made in Ghana (instrumentals)

     

    GHS 20.00
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  • Asɔre Dwom Nhoma (Ghana Presbyterian Asafo) – Hardcover

    We bring you all the hymns as found in the Kristo Asɔre Nnwom as used by the Presbyterian Church of Ghana.

    GHS 20.00
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  • Audience of One – Audio CD

    Tracks in this album:

    1. Prayer
    2. Worthy One
    3. Judah Dzata (Lion of Judah)
    4. Audience of One (God is Here)
    5. Shiwoonɔyeli Nyɔŋmo (Fɛɛ Mli)
    6. Wait
    7. Kosie Ansa
    8. Brɛbrɛ
    9. Mindaoshi (My Jubilee Song)

    Also includes Image cards of all the lyrics.

    GHS 20.00
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  • Ghana Praise: Tunes from Ghana, Africa and the World

    African churches have inherited a rich tradition of hymnody from the West, but for too long the musical heritage of Asia and even of Africa itself has been neglected. Ghana Praise is a first step towards correcting this situation.

    It contains 144 tunes by Ghanaian composers: 4 songs from Northern Ghana and 28 spirituals from Ghana’s Pentecostal churches. For the first time, the wealth of music by present and past generations of Ghanaian musicians is available in print for all to use; the geographical and denominational barriers which have discouraged the spread of hymn tunes in the past are breaking down.

    In addition, Ghana Praise brings you 19 tunes from the rest of Africa and 33 from other parts of the world.

    Ghana Praise is accompanied by a words book, Asempa Hymns, which contains words to fit the new tunes, as well as a selection of the most well-known Western hymns.

    GHS 20.00
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