• The Lockdown: Creative Non-Fiction about Living with Covid-19

    An anthology of 16 short creative nonfiction accounts about living with Covid-19 in 2020 by various authors.

  • The Son of Umbele: A Play in Three Acts

    “…the contents of the play revealed a brilliant mind at work in an attempt to deal with some basic ambiguities of human existence,” wrote Julius S. Scott Jnr. of Spelma College-Atlanta, when he saw an American production of The Son of Umbele.

    Indeed, this Ghana National Book Award winner has endeared itself to theatre enthusiasts as well as scholars since its premier at the Ghana Drama studio in 1972.

    Bill Marshall’s sensitivity to realities of the human existence and the conflicts of the mind is eloquently manifest in his writing, be it a novel, a TV Drama or a Stage play.

    The author appeared on the Ghanaian Arts scene in 1966 when he joined GBC-TV and helped to establish the Drama Department of the Television Station. He worked with the Corporation for several years, writing, production and directing plays for Television, He subsequently left for the private sector, working for Lintas Ghana Limited and in his own company, Studio Africain. In 1984, he was appointed the Director of the National Film and Television Institute (NAFTI) in Ghana.

    Other published works by the author are Novels: Bukom, Brother Man, The Oyster Man, Uncle Blanko’s Chair; Plays: Shadows of an Eagle, Stranger to Innocence Asana, The Crows and Other plays.

  • Boy (Roald Dahl)

    Age Range: 7 – 11  years

    “A true genius . . . Roald Dahl is my hero” David Walliams

    Phizzwhizzing new cover look and branding for the World’s NUMBER ONE Storyteller!

    BOY, Roald Dahl’s bestselling autobiography, is full of hilarious anecdotes about his childhood and school days, illustrated by Quentin Blake.

    As a boy, all sorts of unusual things happened to Roald Dahl. There was the time he and four school friends got their revenge on beastly Mrs Prachett in her sweet shop.

    There are stories of holidays in fishing boats, African adventures and the days of tasting chocolate for Cadbury’s.

    You’ll hear tales of horrible school bullies and the motor-car accident when Roald’s nose was nearly sliced clean off . . .

    Roald Dahl vividly shares his memories; some are funny. Some are painful. Some are unpleasant. All are true.

  • The Lovers (African Writers Series)

    The Lovers collects Head’s short fiction of the 1960s and 70s, written mainly in Serowe, Botswana, and depicting the lives and loves of African village people pre- and post-independence.

    An earlier selection called Tales of Tenderness and Power was published in the Heinemann African Writers Series in 1990, but this expanded and updated volume adds many previously unavailable stories collected here for the first time. Anthology favourites like her breakthrough The Woman from America and The Prisoner who Wore Glasses are included, leading up to the first complete text of her much translated title story.

  • Can We Talk And Other Stories (African Writers Series)

    Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe’s foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity.

    The first stories, ‘Hoffman Street’ and ‘The Man who Hanged Himself’ capture the bewildered innocence of a child’s view of the adult world, where behaviour is often puzzling and contradictory; stories such as ‘Going to See Mr B.V.’ provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. ‘Among the Dead’ and ‘Brothers and Sisters’ look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while ‘Playing your Cards’, ‘The Waterfall’, ‘Strays’ and ‘Bramson’ introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in ‘Can we Talk’ we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. ‘Can we Talk’ is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.

  • So Long a Letter (African Writers Series)

    Written by award-winning African novelist Mariama Ba and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences—some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined.Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country.

    Winner of the prestigious Noma Award for Publishing in Africa.

  • The Beautyful Ones Are Not Yet Born (African Writers Series, AWS43)

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    A railway freight clerk in Ghana attempts to hold out against the pressures that impel him toward corruption in both his family and his country. The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.
  • The Girl Who Can (African Writers Series)

    In The Girl Who Can, the irrepressible Ama Ata Aidoo looks at the roles and rules, and the games people find themselves playing, often unwillingly. She analyses African women’s struggle to find their rightful place in society. Her stories raise issues of choice and conflict, teasing about the issues with disarming frankness. How do people behave in cross-cultural relationships? In the modern world, where a plastic label identifies us, what is our identity? Will African women be in the driving seat in the twenty-first century? With the zest and humour, Aidoo raises these questions and provides some challenging answers.

    In this collection of short stories, Aidoo elevates the mundane in women’s lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society. Written from a child’s perspective, Aidoo subverts the traditional beliefs and assumptions about the child’s voice. Her inimitable sense of style and eloquence, explores love, marriage and relationships with all the issues they throw up for the contemporary African woman. In doing so, she manages to capture the very essence of womanhood.

  • Rambunctious Kwame and The Case of the Missing Birthday Banku

    Age Range: 7 – 13 years

    Meet Yawa, a 13-year-old near genius with a knack for getting into trouble! Yawa The Adventurer Issue is an original, funny, 32-page all-ages action-adventure comic series with an African twist. It is the first-ever comic to blend fact, fiction, history, culture, and modern living from a variety of African countries. If you’re a fan of adventures like Indiana Jones, silliness like Scooby-Doo or Dumb or Dumber, or international mystery and mischief like Tintin, then this is the comic for you! Each issue explores different countries in Africa through Yawa’s adventures – their history and culture and includes pages of facts that you are guaranteed to not know about! Perfect for comic lovers, young AND old!

  • The Enormous Crocodile (Roald Dahl)

    Age Range: 7 – 11  years

    The Enormous Crocodile is incredibly hungry-and incredibly greedy. His favorite meal is a plump, juicy little child, and he intends to gobble up as many of them as he can! But when the other animals in the jungle join together to put an end to his nasty schemes, the Enormous Crocodile learns a lesson he won’t soon forget. Dahl’s wicked humor is as delightful as ever in this new, larger edition of a hilarious favorite.

  • Did I Ever Tell You How Lucky You Are?

    Age Range: 6+ years

    Illus. in full color. Children will be cheered just contemplating the outrageous array of troubles they’re lucky they don’t have.

  • I Had Trouble In Getting To Solla Sollew

    Age Range: 6+ years

    The hero of this hilarious tale discovers that in attempting to avoid trouble one often encounters even greater difficulties.

  • If I Ran the Circus

    Age Range: 6+ years

    In this delightful tale, Morris McGurk dreams about staging the world’s greatest show, packed with the most tremendous, stupendous acts ever seen, from the Spotted Atrocious — a beast most ferocious — to the Drum-Tummied Snumm from the country of Frumm. This delightful book forms part of the second stage in HarperCollins’ major Dr. Seuss rebrand programme. With the relaunch of 10 more titles in August 2003, such all-time favourites as How the Grinch Stole Christmas!, Mr. Brown Can Moo! Can You? and Dr. Seuss’ Sleep Book boast bright new covers that incorporate much needed guidance on reading levels: Blue Back Books are for parents to share with young children, Green Back Books are for budding readers to tackle on their own, and Yellow Back Books are for older, more fluent readers to enjoy. If I Ran the Circus belongs to the Yellow Back Book range.

  • Yertle the Turtle and Other Stories

    Age Range: 6+ years

    In this hilarious book, featuring three timeless fables, Dr. Seuss explores the pitfalls of growing too big for your boots!

    With his unique combination of hilarious stories, zany pictures and riotous rhymes, Dr. Seuss has been delighting young children and helping them learn to read for over fifty years. Creator of the wonderfully anarchic Cat in the Hat, and ranking among the UK’s top ten favourite children’s authors, Seuss is firmly established as a global best-seller, with nearly half a million books sold worldwide.

    This delightful book forms part of the third stage in HarperCollins’ major Dr. Seuss rebrand programme. With the relaunch of six more titles in January 2004, such all-time favourites as The Lorax, The Foot Book and Yertle the Turtle boast bright new covers that incorporate much needed guidance on reading levels: Blue Back Books are for parents to share with young children, Green Back Books are for budding readers to tackle on their own, and Yellow Back Books are for older, more fluent readers to enjoy. Yertle the Turtle and other stories belongs to the Yellow Back Book range.

  • How the Grinch Stole Christmas!

    Age Range: 6+ years

    Grow your heart three sizes and get in on all of the Grinch-mas cheer with this Christmas classic–the ultimate Dr. Seuss holiday book that no collection is complete without!

    Every Who down in Who-ville liked Christmas a lot . . . but the Grinch, who lived just north of Who-ville, did NOT!

    Not since ‘Twas the night before Christmas has the beginning of a Christmas tale been so instantly recognizable. This heartwarming story about the effects of the Christmas spirit will grow even the coldest and smallest of hearts. Like mistletoe, candy canes, and caroling, the Grinch is a mainstay of the holidays, and his story is the perfect gift for readers young and old.

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