• The Gonjon Pin and Other Stories: The Caine Prize for African Writing 2014

    The Caine Prize for African Writing 2014 brings together the five shortlisted authors’ stories along with 12 other stories from the best new writers. Insightful, arresting and entertaining – this collection reflects the richness and range of current African writing.

    Caine Prize 2014 Shortlisted Stories:
    Phosphorescence Diane Awerbuck (South Africa)
    Chicken Efemia Chela (Ghana/Zambia)
    The Intervention Tendai Huchu (Zimbabwe)
    The Gorilla’s Apprentice Billy Kahora (Kenya)
    My Father’s Head Okwiri Oduor (Nigeria)

    The Caine Prize African Writers’ Workshop Stories 2014:
    The Lifebloom Gift Abdul Adan (Somalia/Kenya)
    The Gonjon Pin Martin Egblewogbe (Ghana)
    As A Wolf Sweating Your Mother’s Body Clifton Gachagua (Kenya)
    Pam Pam Lawrence Hoba (Zimbabwe)
    Lily in the Moonlight Abubakar Adam Ibrahim (Nigeria)
    Running Elnathan John (Nigeria)
    The Murder of Ernestine Masilo Violet Masilo (Zimbabwe)
    All the Parts of Mi Isabella Matambanadzo (Zimbabwe)
    Blood Work Barbara Mhangami-Ruwende (Zimbabwe)
    The Sonneteer Philani A Nyoni (Zimbabwe)
    Eko Hotel Chinelo Okparanta (Nigeria)
    Music from a Farther Room Bryony Rheam (Zimbabwe)
  • Can We Talk And Other Stories (African Writers Series)

    Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe’s foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity.

    The first stories, ‘Hoffman Street’ and ‘The Man who Hanged Himself’ capture the bewildered innocence of a child’s view of the adult world, where behaviour is often puzzling and contradictory; stories such as ‘Going to See Mr B.V.’ provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. ‘Among the Dead’ and ‘Brothers and Sisters’ look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while ‘Playing your Cards’, ‘The Waterfall’, ‘Strays’ and ‘Bramson’ introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in ‘Can we Talk’ we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. ‘Can we Talk’ is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.

  • So Long a Letter (African Writers Series)

    Written by award-winning African novelist Mariama Ba and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences—some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined.Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country.

    Winner of the prestigious Noma Award for Publishing in Africa.

  • The Girl Who Can (African Writers Series)

    In The Girl Who Can, the irrepressible Ama Ata Aidoo looks at the roles and rules, and the games people find themselves playing, often unwillingly. She analyses African women’s struggle to find their rightful place in society. Her stories raise issues of choice and conflict, teasing about the issues with disarming frankness. How do people behave in cross-cultural relationships? In the modern world, where a plastic label identifies us, what is our identity? Will African women be in the driving seat in the twenty-first century? With the zest and humour, Aidoo raises these questions and provides some challenging answers.

    In this collection of short stories, Aidoo elevates the mundane in women’s lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society. Written from a child’s perspective, Aidoo subverts the traditional beliefs and assumptions about the child’s voice. Her inimitable sense of style and eloquence, explores love, marriage and relationships with all the issues they throw up for the contemporary African woman. In doing so, she manages to capture the very essence of womanhood.

  • Sɛmanyia

    Suitable for the general public and Junior High Schools.

    A comprehension book with questions for the pupil to better understand the text.

    Sɛmanyia

    10.00
  • Tales from Different Tails

    If anyone can paint a vivid image with words, breathe life into a collection of alphabets, create a vivid imagination in one’s mind with intricately and well woven tales brewed in the Ghanaian soot-coated aluminium cooking pot, then it is Nana Awere Damoah.
    This collection of short stories is an embodiment of class, style, humor, sarcasm, truth, knowledge, religion, self-realization and inspiration.
    Tales from Different Tails is a must-have book for every literature addict, anyone looking for a new lease of life in African literature and the general reading populace.

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