• Love Is Power, or Something Like That: Stories

    When it comes to love, things are not always what they seem. In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidante. Men and women can be objects of fantasy, the subject of beery soliloquies. They can be trophies or status symbols. Or they can be overwhelming in their need.
    In the wide-ranging stories in Love Is Power, or Something Like That, A. Igoni Barrett roams the streets with people from all stations of life. A man with acute halitosis navigates the chaos of the Lagos bus system. A minor policeman, full of the authority and corruption of his uniform, beats his wife. A family’s fortunes fall from love and wealth to infidelity and poverty as poor choices unfurl over three generations. With humor and tenderness, Barrett introduces us to an utterly modern Nigeria, where desire is a means to an end, and love is a power as real as money.
  • We Won’t Budge

    Part autobiographical, part social commentary, this is a powerful and insightful look at the situation of border intellectuals at the beginning of the twenty-first century.

    In this searing memoir, Manthia Diawara revisits his early years as an emigrant in love with Swedish girls and Western rock and roll music, taking us from the nightclubs of his hometown Bamako to the cafes of Boulevard Montparnasse and the black neighbourhoods of 1970s Washington DC, USA.

    This book is about the developed world – that is the former colonisers of the African continent now busy slamming shut its doors to African and Arab immigrants.

    It is also about human rights violations and racism against people of colour. Diawara writes that he wanted to give a human face to African immigration in today’s global world. He describes the reasons why many Africans leave the continent – such as poverty, persecution and lack of opportunities – and writes sometimes angrily and sometimes very movingly, about their predicament in Europe and the US, where they are caught between their traditions and the West’s vacuous modernity.

    “With humour and the intimacy of a conversatonal tone, Diawara writes of the ‘global’ African as a nomad at the mercy of whirlwinds of economic and political dislocation at home and racism and intolerance abroad. He is not at home in his country; he is not at home abroad. But the nomad refuses to bow down to those whirlwinds, to let evil turn him around, and against all the odds becomes an active contributor to the multiculture of the globe. This is the story of a diasporic soul that finds home in its own resilience and in so may ways it is all our story.” – Ngugi wa Thiong’o (Author of A Grain of Wheat et al)

    “We Won’t Budge is destined to become a classic – it is one of the most insightful, layered and moving accounts of the modern African Diaspora.” – Patricia Williams (Author of The Alchemy of Race & Rights et al)

  • The Enemy of the State and Other Stories

    Set in the fictional African country of Ghaspata, a country a bit too suspiciously like Ghana, these eleven short stories hinge on themes of identity, violence, love and cruelty, fear, desperation, and man’s search for happiness and meaning.

    Adolika Nenah Sowah’s quirky imagination produces an oddly familiar world, laced with bolts of striking new realities that the author weaves into her stories – a teacher strangled by the very trees whose branches he uses to cane children, and a mysterious okro plying the skies of Ghaspata.

    Compelling, ironic, bizarre, and immensely humorous, The Enemy of the State and Other Stories is sure to leave readers highly entertained.

  • Voice of America

    Set in Nigeria and America, Voice of America moves from boys and girls in villages and refugee camps to the disillusionment and confusion of young married couples living in America, and back to bustling Lagos. It is the story of two countries and the frayed bonds between them.

    In ‘Waiting’, two young refugees make their way through another day, fighting for meals and hoping for a miracle that will carry them out of the camp; in ‘A Simple Case’, the boyfriend of a prostitute gets rounded up by the local police and must charm his fellow prisoners for protection and survival; and in ‘Miracle Baby’, the trials of pregnancy and mothers-in-law are laid bare in a woman’s return to her homeland.

    Written with exhilarating energy and warmth, the stories in Voice of America are full of humour, pathos and wisdom, marking the debut of an immensely talented new voice.

  • The Whispering Trees

    The magical tales in The Whispering Trees capture the essence of life, death and coincidence in Northern Nigeria. Myth and reality intertwine in stories featuring cat-eyed English witches, political agitators, newly-wedded widows, and the tormented whirlwind, Kyakkyawa. The two medicine men of Mazade battle against their egos, an epidemic and an enigmatic witch. And who is Okhiwo, whose arrival is heralded by a pair of little white butterflies?

  • Safe House: Explorations in Creative Nonfiction

    In a collection of creative essays that ranges from travel writing and memoir to reportage, Ellah Wakatama Allfrey brings together some of the most talented writers of creative nonfiction from across Africa.

    A Ghanaian explores the increasing influence of China across the region; a Kenyan student activist writes of exile in Kampala; a Liberian scientist shares her diary of the Ebola crisis; a Nigerian writer travels to the north to meet a community at risk; a Kenyan travels to Senegal to interview a gay rights activist and a South African writer recounts a tale of family discord and murder in a remote seaside town.

    This anthology contains a range of unforgettable stories by authors from across Africa and presents personal views of contemporary issues in an accessible and thought-provoking manner.

  • The Daughters of Nandi

    As she took her dying breath, Nandi Mhlongo, mother of Shaka kaSenzangakhona, cursed the house of Zulu and her family, the Mhlongos, for the disrespect she endured at their hands. In the ancestral realm, Nandi worries that her malediction may have been rash and too dangerous for the descendants of the two houses. The curse can be undone but it will need a human medium to convey the message to the progeny.

    Through three historical periods, three women who are extraordinary in their different ways will seek to get restitution for Nani. Gentle Keeya, a Motswana woman of the House of Moagi who marries one of Nandi’s descendants as the English, the Boers and the Zulu go to the war in the 19th century; Uju, a spirited married woman who carves a space for herself in history during the forced removals of Sophiatown in the 20th century; and in the 21st century Amangwe, who reluctantly joins her fellow students as they speak up against a meaningless freedom during the #FeesMustFall protests.

    Will any of these three women manage to ensure Nandi Mhlongo is appeased and if not, what shall be the consequences to the Houses of Mhlongo and Zulu and to the three Daughters of Nandi themselves?

    An engaging debut which seamlessly weaves fact, fiction and spiritualities while subverting the way the reader perceives history.

  • The Days of Silence

    Osasé has a secret she cannot share.

    Not even with her two sisters and mother, as they all battle to cope with the complexities of sisterhood, the fragile balances in mother-daughter relationships, and the deep scars of marriages gone awry. The story traces Osasé’s girl-to-woman journey of self-discovery from Kano, to Abuja, to Grenoble, and her fight for survival as her life slowly comes undone at the seams. The heart-warming narrative is reminiscent of Little Women but modern, urban, and with a blindsiding twist in the tale.

     The Days of Silence is a poignant coming-of-age story about identity, the unbreakable bonds of family, displacement, survival, and the triumph of a woman’s spirit.

  • Nearly All The Men In Lagos Are Mad

    Nearly All the Men in Lagos are Mad is a collection of twelve short stories featuring characters with unique voices and stories that represent the diverse class, gender and ethnic melting pot that is Lagos.

    There’s a story of a young lady who tries to find her oyibo soulmate on the streets of Lagos; another of a pastor’s wife who defends her husband from an allegation of adultery; a wife takes a knife to her husband’s penis; a night of lust between a rising musician and his Instagram baddie takes an unexpected turn.

    From Ikorodu to Yaba, Ilupeju to Victoria Island, the stories underscore with wit, humour, wisdom and sensitivity, the perils of trying to find lasting love and companionship in Africa’s most notorious city that will prove universal and illuminating.

    There’s a story behind every hustling, hopeful, striving Lagosian trying to make their way to a better life and Damilare Kuku’s characterisations are brilliant distillations of this recognisable mind-set.

    Every story is layered; these are people and choices you may recognise in yourself and people you know. Ultimately, these stories will make you laugh, think, feel and remind us all that we are not alone.

  • For What Are Butterflies Without Their Wings

    Troy Onyango’s For What Are Butterflies Without Their Wings is a collection of 12 short stories that have a quickening pulse and pages crackling with sharp observations and gentle revelations about solitude, loneliness, connection, loss, love, and the infinite intricacies of daily human life.

  • A Possible Future: An Anthology of the Best Nigerian Writing (1789 - 2018)Hot

    A Possible Future: An Anthology of the Best Nigerian Writing (1789 – 2018)

    Spanning two hundred years and multiple genres, A Possible Future uses gorgeous excerpts from over eighty literary works to showcase the inventiveness in Nigerian letters and the various zeitgeists—colonialism, despotism, Afropolitanism, postcolonialism, race and sexuality—that have defined it throughout the country’s history. The writers whose works are represented here—A. Igoni Barrett, Taiye Selasi, Gbenga Adesina, Helen Oyeyemi, Chimamanda Ngozi Adichie, Abubakar Adam Ibrahim, Niyi Osundare, and many more—remind the world of our fraught yet rich literary backstory and point towards the immense possibilities awaiting us in its future.

    Price range: ₵120.00 through ₵245.00

    A Possible Future: An Anthology of the Best Nigerian Writing (1789 – 2018)

    Price range: ₵120.00 through ₵245.00
  • Manchester Happened

    An ambitious and assured collection of short stories from the internationally acclaimed author of Kintu.

    If there’s one thing the characters in Jennifer Makumbi’s stories know, it’s how to field a question.

    ‘Let me buy you a cup of tea… what are you doing in England?’

    ‘Do these children of yours speak any Luganda?’

    ‘Did you know that man Idi Amin?’

    But perhaps the most difficult question of all is the one they ask themselves: ‘You mean this is England?’

    Told with empathy, humour and compassion, these vibrant, kaleidoscopic stories re-imagine the journey of Ugandans who choose to make England their home. Weaving between Manchester and Kampala, this dazzling, polyphonic collection will captivate anyone who has ever wondered what it means to truly belong.

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