• Romeo and Juliet (Penguin Readers Starter Level)

    Age Range: 12 – 17  years

    There is no sun this morning. It is not here. It is sad for Juliet and her Romeo.

    Romeo loves Juliet and Juliet loves Romeo. But their families are enemies and they cannot marry.

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    Romeo and Juliet, a Starter Level Reader, is Pre-A1 in the CEFR framework. Short sentences contain a maximum of two clauses, using the present simple and continuous tenses, possessives, regular and irregular verbs, and simple adjectives. Illustrations support the text throughout, and many titles at this level are graphic novels.

  • BBC Dynastics: Lions (Penguin Readers Level 1)

    Age Range: 12 – 17  years

    Sometimes families are happy, and sometimes they fight. Sometimes life is good, and sometimes it is not easy. It is the same for the Marsh Lions in Kenya’s Masai Mara, and for all animal families.

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    Dynastics: Lions, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.

  • Plastic (Penguin Readers Level 1)

    Age Range: 12 – 17  years

    We all use a lot of plastic every day. It is cheap and strong, and plastic things last. But where does plastic come from? And what can we do to recycle all the plastic in our world?

    Penguin Readers is a series of popular classics, exciting contemporary fiction, and thought-provoking non-fiction written for learners of English as a foreign language. Beautifully illustrated and carefully adapted, the series introduces language learners around the world to the bestselling authors and most compelling content from Penguin Random House. The eight levels of Penguin Readers follow the Common European Framework and include language activities that help readers to develop key skills.

    Plastic, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.

  • The Prince and the Slave – A Play

    This historic, award-winning play is set in Wakumey, a kingdom on the West African Coast in the late 18th century. The drama explores the internal tensions and disruptions that rock a community in an era when dealing in live human cargo was the order of the day“How can there be a kingdom without slaves?” is the mantra for King Dogali and his council of elders. However, when romance sneaks in through a most inappropriate quarter, the very centre of royal power comes face-to-face with the visceral effects of the Transatlantic Slave Trade.
    The Prince and the Slave reveals not only the inner workings of the practice but also the psychology of both the slave raider and the enslaved.
    The Prince and the Slave has been performed at Accra, Cape Coast, Kumasi and a few universities and secondary schools across Ghana.
  • Redemption Song and Other Stories: The Caine Prize for African Writing 2018

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    This collection brings together the five 218 shortlisted stories: American Dream by Nonyelum Ekwempu (Nigeria); The Armed Letter Writers by Olofunke Ogundimu (Nigeria); Fanta Blackcurrant by Makena Onjerika (Kenya); Involution by Stacy Hardy (South Africa); Wednesday’s Story by Wole Talabi (Nigeria).

    It also includes 12 stories written at the Caine Prize Writers’ Workshop, which took place in Rwanda in April 218: No Ordinary Soiree by Paula Akugizibwe; Tie Kidi by Awuor Onyango; Calling the Clouds Home by Heran T. Abate; America by Caroline Numuhire; All Things Bright and Beautiful by Troy Onyango; Departure by Nsah Mala; Where Rivers Go to Die by Dilman Dila; Ngozi by Bongani Sibanda; The Weaving of Death by Lucky Grace Isingizwe; Redemption Song by Arinze Ifeakandu; Spaceman by Bongani Kona; Grief is the Gift that Breaks the Spirit Open by Eloghosa Osunde.

  • The Goddess of Mtwara and Other Stories: The Caine Prize for African Writing 2017

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    A girl raises a baby made of human hair from the salon where she works, with unpredictable results… A prodigal brother arrives at his sister’s in the dead of night, ravaged by the unearthly deal he made to escape his gambling debts…

    The shortlisted writers include: Gods Children are Little Broken Things by Arinze Ifeakandu (Nigeria); The Story of the Girl Whose Birds Flew Away by Bushra al-Fadil (Sudan), translated by Max Shmookler; Bush Baby by Chikodili Emelumadu (Nigeria);Who Will Greet You at Home by Lesley Nneka Arimah (Nigeria); The Virus by Magogodi oa Mphela Makhene (South Africa). The collection also includes stories written by the following authors at the workshop that took place in Tanzania: Last years winner, Lidudumalingani (South Africa), Abdul Adan (Somalia/Kenya), Lesley Nneka Arimah (Nigeria) Tendai Huchu (Zimbabwe), Cheryl Ntumy (Botswana/Ghana), Daniel Rafiki (Rwanda), Darla Rudakubana (Rwanda), Agazit Abate (Ethiopia).

  • The Daily Assortment of Astonishing Things: The Caine Prize for African Writing 2016

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    A man accused of sexual harassment tells the bizarre tale of the Life bloom gift, which is accessed through the moles on pe ople’s skin… In the late 21st century a mathematical formula has been discovered that allows a few gifted people to relieve others of their grief – but at what cost?

    The shortlisted writers include Abdul Adan (Somalia/Kenya), Lesley Nneka Arimah (Nigeria), Tope Folarin (Nigeria), Bongani Kona (Zimbabwe), and Lidudumalingani (South Africa).

  • Lusaka Punk and Other Stories: The Caine Prize for African Writing 2015

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    A blind girl makes a pilgrimage to Lagos in search of faith-healing miracle… A boy in a children’s home discovers the truth about his origins… In apartheid Johannesburg, an Indian insurance agent is honoured by his white bosses but his wife feels more than a little uneasy…

  • African Violet and Other Stories: The Caine Prize for African Writing 2012

    The Caine Prize for African Writing is Africa’s leading literary prize. For over ten years it has supported and promoted contemporary African writing. Keeping true to its motto “Africa will always bring something new,” the prize has helped launch the literary careers of Chimamanda Ngozi Adichie, Segun Afolabi, Leila Aboulela, Brian Chikwava, EC Osondu Henrietta Rose-Innes, Binyavanga Wainaina, and many others.

    The 2012 collection includes the five shortlisted stories and the stories written at the Caine Prize Writers’ Workshop.

    These fifteen stories show yet again the richness and range of current writing on the continent. They underline the primacy of the short story, with its oral antecedents, at the very heart of African literature.

  • Safe House: Explorations in Creative Nonfiction

    In a collection of creative essays that ranges from travel writing and memoir to reportage, Ellah Wakatama Allfrey brings together some of the most talented writers of creative nonfiction from across Africa.

    A Ghanaian explores the increasing influence of China across the region; a Kenyan student activist writes of exile in Kampala; a Liberian scientist shares her diary of the Ebola crisis; a Nigerian writer travels to the north to meet a community at risk; a Kenyan travels to Senegal to interview a gay rights activist and a South African writer recounts a tale of family discord and murder in a remote seaside town.

    This anthology contains a range of unforgettable stories by authors from across Africa and presents personal views of contemporary issues in an accessible and thought-provoking manner.

  • Bookset: The Adventures of Naughty Kofi (7 books)

    Age Range: 6 – 11 years

    Kofi Opoku lives in Botikrom. He is a clever boy who likes to play tricks and is always getting into trouble.
     
    The church harvest is approaching and Kofi has been on his best behaviour much to everyone’s surprise. Kofi Opoku is up to his old tricks again but this time it seems his latest trick has angered a ghost and the ghost is out to get him! Kofi’s neighbour, Mama Caro, hurts her ankle and cannot take care of her chicken coop so Kofi’s mother enlists him to help out. Kofi’s mother has been asked to sew a wedding dress, for the daughter of one of the richest women in Botikrom. All seems well, until…
     
    Kofi and his father play a visit to the Upper East region. It’s Kofi’s first time in the northern part of Ghana and he will never forget meeting a crocodile and encountering an angry guinea fowl!
     
    Join Naughty Kofi on his many adventures!
     
    The titles in this set are:
     
    – Kofi and the Sack of Sticky Feathers
    – Kofi and the Bucket of Powder
    – Kofi and the Ghost
    – Kofi and The Wedding Dress
    – Kofi and the Poisoned River
    – Kofi and the Book Thief
    – Kofi at the Accra Marriot Hotel

     

  • Kofi and the Poisoned River (The Adventures of Naughty Kofi #5)

    Age Range: 6 – 11 years

    Kofi and his father play a visit to the Upper East region. It’s Kofi’s first time in the northern part of Ghana and he will never forget meeting a crocodile and encountering an angry guinea fowl!

    Back in Botikrom, something strange is going on: there are dead fishes floating in the river and unusual sounds can be heard in the forest. Will Kofi and his father solve the mystery?

  • The Waiting

    A largely allegorical exploration of the loneliness of an existence based on an alien world-view, Martin Egblewogbe’s The Waiting is a collection rooted in metropolitan Ghana, but its primary territory is the human mind. Juxtaposing his training as a physicist against his curiosity about local myth, he creates a universe that’s both entertaining and erudite. In A Photograph of K & S, Smiling, a completely self-obsessed man, returned home after his father’s death, attempts to explain away his unremarkable life based on one perceived slight from his youth; in The Gonjon Pin (title story for the 2014 Caine Prize anthology) a genius working on a program to predict lottery numbers is stumped by the appearance of an intruder’s disembodied genitals on the wall of his computer engine room; The Making, Rain and Back to the Halls explore futility in different ways, while Atta explores life after death – a theme that reoccurs in a much bleaker guise in The Crwoling Caterpillar. Often Kafkaesque in its isolation of characters and a pervading sense of powerlessness, The Waiting nevertheless maintains a constant hum of humour, nowhere more so than in The Going Down of Pastor Mintumi – in which a pastor who has discovered the pleasures of the flesh late in life overindulges with hilarious consequences. The title story, The Waiting, is judgement day in a twisted mind, filled with the kinds of questions that haunt a life on earth, which, ultimately, is the quest of all art.

    The Waiting

    125.00
  • Nyanza Anloma (Nzema)

    This book is a collection of short novels, each written in an open verse

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