• The Beautyful Ones Are Not Yet Born (African Writers Series, AWS43)

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    A railway freight clerk in Ghana attempts to hold out against the pressures that impel him toward corruption in both his family and his country. The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.
  • So Long a Letter (African Writers Series)

    Written by award-winning African novelist Mariama Ba and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences—some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined.Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country.

    Winner of the prestigious Noma Award for Publishing in Africa.

  • Can We Talk And Other Stories (African Writers Series)

    Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe’s foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity.

    The first stories, ‘Hoffman Street’ and ‘The Man who Hanged Himself’ capture the bewildered innocence of a child’s view of the adult world, where behaviour is often puzzling and contradictory; stories such as ‘Going to See Mr B.V.’ provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. ‘Among the Dead’ and ‘Brothers and Sisters’ look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while ‘Playing your Cards’, ‘The Waterfall’, ‘Strays’ and ‘Bramson’ introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in ‘Can we Talk’ we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. ‘Can we Talk’ is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.

  • The Lovers (African Writers Series)

    The Lovers collects Head’s short fiction of the 1960s and 70s, written mainly in Serowe, Botswana, and depicting the lives and loves of African village people pre- and post-independence.

    An earlier selection called Tales of Tenderness and Power was published in the Heinemann African Writers Series in 1990, but this expanded and updated volume adds many previously unavailable stories collected here for the first time. Anthology favourites like her breakthrough The Woman from America and The Prisoner who Wore Glasses are included, leading up to the first complete text of her much translated title story.

  • Boy (Roald Dahl)

    Age Range: 7 – 11  years

    “A true genius . . . Roald Dahl is my hero” David Walliams

    Phizzwhizzing new cover look and branding for the World’s NUMBER ONE Storyteller!

    BOY, Roald Dahl’s bestselling autobiography, is full of hilarious anecdotes about his childhood and school days, illustrated by Quentin Blake.

    As a boy, all sorts of unusual things happened to Roald Dahl. There was the time he and four school friends got their revenge on beastly Mrs Prachett in her sweet shop.

    There are stories of holidays in fishing boats, African adventures and the days of tasting chocolate for Cadbury’s.

    You’ll hear tales of horrible school bullies and the motor-car accident when Roald’s nose was nearly sliced clean off . . .

    Roald Dahl vividly shares his memories; some are funny. Some are painful. Some are unpleasant. All are true.

  • The Son of Umbele: A Play in Three Acts

    “…the contents of the play revealed a brilliant mind at work in an attempt to deal with some basic ambiguities of human existence,” wrote Julius S. Scott Jnr. of Spelma College-Atlanta, when he saw an American production of The Son of Umbele.

    Indeed, this Ghana National Book Award winner has endeared itself to theatre enthusiasts as well as scholars since its premier at the Ghana Drama studio in 1972.

    Bill Marshall’s sensitivity to realities of the human existence and the conflicts of the mind is eloquently manifest in his writing, be it a novel, a TV Drama or a Stage play.

    The author appeared on the Ghanaian Arts scene in 1966 when he joined GBC-TV and helped to establish the Drama Department of the Television Station. He worked with the Corporation for several years, writing, production and directing plays for Television, He subsequently left for the private sector, working for Lintas Ghana Limited and in his own company, Studio Africain. In 1984, he was appointed the Director of the National Film and Television Institute (NAFTI) in Ghana.

    Other published works by the author are Novels: Bukom, Brother Man, The Oyster Man, Uncle Blanko’s Chair; Plays: Shadows of an Eagle, Stranger to Innocence Asana, The Crows and Other plays.

  • The Lockdown: Creative Non-Fiction about Living with Covid-19

    An anthology of 16 short creative nonfiction accounts about living with Covid-19 in 2020 by various authors.

  • Yawa, The Adventurer: The Soul Washer Medalllion

    Age Range: 7 – 13 years

    Meet Yawa, a 13-year-old near genius with a knack for getting into trouble! Yawa The Adventurer Issue is an original, funny, 32-page all-ages action-adventure comic series with an African twist. It is the first-ever comic to blend fact, fiction, history, culture, and modern living from a variety of African countries. If you’re a fan of adventures like Indiana Jones, silliness like Scooby-Doo or Dumb or Dumber, or international mystery and mischief like Tintin, then this is the comic for you! Each issue explores different countries in Africa through Yawa’s adventures – their history and culture and includes pages of facts that you are guaranteed to not know about! Perfect for comic lovers, young AND old!

  • Yawa, l’Aventrier: Le Medaillon du Soul Washer

    Dans ce numéro…

    Yawa, 13 ans, reçoit un appel téléphonique inquiétant de son père qui s’est rendu au Ghana pour un voyage de recherche. Dans une tentative désespérée de le sauver, elle s’envole pour le Ghana afin de le retrouver, mais il a disparu dans la nature.  Yawa enquête et tombe bientôt sur un secret troublant que personne n’est censé connaître. Ce secret met Yawa et son père en grand danger lorsqu’ils tombent face à face avec les personnes qui souhaitent le garder secret. Yawa réalise rapidement qu’il lui faudra utiliser toute sa tête pour les sauver tous les deux, et que… cela pourrait ne pas être suffisant !

  • Yawa Okwantufoɔ No: Okra Hohoroɔ Mɛdallion No

    Wɔ saa nsemaa nhoma yi mu no… Yawa a wadi mfe dumiensa nsa ka telefon so frɛ a ehaw adwene fi ne papa a watu kwan akɔ Ghana wɔ nhwehemu akwantuo bi mu no hɔ. Esiane sɛ ɔpɛ sɛ ogye no nti, ɔde wimhyen kɔ Ghana kɔhwehwɛ no, nanso wayera wɔ mframa a ɛyɛ tratraa mu. Yawa hwehwe mu na ankyɛ na ɔto hintidua wɔ ahintasɛm bi a ehaw adwene a na wɔanhyɛ da sɛ obiara nhu. Saa ahintasɛm yi de Yawa ne ne papa nyinaa to asiane kɛse mu fi nnipa a wɔpɛ sɛ wɔyɛ komm ahintasɛm no ho. Yawa hu ntɛm ara sɛ ebegye ne nyansa na wagye wɔn baanu nyinaa nkwa, na saa bere no mpo ebia ɛno rennɔɔso!

  • Kenkey For Ewes And Other Very Short Stories

    Like a basket full of coloured beads, like a kente strip of many colours, like a xylophone that produces a thousand vibrant sounds, this collection is made up of stories as varied as the diversity represented in Ghana, from Hohoe to Hamle.

    These stories represent the budding creative spirit of the current generation of young Ghanaian writers. These new voices have become the refreshing perspective from which to consider the Ghanaian narrative in a thousand words. Or less.

    This is an anthology of hope. Never have so many young people captured the stories of our time the way this army of writers have immortalised. But beyond the greatness in the stories, Kenkey for Ewes guarantees one thrilling fact: it is a great time to be a global citizen.

  • The Prince and the Slave – A Play

    This historic, award-winning play is set in Wakumey, a kingdom on the West African Coast in the late 18th century. The drama explores the internal tensions and disruptions that rock a community in an era when dealing in live human cargo was the order of the day“How can there be a kingdom without slaves?” is the mantra for King Dogali and his council of elders. However, when romance sneaks in through a most inappropriate quarter, the very centre of royal power comes face-to-face with the visceral effects of the Transatlantic Slave Trade.
    The Prince and the Slave reveals not only the inner workings of the practice but also the psychology of both the slave raider and the enslaved.
    The Prince and the Slave has been performed at Accra, Cape Coast, Kumasi and a few universities and secondary schools across Ghana.
  • Rainy Day Zoo

    Age Range: 1 – 5 years 

    Today is Zoo Day but when rain ruins a trip to the zoo, this joyous picture book follows a little child who uses their imagination to turn a boring indoor day into a wild and exciting adventure at the zoo. Go on this wild Zoo adventure with animals native to Ghana, collective names, fun facts and their Twi names too!

    Looking for a way to beat the rainy day blues? Look no further than The Rainy Day Zoo! Perfect for children, teachers, and parents alike, The Rainy Day Zoo will have kids (and adults!) laughing and learning as they follow along on this imaginative journey. So why wait for a rainy day to have some fun?

    Rainy Day Zoo

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  • Boy and Going Solo (Roald Dahl)

    Age Range: 7 – 11  years

    Boy and Going Solo is the whole of Roald Dahl’s extraordinary autobiography in one volume.

    Reissued in the exciting new Roald Dahl branding.

    Roald Dahl wasn’t always a writer. Once he was just a schoolboy. Have you ever wondered what he was like growing up?
    In BOY you’ll find out why he and his friends took revenge on the beastly Mrs Pratchett who ran the sweet shop. He remembers what it was like taste-testing chocolate for Cadbury’s and he even reveals how his nose was nearly sliced off.

    Then in GOING SOLO you’ll read stories of whizzing through the air in a Tiger Moth Plane, encounters with hungry lions, and the terrible crash that led him to storytelling.

    Roald Dahl tells his story in his own words – and it’s all TRUE.

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