• Pleasantview

    Winner of the 2022 OCM Bocas Prize for Caribbean LiteratureWinner of the 2022 CLMP Firecracker Award in Fiction. Shortlisted for the Society of Authors’ McKitterick Prize 2022

    Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.

    Come during election season, and see how one candidate sets out to slaughter endangered turtles- just for fun. Or come on the day the other candidate beats his outside woman,’ so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.

    Written in a remarkable combination of Standard English and Trinidad Creole. Pleasantview showcases the entrenched political, racial, patriarchal, and class dichotomies of life in Trinidad.

    Pleasantview

    150.00
  • When the Person Who is Called COVID Came

    For two years and beyond, the 21st century world experienced a near-apocalypse through the COVID-19 Pandemic.

    Millions of innocent people have died at the hands of an invisible, merciless plague of a killer.

    How have those of us, who have been left behind, coped? How do we even have the space to grieve? How did we adjust to the clichéd ‘New Normal’? How did our lives change? – Our love lives, our family lives, our work lives, our social lives, our faith, our health, our philosophies… How have we changed? How have Ghanaians changed?

    By experiencing this encapsulating Poetry Chapbook, you too can relate to the phenomena of COVID and the [Ghanaian] Woman, The COVID News of Emotions that we Haven’t Reported and The Universal Human COVID Experience, all through Apiorkor’s razor-sharp Verse Journalism and poetic spirit, in over twenty pieces of poignant poetry.

  • The Leading Lady Way

    Author and leadership development expert activist, Yawa Hansen-Quao, is excited to announce the release of her latest book, “The Leading Lady Way.” This powerful guidebook is designed to inspire and equip women to step into their leadership potential and make a difference in their personal and professional lives.
    “The Leading Lady Way” offers practical and actionable advice for women and girls who want to develop their leadership skills and find their authentic voice. Through a combination of personal stories, expert insights, and profiles of other women leaders, readers will learn how to overcome self-doubt, communicate effectively, and lead with purpose.
    “I wrote ‘The Leading Lady Way’ to empower women to embrace their leadership potential and make a lasting impact in their and beyond,” says author Yawa Hansen-Quao. “Whether you’re a student, an executive, an entrepreneur, or a stay-at-home mom, this book will inspire you to lead with confidence and purpose.”

  • A Good Name

    Twelve years in America and Eziafa Okereke has nothing to show for it. Desperate to re-write his story, Eziafa returns to Nigeria to find a woman he can mold to his taste. Eighteen-year-old Zina has big dreams. An arranged marriage to a much older man isn’t one of them. Trapped by family expectations, Zina marries Eziafa, moves to Houston, and trains as a nurse. Buffeted by a series of disillusions, the couple stagger through a turbulent marriage until Zina decides to change the rules of engagement.

    A Good Name

    135.00
  • From Dar es Salaam to Bongoland: Urban Mutations in Tanzania

    The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is ‘haven of peace’ resulting from a mix-up of the Arabic words “dar” (house) and “bandar” (harbour). Named in 1867 by the Sultan of Zanzibar, the town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort to the socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, for the Tanzanian, the town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means ‘brain’ in Kiswahili). Far from being an anecdote, this slide into toponomy records the mutations that affect the links that Tanzanians maintain with their principal city and the manner in which it represents them.

    This book takes into account the changes by departing from the hypothesis that they reveal a process of territorialisation. What are the processes – envisaged as spatial investments – which, by producing exclusivity, demarcations and exclusions, fragment the urban space and its social fabric? Do the practices and discussions of the urban dwellers construct limited spaces, appropriated, identified and managed by communities (in other words, territories)? Dar es Salaam is often described as a diversified, relatively homogenous and integrating place. However, is it not more appropriate to describe it as fragmented?

    As territorialisation can only occur through frequenting, management and localised investment, it is therefore through certain places – first shelter and residential area, then the school, daladala station, the fire hydrant and the quays – that the town is observed. This led to broach the question in the geographical sense of urban policy carried out since German colonisation to date. At the same time, the analysis of these developments allows for an evaluation of the role of the urban crisis and the responses it brings.

    In sum, the aim of this approach is to measure the impact of the uniqueness of the place on the current changes. On one hand, this is linked to its long-term insertion in the Swahili civilisation, and on the other, to its colonisation by Germany and later Britain and finally, to the singularity of the post-colonial path. This latter is marked by an alternation of Ujamaa with Structural Adjustment Plans applied since 1987. How does this remarkable political culture take part in the emerging city today?

    This book is a translation of De Dar es Salaam à Bongoland: Mutations urbaines en Tanzanie, published by Karthala, Paris in 2006.

  • Who am I? Exploring the Concepts of Gender and Identity from the Frafra Perspective

    In a world where many seem unsure of who they are, the concepts of gender and identity are prime for discussion. Yet through my years of study of the subject of identity, I have come to realise the definition of identity is so vague it can pass for whatever you wish it to be. If anything, it has become more difficult for people to define themselves, making it look as though the customary (re)sources for and of identity formation are no longer as direct or straightforward as before, particularly in the face of globalisation and modernisation, or identity has become self mutating. So, I ask, how can we easily describe who we are and more importantly, how can we defend that understanding?

    Perhaps a cultural perspective to the concepts could offer more insights. In this book, I adopt a culturally contextual framework of description to gender and identity as it relates to the Frafras of Northern Ghana.

     

     

  • Màmá, It’s a Girl

    Available from 4th September, 2023

    For years, the people of KAMINWANAGA have lived by specific rules and traditions, but the birth of a feisty, determined and resilient young girl would shake up the whole village.

    Her curiosity about the world beyond KAMINWANAGA and determination not to be a statistic leads to a series of life-altering events that causes her to grow into the woman who would change the course of history for her people.

  • Between the Generations: An Anthology for Ama Ata Aidoo at 80

    Ama Ata Aidoo, multiple award-winning Ghanaian novelist, poet, playwright and author of the critically acclaimed play, Dilemma of a Ghost, turned 80 in March, 2020. And as part of efforts to celebrate her – the first female African playwright – Between Generations: An Anthology for Ama Ata Aidoo at 80 was released.
    Described by Editor Ivor Agyeman-Duah, as ‘international affairs through fiction’, the 230-page collection tackles wealth and inequality, immigration, sisterhood, love lost and regained and other contemporary issues in Africa and the world.
    Opening with Aleppo by Ama Ata Aidoo, the anthology includes stories by eleven other contemporary African writers: Nigerian novelists, Sefi Atta, Ogochukwu Promise; South African novelist, Njabulo S. Ndebele; Senegalese novelist Boubacar Boris Diop, Ghanaian novelists, Ayesha Haruna Attah, Bisi Adjapon, writers Martin Egblewogbe, and Gheysika Adombire Agambila; Rwandan writer, Louise Umutoni and Cameroonian writer Ray Ndebi.

  • Saro

    On a visit to the coast of Marina, Lagos, Siwoolu and his young family are lured by a traitor to a grand merchant ship where they are captured by slaveholders masquerading as traders. On the way to the new world, they are rescued by abolitionists on a British naval ship and sent to Freetown, a haven for freed slaves.

    They settle in their new home, grow their family, and become successful merchants, trading goods between Freetown and Eko. Dotunu, Siwoolu’s wife, falls in love with another man and is caught in a love triangle. But their lives are upended again when they hear that the kingdom has selected the traitor as king. Siwoolu, content with his new life, yet fearful of a curse that lurks in the shadows, refuses to return, but Dotunu is determined to keep the traitor from the throne. She turns to their son, Oșolu, who is running from his own demons, to seize the throne that is rightfully theirs.

    Saro is a multigenerational tale of betrayal and restitution, love and war, inspired by true events that will take the reader from the rocky terrain of Abeokuta and the burgeoning city of Lagos to the lion mountains of Freetown and Hastings of Sierra Leone from the 1830s to the 1850s.

    Saro

    110.00
  • Resilience: Reflections From a Widow’s Diary

    Available on 21st July, 2023

    The book is about a young Ghanaian lady who lost her husband and decided to pick the pieces of her life and live for herself and her children. In this book, you will find how the author has motivated herself throughout this journey and has attributed her ability to survive to the grace of God. She also shares some lessons on her journey of grief, childhood experiences that has shaped who she is, among others.

    It is a deeply moving memoir of grief, and love, that ushers the readers into the life of a widow in a way that embraces and transcends expectations. This book reveals the raw emotions of her loss and the profound impact her husband left on her life, and the woman she has become after the loss. As much about life as it is about death, the book proves that regardless of the situation, love and hope have the power to survive.

  • Safe House: Explorations in Creative Nonfiction

    In a collection of creative essays that ranges from travel writing and memoir to reportage, Ellah Wakatama Allfrey brings together some of the most talented writers of creative nonfiction from across Africa.

    A Ghanaian explores the increasing influence of China across the region; a Kenyan student activist writes of exile in Kampala; a Liberian scientist shares her diary of the Ebola crisis; a Nigerian writer travels to the north to meet a community at risk; a Kenyan travels to Senegal to interview a gay rights activist and a South African writer recounts a tale of family discord and murder in a remote seaside town.

    This anthology contains a range of unforgettable stories by authors from across Africa and presents personal views of contemporary issues in an accessible and thought-provoking manner.

  • Declamations of Century: Poetry for the Lovers and the Haters of Poetry

    Poetry is and must be the combination; the necessary union of music and prose, born before each, born from each, and the sacred core of each. The higher purpose of poetry is to express the truth artfully; To be the bridge connecting philosophy to art, logic to aesthetics, science to intuition, reason to emotion. And the poet must be, more so than the voice, the expression of the voice.

    Declamations of Century is a book of poems concerning ageless matters of existence and consciousness. Written with clarity of language as a priority, the poems in this book, despite the allusions and double meanings intrinsic to poetry, are each composed of language open to be understood and discerned by the common reader—Poetry should not be strictly exclusive to poets and poem enthusiasts. Just as truth benefits not only the seekers of truth, poetry should benefit and improve not only the seekers of poetry.

    The contents of Declamations of Century are scrupulously arranged, so to have you submerge gradually into contemplation. Even so, to make you buoyant in thought so you ascend in contemplation. And in so doing, appreciating the primary purpose of poetry and mind.

     

  • Blackass

    Furo Wariboko – born and bred in Lagos – wakes up on the morning of his job interview to discover he has turned into a white man. As he hits the city streets running, still reeling from his new-found condition, Furo is amazed to find the dead ends of his life wondrously open out before him.

    As a white man in Nigeria, the world is seemingly his oyster – except for one thing: despite his radical transformation, his ass remains robustly black…

    Funny, fierce, inventive and daringly provocative – this is a very modern satire, with a sting in the tail.

    Blackass

    95.00
  • Ashawo Diaries: Tales of Adwoa Attaa

    A most intriguing intercourse of tragedy and sex

    The titillating intrigues of a good bad girl…delightful reading: sometimes light, sometimes dark; always with ponderous insights! – Koku Dotse

    Ashawo Diaries makes for engaging reading, and beyond connecting with earlier literary forebears, it is important to think about how such a novel enters the Ghanaian social landscape where sex is traditionally a public taboo. Ashawo Diaries is a text that challenges sanitized perspectives of Ghana. – Kwabena Opoku-Agyemang, Lecturer, Department of English, University of Ghana, Legon

    [The author] is zealous towards unearthing the ills of society. I describe her as the “perfect role model of today’s world”. I am not surprised she took this bold step to write this story. Though bold for our traditional society, l am of the view that she held the bull by the horn. The story…will surely leave readers scratching their heads with excitement. – Dr (Mrs.) Nana Ama Pokuaa Arthur, Lecturer, KNUST

    A thrilling page-turner. Amoafowaa is fluid in narration, and succinct in description. – Rebecca Obuobisa-Darko, Personnel Officer, Ga East Municipal Education Directorate

    Cecila’s Ashawo Diaries is storytelling meddled in art, obviously, science and a game of the protagonist. Daring diary entries with erotic sprinkles, gripping and sustaining, which depicts the struggles of a native daughter in contrast to Richard Wright’s native son, the zigzag turns of life and the map of love, friendship, pleasure, identity, re-identity as compasses at each turn. Poetically written and with a feminist undertone. – Grace Ihejiamaizu, Lecturer, University of Calabar, Founder of IKapture and Opportunity Desk, Nigeria

    Ashawo Diaries raises queries on why young girls should experience sexual suppression in a cultural context like Ghana where children are valued, moral standards are held high and sexual discussions silenced. – Dr. Georgina Yaa Oduro, Director, Centre for Gender Research, Advocacy and Documentation (CEGRAD), University of Cape Coast

  • Black Queen Sceptre

    He stole her dignity from her. He was one close friend she could count on. On the night of her seventeenth birthday, her life took a pivoting turn. This was more like survival of betrayal for Nana Fima. To Ma Kukua, it was like déjá vu.

    A passionate quest for revenge leads to a peek into prison life. A flash through New York City, where life takes a second major turn, full of uncertainties. A love story surfaces, with twists and turns and soon a genius is discovered while a ruthless criminal, Rich Hitler, officially becomes an Emeritus of world crimes.

    Nana Fima has to fight a difficult battle once again with unexpected tragic events along the line. Is victory coming from the Black Queen’s camp or it is going to be the same old story of the bad guys winning while the good people fight with their hands tied behind their back?

    This is survival of deception, college life away from parental scrutiny and an interesting detection of crimes.

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